The Everlasting by Alix E. Harrow - A fantastic fantasy novel about an epic lady knight, a cowardly scholar, and the power of stories. I need to talk about this book with everyone.
As Many Souls as Stars by Natasha Siegel - A sapphic romantic fantasy about a witch and a demon who make a Faustian bargain, whose love story is equal levels of intoxicating and beautiful.
Villains are Destined to Die by SUOL (vol 1-8) - An isekai manhwa where a college student becomes the villain in a dating sim and must be ruthless in her journey of survival. Stunning art and a fantastic main character.
The Bewitching by Silvia Moreno-Garcia - A fantastical, historical, horror novel following three women in different time periods. It's deeply unsettling and weird and magical. Excited to read more by Moreno-Garcia!
Armeveni by Nadine Takvorian - A graphic memoir, that follows not only the author, but how she learns about how her family fled Armenia during the genocide. Stunning art, well-researched and poignant about another part of history that is often erased.
Just One Gift by Linda Sue Park - A very short kids' book about a classroom who have the assignment to think of a gift they would give to someone in their lives' that they have never asked for. I cried like 4 times.
A Natural History of Dragons by Marie Brennan (vol. 1-4) - A fictional memoir series about a scientist in a fake Victorian(?) England studying dragons throughout her lifetime, with drama in regards to her personal life and world politics. Very fun.
Fustuk by Robert Mgrdich Apelian - A stunning fantasy graphic novel, pulling from Armenian and Persian mythology about a family making a deal with a demonic creature. Lots of familial tension, gorgeous art, and lots of focus on food.
The Lesbiana's Guide to Catholic School and The Golden Boy's Guide to Bipolar by Sonido Reyes - YA contemporary novels following a set of siblings as they struggle with different aspects of their identity. I bawled reading these books and the relationship between Yami and Cesar feels so real.
Comfort Me with Apples by Cathrynne M. Valente - Bluebeard in a white, suburban gated community. Terrifying. Cutting critique of white supremacy.
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i’m going to be really honest with you guys i think the tendency to read the absolute worst possible intentions into every action you don’t agree with is getting too automatic and it’s eating you from the inside out
In conversation with multiple posts going around discussing technical literacy and typing skills…
I HAD typing classes: my typing speed is less than 35 Words Per Minute
I did NOT have typing classes: my typing speed is less than 35 WPM
I HAD typing classes: my typing speed is 36-45 WPM
I did NOT have typing classes: my typing speed is 36-45 WPM
I HAD typing classes: my typing speed is 46-55 WPM
I did NOT have typing classes: my typing speed is 46-55 WPM
I HAD typing classes: my typing speed is 56-69 WPM
I did NOT have typing classes: my typing speed is 56-69 WPM
I HAD typing classes: my typing speed is faster than 70 WPM
I did NOT have typing classes: my typing speed is faster than 70 WPM
I'm on mobile/ vanilla extract option
Remaining time: 1 day 14 hours
➡️ Take a typing test here (and you need an actual, physical keyboard for this):
The industry-standard benchmark used by employers and typing certifications worldwide.
➡️ 'Typing classes' refers to computer skills classes you might have had in school; you can also count games or other related typing training your parents might have had you do.
➡️ Across 3 different typing test websites*, the (english language) world average typing speed is 40 WPM.
spoiler thoughts: this kingdom will not kill me by ilona andrews
4 out of 5 stars overall all, spoilers below the cut, feel free to message me or reblog if you want to talk!!!
first things, loved that plot twist! i should have seen it coming, so obvious in hindsight. what really made it work for me was i knew who both raynald and ramond were and i understood what this meant for maggie and the story. however, they pulled this with arvel, it did not have the emotional weight and wasnt surprising even tho i didnt predict it. like we dont care about him!! it lacked shock and intrigue.
while we are on the subject, too many hot guys! like cmon we KNOW who the real love interest is, why are we pretending there are three other contenders???? was so relieved when solentine became her cousin. very augustine coded. we needed more diversity in the books.
the magical creatures were VERY cool, i cant wait for fan art of them to start coming out!
