Someone should make an edit with "I See God In You" by Caroline Kingsbury. I'd do it myself, but I'm terrible at editing.
d e v o n
official daine visual archive
cherry valley forever
Monterey Bay Aquarium

Product Placement
𓃗
almost home

tannertan36
taylor price

oozey mess
Cosmic Funnies
let's talk about Bridgerton tea, my ask is open

blake kathryn
NASA
Aqua Utopia|海の底で記憶を紡ぐ
he wasn't even looking at me and he found me
EXPECTATIONS
Claire Keane
we're not kids anymore.
seen from United States

seen from United States
seen from United Kingdom

seen from United States
seen from Netherlands

seen from Saudi Arabia

seen from Türkiye
seen from United States

seen from United States

seen from United States
seen from Canada
seen from United States

seen from Venezuela

seen from Austria

seen from Azerbaijan
seen from United States
seen from United States

seen from United States

seen from Malaysia

seen from Kenya
@boredbylerbitch
Someone should make an edit with "I See God In You" by Caroline Kingsbury. I'd do it myself, but I'm terrible at editing.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Millie said she wore black to the premiere as a nod to El dying, so maybe Sadie wore white to hint at a wedding. Maybe there's like a 5-year time skip and Lumax are getting married, so Mike and Will go on a road trip back to Hawkins, mirroring the one from season 4. But this time they're more emotionally mature and Mike's spent a few years "exploring", and they're both finally ready to have an honest conversation about their feelings and unpack all the shit that went down between them when they were younger, giving them the chance to figuratively (and maybe literally) go back in time and rewrite their ending.
I need to reiterate that this is the moment they tell us Mike is starting to have conflicting feelings for Will that are not platonic. It's this moment. Even if he can't place what the feelings are exactly, this is what is clearly happening.
First off, why tf would you do a shot like this if this is just his platonic buddy? Will walks out of frame, therefore the scene is not about him. As he walks off, the lens focuses clearly to a singular shot of just Mike watching in medium close up. This means his perspective in this moment is going to be important. That this scene may even be just about him in particular.
So, this shot of Will and the girl dancing, is from Mike's perspective. Him watching them.
Because they then show us another perspective in this scene for a moment to let you know who's is who's. Dustin's.
The camera moves from Mike & Dustin frowning and watching to zooming in and panning over to Lucas and Max dancing. And as we know, Dustin originally had a crush on Max, so he is clearly upset by seeing this unfold and watches longingly.
The camera even pans back and zooms specifically in on Dustin in this moment to tell us that he is watching Max & Lucas, and that was his perspective in that moment when the camera was on them dancing.
And then it literally cuts right back onto them zoomed in for good measure, telling us that this moment is Dustin's perspective:
Because then it slowly moves the camera across the room over to Stacy, as if the camera is literally his neck turning, noticing her. Which we know right after this shot, he goes over there to ask her to dance.
Notice how Dustin and Mike's attention are in two different places now. Dustin moves on quickly.
These are two different screenshots of the same moment. Like please look at Mike's and Dustin's faces here. Dustin changes the coarse and is now nervous but determined to go up to Stacy. He forgets Max, because he knows that is never happening now. But poor Mike Wheeler. His sights are still locked on the same spot. On Will dancing with the girl. Please look at this kid's face 😭 it goes from this:
I'm sorry, but this kid is realizing something. There is something going on in that brain of his and possibly even something is his stomach that he can't place or is scared to name. Mind you, let's remember. This entire scene, Mike says absolutely nothing, literally. Starting from the very beginning, when Will was still standing there, up until he sits looking miserable. Anyway, everything in this scene that Mike expresses is through facial expression and body language. Which you know what scene this reminds me of? Hm, oh yeah:
This one, lol. This scene may be Will's chance to speak from the heart, but we don't get as many shots of Will while he is speaking in this scene compared to shots of Mike simply reacting quietly. This kid has been going through it for several years. When he goes through something with high emotions involved, he goes quiet, clearly.
