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Mr. Jacques Griffe, chef dāatelier de Madeleine Vionnet follow onĀ InstagramĀ for more

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Azzedine AlaĆÆa for i-D Magazine, October 2002 Photographed by Martha Camarillo, styled by Avena Gallagher follow onĀ InstagramĀ for more
Photographs by Nobuyoshi Araki, printed on clothing from the Pleats Please by Issey Miyake collection Photographed by Yasuaki Yoshinaga
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John Galliano by Sean Ellis follow onĀ InstagramĀ for more
Dirk Bikkembergs, AW2002-2003 follow onĀ InstagramĀ for more

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Angelo Figus AW2002-2003 invitation follow onĀ InstagramĀ for more
Marina Yee follow onĀ InstagramĀ for more
Stella Tennant & Kirsten Owen dressed in Ann Demeulemeester for mixte, 1997 Photographed by Peter Lindbergh follow onĀ InstagramĀ for more
Installation by Issey Miyake at the Fondation Cartier Paris, 1997 follow onĀ InstagramĀ for more
Marina Faust for Maison Martin Margiela, SS1996 follow onĀ InstagramĀ for more

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Hussein Chalayan, AW1997 follow onĀ InstagramĀ for more
In 2000, Belgian tech company Starlab collaborated with Walter Van Beirendonck for the i-Wear clothes. Van Beirendonck designed six different shirts that kept track of several databases. The prototypes were introduced on the catwalk during Van Beirendonckās AW2000/2001 collection.
Every shirt had a different layer, there was a memory layer, a motion-sensing layer, a energy supply layer, a sound layer and a storage layer. Every layer had a purpose to fulfil specific functions. As an example the sound layer provides sound in- and output facilities, both in the collar and sleeve of the shirt. The motion-sensing layer keeps track of tue developments and movements in your environment. The layers should be worn on top of each other so that they could communicate with each other and their immediate environment by FAN technology (Fabric Area Network), a wireless network that enables the transmission of electronic data. follow onĀ InstagramĀ for more
Giorgio Armani by Armin Linke follow onĀ InstagramĀ for more
Prada Sunglasses advertisement, 2011 follow onĀ InstagramĀ for more
Maison Martin Margiela, SS1999 follow onĀ InstagramĀ for more

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Stunning collaboration between C.P. Company and Aitor Throup for the 20th anniversary of the Goggle Jacket.
Originally, the Goggle Jacket was designed by Massimo Osti for the sponsoring for the 1988 Mille Miglia open car race in Italy. The jacket became an iconic piece of clothing within a short time. In 2009, the time was right for a reinterpretation of the cult piece.
Throup had to redesign the archetype and reinterpret the vision Osti once set for the iconic jacket. Throup graduated from Londonās Royal Academy of Arts in 2006. With his stunning MA collection that included multipurpose pieces of clothing, it was just a matter of time before he got a chance to collaborate with brands like C.P. Company, Stone Island, G-Star RAW and Umbro. follow onĀ InstagramĀ for more
A Vera Maxwell travel jacket from 1948 with a hidden storage pocket. Jacket was made of donegal tweed, wool jersey, plastic and leather. follow onĀ InstagramĀ for more