I hope you never outgrow being excited by bookstores, listening to the rain, flowers and finding the perfect mug.

if i look back, i am lost
Claire Keane
Xuebing Du
🩵 avery cochrane 🩵
Noah Kahan
Cosimo Galluzzi
NASA

★

titsay
The Bowery Presents
noise dept.
art blog(derogatory)
$LAYYYTER
Show & Tell
PUT YOUR BEARD IN MY MOUTH

Product Placement
Jules of Nature
ojovivo

tannertan36
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@booklover
I hope you never outgrow being excited by bookstores, listening to the rain, flowers and finding the perfect mug.

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Darling, I like solitude, that’s what I like —
27 July, 1927 The Letters of Vita Sackville-West to Virginia Woolf (1924-1941)
The children we once were, she thought, live inside us like rings on a tree.
— Simon Van Booy, from “The Muse,” Tales of Accidental Genius: Stories (Harper Perennial, 2015)
𝔪𝔬𝔫𝔢𝔱’𝔰 𝔪𝔦𝔫𝔡

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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I'm way too nostalgic, it feels like I've lost something somewhere and sometime, who knows where or when.
c lispector
- lost in the sights
Sula by Toni Morrison 1973 edition. I loved this book so much I had to get this edition of it

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JOMP BPC - 22nd July - Colours
Such an iconic book colour!
Albert Camus, from a letter to María Casares featured in Correspondance, 1944-1959
Mary Oliver, from Upstream: Selected Essays
Where I Spend My Days, 2026 by Kate Lewis (American, b. 1977); Acrylic on canvas, 25 × 19
ateliervime

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I dont think things can be treated with that kind of duality. For Japanese who don't think that way, the gods are in the darkness. They may come out into the light at times, but they are usually deep in the forest or mountains. When a holy spot is created, the gods drop down onto it. That is why, in the shrines that are closest to their original form that still exist in Okinawa . . . the image of the god is just a tree or a stone. And such a shrine isn't in a bright, shining place, it's in an overgrown dark area where the silence is deep—a butterfly may flit about, but it's a bit eerie. When I went there . . . it felt as if something were there. This sense of dark awe is the sort of veneration that Japanese have toward certain forests and natural objects.
Hayao Miyazaki, "Totoro Was Not Made as a Nostalgia Piece" in Starting Point: 1979-1996