Leaving it on this devastating note before Jane walks in and his spirits lift. I know people most likely brush off literally everything that happens before Jane enters through those doors because he seems happy once he sees her. But this entire scene beforehand is clearly crucial.
Mike looks absolutely devastated before she arrives, so I think many take it as "Oh no, Jane is not here, therefore Mike is depressed", but his mind this entire time was clearly elsewhere, not on Jane, because he was preoccupied with whatever was going on before.
Her walking into the dance made him forget everything. And people seem to conveniently forget that while Mike is having this cute moment with Jane, Will is still off dancing with that girl. Which is why Mike was originally sitting there alone in the first place. Will dancing with that girl instead of sitting there with Mike gave him the chance to sit there alone, looking shattered. Mike clearly seems to instantly regret doing so as he watches them walk onto the dance floor and watches silently. If only Mike hadn't silently nudged Will to respond yes to her, he may have been sitting there alongside him.
For me, this is the moment that is pivotal for how Mike and Will's relationship unfolds over the course of the following seasons. And it all starts with a choice that Mike technically made, because he nudged Will to do it. What does Mike say in S5? "I don't want anymore regrets." Right, cool. Please free Mike Wheeler from his repressive hell 😪
How most people would react to their totally platonic friend dancing with someone they might like
How the Duffers chose to have Mike react
If Byler was really "never in the cards", why was it on-screen? Are we really supposed to believe they accidentally wrote, filmed, and edited this level of gay subtext into the show, and somehow kept repeating that same mistake over and over throughout all five seasons without ever realizing it, and without any of the experienced, competent people they collaborated with for years noticing it and pointing it out to them?
Can the fandom mamas please stop coming into our tags and trying to gentle parent us? We're not experiencing mass psychosis or doing anything dangerous; we're just analyzing media and coming up with fun theories based on the interesting parallels and patterns we find. And I don't know what's going on with the theorists on other social media platforms, but most of us on Tumblr aren't letting our interest in conformitygate interfere with our everyday lives. Most of us work, go to school, participate in other fandoms and hobbies, and have healthy social lives. Theorizing is just something we like to indulge in during our free time.
If nothing ever comes from it, we'll be disappointed and upset, but we've been burned by this show before. We didn't start rioting in the streets after the finale, and we're not gonna start rioting now. Because, once again, we're not experiencing mass psychosis. Even if conformitygate isn't real, the parallels between Stranger Things and other media are very real, as are the contradictions between the marketing and actual content of the show. We're not crazy or delusional for noticing and wanting to discuss this with other people. That's how you build media literacy, babes. The conclusions we come to might be way off-base, but at least we're practicing our critical thinking skills and learning to actively engage with the media we consume, instead of mindlessly devouring whatever slop mainstream media companies like Netflix have been trying to sell us these past few years.
Also, if the person who posted is actually studying psychology like they claim to be, they should know better than to casually throw around a term like "mass psychosis." That is a very serious clinical diagnosis with a long and dark history of being weaponized against women, queer people, and racial minorities to dismiss their lived experiences. Most of the people who frequent this tag belong to one or more of these targeted groups. If this person thinks it's appropriate to even jokingly insinuate a group of mostly women and queer people are experiencing hysteria and need some stranger on the internet to help us manage our mental health, perhaps they should reconsider their chosen career path.
okay guys even if we don’t get conformitygate on the 7th.. somethings coming either way LMAO
it might be a henry prequel? idk. like i’m genuinely baffled😭
didn’t they say on the squawk ages ago “they’ve got a tv series, they’ve got a radio show, why not a movie”? (pls don’t quote me on that, it was something along those lines)
GUYS IT TOOK 6 FUCKING MONTHS BUT SOMEONE ELSE PROVED THEY HEARD IT TOO
I KNEW I WASNT FUCKING CRAZY LMFAOOOO
also “What’s next, the movies?”
remember who told us we’d question everything?

