What's lookin good cookin? 🍅 🍜 😍 #mumcooking #tb #healthy #yummy #nye #family #lunch #homemade #love #fun #cookingram #l4l #colourful #nofilter #instagood
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Claire Keane
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we're not kids anymore.
Today's Document
trying on a metaphor

titsay
d e v o n

Love Begins
RMH
Keni

❣ Chile in a Photography ❣

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izzy's playlists!
Cosmic Funnies
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@booknerdpride
What's lookin good cookin? 🍅 🍜 😍 #mumcooking #tb #healthy #yummy #nye #family #lunch #homemade #love #fun #cookingram #l4l #colourful #nofilter #instagood

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this literally changed my mood 180°
IT’S FACE WHEN IT POPS
<3_<3
LOOK AT THESE BEAUTIFUL CREATURES
every time I reblog this my sister sends me a message to the effect of “thank u for reposting that cat video on your tumblr i have seen it so many times but it delights me every time because their paws are so gentle and graceful”
The awkward moment when Reylo is found out in Episode IX
Poe: Man, I hate Kylo Ren.
Finn: Same! He sliced my back open!
Poe: He tortured me for information!
The Resistance: Kylo Ren is Public Enemy No. 1!
Everyone: …Rey?
Rey:
The first task of the Triwizard Tournament was actually Rita Skeeter.
Quite the challenge 😂
Adam Driver hair appreciation post requested by Anon
“my affection for you cannot be repressed”

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I unno what meme this is, but I’m here for this.
It’s called the Millennial Falcon
Rebloggin’ the Millennial Falcon
there’s something endlessly hilarious to me about the phrase “hotly debated” in an academic context. like i just picture a bunch of nerds at podiums & one’s like “of course there was a paleolithic bear cult in Northern Eurasia” and another one just looks him in the eye and says “i’l kill you in real life, kevin”
I heard a story once about two microbiologists at a conference who took it out into the parking lot to have a literal fistfight over taxonomy.
have i told this story yet? idk but it’s good. The Orangutan Story:
my american lit professor went to this poe conference. like to be clear this is a man who has a doctorate in being a book nerd. he reads moby dick to his four-year-old son. and poe is one of the cornerstones of american literature, right, so this should be right up his alley?
wrong. apparently poe scholars are like, advanced. there is a branch of edgar allen poe scholarship that specifically looks for coded messages based on the number of words per line and letters per word poe uses. my professor, who has a phd in american literature, realizes he is totally out of his depth. but he already committed his day to this so he thinks fuck it! and goes to a panel on racism in poe’s works, because that’s relevant to his interests.
background info: edgar allen poe was a broke white alcoholic from virginia who wrote horror in the first half of the 19th century. rule 1 of Horror Academia is that horror reflects the cultural anxieties of its time (see: my other professor’s sermon abt how zombie stories are popular when people are scared of immigrants, or that purge movie that was literally abt the election). since poe’s shit is a product of 1800s white southern culture, you can safely assume it’s at least a little about race. but the racial subtext is very open to interpretation, and scholars believe all kinds of different things about what poe says about race (if he says anything), and the poe stans get extremely tense about it.
so my professor sits down to watch this panel and within like five minutes a bunch of crusty academics get super heated about poe’s theoretical racism. because it’s academia, though, this is limited to poorly concealed passive aggression and forceful tones of inside voice. one professor is like “this isn’t even about race!” and another professor is like “this proves he’s a racist!” people are interrupting each other. tensions are rising. a panelist starts saying that poe is like writing a critique of how racist society was, and the racist stuff is there to prove that racism is stupid, and that on a metaphorical level the racist philosophy always loses—
then my professor, perhaps in a bid to prove that he too is a smart literature person, loudly calls: “BUT WHAT ABOUT THE ORANGUTAN?”
some more background: in poe’s well-known short story “the murder in the rue morgue,” two single ladies—a lovely old woman and her lovely daughter who takes care of her, aka super vulnerable and respectable people—are violently killed. the murderer turns out to be not a person, but an orangutan brought back by a sailor who went to like burma or something. and it’s pretty goddamn racially coded, like they reeeeally focus on all this stuff about coarse hairs and big hands and superhuman strength and chattering that sounds like people talking but isn’t actually. if that’s intentional, then he’s literally written an analogy about how black people are a threat to vulnerable white women, which is classic white supremacist shit. BUT if he really only meant for it to be an orangutan, then it’s a whole other metaphor about how colonialism pillages other countries and brings their wealth back to europe and that’s REALLY gonna bite them in the ass one day. klansman or komrade? it all hangs on this.
so the place goes dead fucking silent as every giant ass poe stan in the room is immediately thrust into a series of war flashbacks: the orangutan argument, violently carried out over seminar tables, in literary journals, at graduate student house parties, the spittle flying, the wine and coffee spilled, the friendships torn—the red faces and bulging veins—curses thrown and teaching posts abandoned—panels just like this one fallen into chaos—distant sirens, skies falling, the dog-eared norton critical editions slicing through the air like sabres—the textual support! o, the quotes! they gaze at this madman in numb disbelief, but he could not have known. nay, he was a literary theorist, a 17th-century man, only a visitor to their haunted land. he had never heard the whistle of the mortars overhead. he had never felt the cold earth under his cheek as he prayed for god’s deliverance. and yet he would have broken their fragile peace and brought them all back into the trenches.
much later, when my professor told this story to a poe nerd friend, the guy said the orangutan thing was a one of the biggest landmines in their field. he said it was a reliable discussion ruiner that had started so many shouting matches that some conferences had an actual ban on bringing it up.
so my professor sits there for a second, still totally clueless. then out of the dead silence, the panel moderator stands up in his tweed jacket and yells, with the raw panic of a once-broken man:
WE! DO NOT! TALK ABOUT! THE ORANGUTAN!
@posturingsimpleton
OMG
Ok that one wins
Rey: I’m cold.
Kylo: Here, have my jacket.
Finn: Hey, I’m cold too.
Poe: What? *taking off jacket* I told you to bring more layers but of course you didn’t listen and now *piling scarves on Finn* Now look, I’ve got to make sure you don’t FREEZE to death and *taking somebody else’s hat* how long have you been cold you should’ve said something sooner.
Poe when Finn lets out a quiet grunt of unhappiness on the other side of the galaxy