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
but they tricked us, didn't they?
Giving El an E.T.-style ending doesn't work for several reasons (like the fact that she's a human girl, not a fucking alien), but the main one is that E.T.'s ending is bittersweet, not tragic. It's sad that he can't stay on Earth with Elliott, but he's not dying or doomed to spend the rest of his life alone. He's going home to be with his family. We know he's going to be okay.
Even if El miraculously survived, she could never return to the people she loves, and she's completely alone. In Mike's vision of her future, there's no indication she's found new friends or family. It's just El, isolated from everyone and everything she cares about.
E.T. loses Elliott, but gets to go home; El loses her loved ones and her home, and is left with nothing but those fucking waterfalls her middle school boyfriend dreamed up for her.
double feature of the fucking millenium i think
I think the Kerouac parallel between Jesse Walsh and Mike Wheeler is particularly damning evidence against the Duffers' repeated insistence that their character was never intentionally queer-coded, especially given all the other parallels between Stranger Things and Freddy's Revenge. Somebody on that set knew exactly what they were doing.
Also, openly gay author Truman Capote sharply criticized the writing of Jack Kerouac and other Beat writers, arguing that their stream-of-consciousness style relied too much on spontaneity and not enough on editing or craftsmanship. He famously quipped their work was "not writing, it's typing".
“My heart resides in a typewriter, and I don't have a heart unless there's a typewriter somewhere nearby, with a chair in front of it and some blank sheets of paper.”- Jack Kerouac
Mike was never my favorite character, but I always felt like he had the potential to be far more compelling than the Duffers allowed him to be. Even setting Byler aside, there were a million different directions they could've taken him in. Instead, they left him largely stagnant for most of the series. Even Mr. Clarke had more of an arc than he did. I think that's what frustrates me most about the show: it had the potential to be great, but the Duffers either didn't realize what they had or just didn't care enough to do their own story and characters justice.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Even if CG ultimately leads somewhere meaningful, I’ll never forgive the Duffers for using such a harmful marketing strategy. Mocking fans and giving bullies more ammunition is not acceptable.
Having 70% of the fandom turn against you is not a success, even if there’s a bigger plan behind it. People won’t simply forget everything that happened over the past year. Good marketing should build excitement and engagement, not alienate a large portion of the audience while catering to only a tiny fraction of the fandom.
What frustrates me most is that they created an environment where people felt comfortable openly ridiculing and attacking us. That’s what I resent the most.
"… the second Nightmare on Elm Street is obviously intended as a bisexual themed film. It was early '80s, pre-AIDS paranoia. Jesse's wrestling with whether to come out or not and his own sexual desires was manifested by Freddy."- Robert Englund
"It was intended to play homophobic rather than homoerotic...Jesse is, in the end, finally able to control the monster inside him (his latent homosexuality) with the love of a good woman."- David Chaskin (Freddy's Revenge screenwriter)
"I simply did not have the self-awareness to realize that any of this might be interpreted as gay. I also had not the slightest idea that one of my lead actors was gay."- Jack Sholder (director)
"The Bylers kind of went crazy, when it was obvious that that's not gonna happen...Stranger Things has never even teased the possibility of a relationship beyond friendship between Mike and Will."- Randy Havens (Mr. Clarke)
"It was never, never in the cards."- Matt Duffer
"I always thought that the real villain in my story was David Chaskin, the writer. He insisted for so many years that he hadn't written it as a gay film, but I knew that he had because we had mutual friends. He would always blame it on me, he'd say, 'Well I didn't write it that way, but Mark was just so gay that he made the whole movie gay.'"- Mark Patton (Jesse Walsh)
soooo jamie bower posts this
and earlier he posted about b-side vinyl
and finn's new single called TUNNELS is out on 06.10.2026
what's happening
Just got this email👀
The thing is, it really didn't have to be Mike. It could've been Carlton, or Chance, or even fucking Mikhail, but the Duffers chose Mike. They could've given him another love interest, or at least shown him expressing interest in other boys, but instead they chose to center his entire sexuality arc around his feelings for Mike and only Mike.
I love Byler, but I could've gotten on board with another love interest for Will if they'd made an effort to write one for him. They had several seasons to do so. They could've written a flirty interaction between him and another boy in Lenora. They could've subverted our expectations and revealed that the painting was actually for someone else he had a crush on. They could've made the bar scene with Carlton longer so we could finally see the "snowballs" and "avalanches" conversation pay off. But they didn't do any of that. They dragged out his feelings for Mike until the penultimate episode, stunting his character development, and then had the nerve to claim they didn't give him another love interest because they wanted his journey to be "more internal and about himself."
Still, I might've been okay with this half-assed self-acceptance angle if they hadn't also established that Will wants romantic love. No, I don't think anyone needs sex or romance to be happy, and as poorly written as his coming-out arc is, I am glad he learned to love and accept himself before he started dating anyone. But we are repeatedly shown how self-sacrificing Will is, and one of the few selfish desires he has is to be loved romantically. Not only is it cruel to deny him this after all the horrible shit he's endured, it's also bad writing to establish this as one of his central desires then fail to meaningfully resolve that aspect of his character arc. If they were really so determined not to give him a love interest, they could've at least used the vision Vecna gave him about his future to explain the sudden change in his feelings for Mike. But in typical Duffer fashion, "it happened off-screen."
It didn't have to be Mike, but Mike is what they gave us. So every time the Duffers try to play dumb and act like Bylers were delusional for thinking Mike and Will might end up together, I start throwing imaginary tomatoes at them, because they're responsible for all of this. Even if Byler was "never in the cards", they still should've addressed the ship once they realized how popular it had become. Mike and Will barely interact in season 5; telling us Byler wasn't going to happen wouldn't have spoiled anything. Instead, they leaned into it, both in the story and in the marketing, because as the "loudest" subsection of the fandom, they knew we'd give them the most money and attention.
And I don't expect them to ever take accountability for any of this, but I really wish they'd stop trying to rewrite their own narrative by scapegoating us.
Exactly, I would have been fine with byler not being canon, if they had made a little effort to give these two some kind of closure. Will didn't have a storyline of his own for the last three seasons, he just suffered from his unrequited love. By the end of season 4, it seemed like this had been resolved, Will finally gave up on Mike and realized he didn't stand a chance, when suddenly in season 5 they gave him hope only to break his heart once again.
I would have even accepted all that Tammy nonsense if Will's revelation hadn't happened off-screen over the course of a day, and if they had actually shown that he had moved on. Instead, what happened was that Will once again buried his feelings for Mike and El's sake, not to be a burden to them. It's obvious that he hasn't moved on at all in the finale, and he continues to suffer in silence. What was the point of all this?
Regardless of whether it's meant to be interpreted as romantic or platonic, I maintain that Mike and Will's relationship was always intended to be the narrative spine of the show, and that trying to remove it from the story caused the whole thing to collapse, which is why the final season feels so disjointed.
The thing is, it really didn't have to be Mike. It could've been Carlton, or Chance, or even fucking Mikhail, but the Duffers chose Mike. They could've given him another love interest, or at least shown him expressing interest in other boys, but instead they chose to center his entire sexuality arc around his feelings for Mike and only Mike.
I love Byler, but I could've gotten on board with another love interest for Will if they'd made an effort to write one for him. They had several seasons to do so. They could've written a flirty interaction between him and another boy in Lenora. They could've subverted our expectations and revealed that the painting was actually for someone else he had a crush on. They could've made the bar scene with Carlton longer so we could finally see the "snowballs" and "avalanches" conversation pay off. But they didn't do any of that. They dragged out his feelings for Mike until the penultimate episode, stunting his character development, and then had the nerve to claim they didn't give him another love interest because they wanted his journey to be "more internal and about himself."
Still, I might've been okay with this half-assed self-acceptance angle if they hadn't also established that Will wants romantic love. No, I don't think anyone needs sex or romance to be happy, and as poorly written as his coming-out arc is, I am glad he learned to love and accept himself before he started dating anyone. But we are repeatedly shown how self-sacrificing Will is, and one of the few selfish desires he has is to be loved romantically. Not only is it cruel to deny him this after all the horrible shit he's endured, it's also bad writing to establish this as one of his central desires then fail to meaningfully resolve that aspect of his character arc. If they were really so determined not to give him a love interest, they could've at least used the vision Vecna gave him about his future to explain the sudden change in his feelings for Mike. But in typical Duffer fashion, "it happened off-screen."
It didn't have to be Mike, but Mike is what they gave us. So every time the Duffers try to play dumb and act like Bylers were delusional for thinking Mike and Will might end up together, I start throwing imaginary tomatoes at them, because they're responsible for all of this. Even if Byler was "never in the cards", they still should've addressed the ship once they realized how popular it had become. Mike and Will barely interact in season 5; telling us Byler wasn't going to happen wouldn't have spoiled anything. Instead, they leaned into it, both in the story and in the marketing, because as the "loudest" subsection of the fandom, they knew we'd give them the most money and attention.
And I don't expect them to ever take accountability for any of this, but I really wish they'd stop trying to rewrite their own narrative by scapegoating us.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
There are so many Lost parallels👀
If conformitygate isn't real, what was the point of this vagina dentata/Venus flytrap-looking design? I get that it's supposed to be an homage to Little Shop of Horrors and It, but they gave it a fleshier, less exoskeletal look than Pennywise's spider form, and made it vertical instead of horizontal like Audrey II, with more pronounced "lobes".💀