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WARNING: STAR WARS SPOILERS
space
“What is shipping?”
I’m laughing forever thanks Kakashi
Where’s that gif of Deadpool walking up to Spider-Man at comic con while he’s posing for pictures and just linking their fingers together?
this is pure gold
the first gif is you getting your otp together. the second is you shipping yourself with a character.
This remains my favourite.
A Musical Promise
John Williams’ soundtrack for The Force Awakens is a grower, and it becomes much more impressive when you really sit down and listen to it. My appreciation has also been sharpened by the rather marvellous Star Wars Oxygen podcast, which is a must listen if you have even the slightest interest in the music of Star Wars.
With this post, I want to consider the piece on The Force Awakens soundtrack titled ‘The Abduction’:
This theme mostly consists of tragedy-laced renditions of the characters’ themes - Kylo’s theme is prominent in the first half, and Rey’s theme is stressed in the second. What’s most intriguing, however, is that there’s a cue from 1:26 to 1:35 that sounds highly reminiscent of Tchaikovsky’s ‘Fantasy Overture’ from Romeo and Juliet:
While I love music profoundly, I have virtually no ear for it for its technical composition, let alone the vocabulary to describe it. As a result, I find it very difficult to drill a musical piece down to its specific components. Speaking generally as a layperson, however, I’m fascinated by the similarities in tone between the two pieces - both are marked by tragedy and threat, but more intriguingly you can hear traces of sweeping romance. You’re often taken by surprise by these transitions, which swell and overtake you before you’ve even had a chance to properly register that they’re happening.
While that kind of tension between drama and romance is entirely befitting for Romeo and Juliet, it seems nothing less than bizarre as an accompaniment to an abduction. ‘The Abduction’ is mostly a dark piece, laced with appropriate dread and tragedy, but the cue between 1:26 and 1:35 belies that. While it has a darker aspect, it mostly strongly resembles the build from 13:54 to 14:05 in the Tchaikovsky piece. The progression in both pieces is similar, but while Williams’ music gives way to a tragic twist on Rey’s theme, the build in the Tchaikovsky piece climaxes with a full burst of what is perhaps the most famous of all love themes (trust me - you’ll know it even if you think you don’t).
So, in the Williams’ piece you have a tentative build towards love and light that ultimately collapses into despair; in the Tchaikovsky piece, you have an irrepressible build towards a beatific outpouring of love and romance. For a few seconds ‘The Abduction’ almost seems to promise the same fulfilment, and that’s what makes the musical reference so interesting. It promises something with its use of a familiar swell, and its failure to deliver on that promise is striking because of how famous its musical antecedent is.
We can’t use musical analysis to predict how the plot will unfold, but I certainly don’t think this use of musical language will have been unintentional. Williams is famous for drawing inspiration from the classical masters, and there is a precedent for Tchaikovsky-inspired love themes in his Star Wars compositions. What will really interest me will be seeing if ‘The Abduction’ - or at least the tensions the piece suggests - will be revisited in VIII.
I’m certainly not the first person to remark on this, and I would be most interested in hearing other people’s views. Specifically, do you think I’ve isolated the correct sections in both pieces? Let me know your thoughts, and I’d welcome people’s additions/elaborations.
My man Jesus
What story is that?
Matthew 18:9
“And if your eye causes you to sin, gouge it out and throw it away.”
“Jesus, how can I avoid sin when all these hussies keep revealing the fact that they have bodies?!”
“Hmmm, tough call bro. Have you tried gouging out your eyes so you don’t have to see all those bodies anymore?”
“wut”
“What?”
“Shouldn’t you tell them to… stop dressing like that or something?”
“Don’t see why. It’s not their fault that the fact that they have bodies makes you a fucking sinful horndog. Gotta fix that problem yourself, buddy. Go on, blind yourself.”
“Uh….”
“Or learn to keep it in your g’damn pants no matter what they’re wearing.”
Canon Jesus > Fanon Jesus.
Preach
So apparently there are people who think Kylo was manipulating Rey all the way through TLJ, and I’ve just gotta say they’re giving my boy entirely too much credit.
Kylo: The boy who ALSO had no idea what was going on when their bond started Kylo: “Lol same” when Rey says she rather not do this now when he’s caught shirtless Kylo: Why is the force doing this? Kylo: Glossy eyed in god damn all of these scenes Kylo: Who took off the damn glove Kylo: Extremely honest about who he is and his intentions the WHOLE time. Even when it paints him in a bad light. Kylo: Who seems shocked to hear that Snoke was using it to manipulate him Even if you think that’s all manipulation. The final force vision is from his perspective. (While the rest are from Rey’s) That’s when you are supposed to know it meant something to him too. Unless you think that face is one of pure rage and connivery?
My heart

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Happy Holidays from the Holiday Boar
I trust him more than the Birthday Skeleton.
Still a better prezzie daddy than Ross #GiveBenADoll
Why do you like sharks?
he walk
He cronch
He roll
She give high fin. @lilragekitten
He gets tummy rubs
He get nose rub
He beauty
He dance
She do a triple Lutz
He slorp
This post is blessed