i did not think some of the more interesting characters were centered enough. we are supposed to be saving matheo but he barely had a presence.
also i think the mysterious man, i forgot his actual name, is from our world. he kept saying things... and even the reveal of who he was has not convinced me he isnt. ill need to reread and see if i and enforce or debunk my theory.
also, love a m/f couple where he is a super powerful person but is following her around like a puppy and doing everything she says. like yeah ramond tries to put up a fight but he just does whatever maggie says and is obsessed with her. top notch.
clover is such a great character. i really liked centering a maid in this world and wanted more about her. she really has more power than people realize. she could be a main character, just saying.
the humor was also very good, i thought it was a good balance to the drama.
Okay I did read this and really liked it!! Spoilers below.
I mostly agree with what you said above, and in particular yeah why are there so many powerful hot men hitting on her?? That particular part felt particularly like a wish-fulfillment narrative for straight women where the hope is that you suspend your disbelief a bit on the basis that it's fun? But unfortunately I'm not the target audience. I felt similarly about how possessive Everard was being, and how seemingly chill about it Maggie was! It's not really my thing and I found it a little hard to suspend disbelief.
My other gripe (which honestly might be specific to my edition of the book) is that I think it would really benefit from a detailed cast of characters (I did find one online but it was clearly supposed to be "spoiler free" and left a lot out) as well as a detailed map of the world (my e-book had a map of Kair Toren but not the broader kingdom, and also it was not legible on a phone screen). I could barely keep track of everyone's titles and alliances, and while you don't strictly need to know all that to follow the plot, it was annoying not knowing who they were talking about!
I did really like amount of detail put into making the world and politics feel realistic, and every single plot twist felt both surprising and well-foreshadowed. I also desperately want fanart of the fantasy animals lol.
i didnt love how protective everard was either, however, i was prepared for it because i have read hidden legacy by ilona andrews and that was very present in that series. maggie kept being like dont boss me around!!! and then would do something ill advised and say oh i guess he was right, booo. didnt love that. however, i did love that she was always telling him to go away and he does listen to her way more than i thought he would and that was pleasing to me. but yes everard was getting on my nerves more than a few times in the book.
(also fun fact i did the audiobook for the first half and when he is in disguise, he has a scottish brogue and then after the reveal he has a posh british accent which is a great character choice but i totally missed his accent after it changed lol)
i also very much wanted a character sheet!!! and a map!!!! it was much needed especially with the clunky worlbuilding. i hope the next reprint and next book have both of them!!
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had to turn off the reading streak feature on storygraph because for some reason it thought i didnt read one day and fully reset it and i am way too mad about this so i had to turn it off
i’m going to be really honest with you guys i think the tendency to read the absolute worst possible intentions into every action you don’t agree with is getting too automatic and it’s eating you from the inside out
The fact that no one even seems to care makes feel like I'm going to explode, I'm tired of such a significant part of my life never being represented and often seen as less serious than monogamy.
Its not that it's less serious, it's that functional polyamory challenges the nuclear family dynamic that capitalism has weaponized against the working class. If a household is shown to function with more than only two adults in an exclusive relationship, then it opens the door to what other parts of life might thrive better under community organization.
It also inherently challenges purity culture with multiple varied casual and symbiotically supportive relationships.
Taking both of those into account challenges the Patriarchy itself, and the idea that a singular man should be in charge and rule over his own household like a petty tyrant.
It's only potrayed as unserious or rife with conflict and betrayal in media to keep it defanged and propagandized as a guaranteed failure state. In truth, it very directly challenges several foundational pillars upholding the power structures in our current western society. The status quo therefore cannot allow it to exist or be portrayed as a healthy alternative to monogamy or to the nuclear family model.
Yup—I can think of three recent examples of polyamory taken seriously in fiction off the top of my head, and all three are in works that are actively and explicitly pushing back on those exact power structures in multiple ways.
In the order that I happened to read them:
• A Half-Built Garden by Ruthanna Emrys
• Spear by Nicola Griffith
• To Shape a Dragon's Breath and To Ride a Rising Storm by @moniquill Blackgoose
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had to turn off the reading streak feature on storygraph because for some reason it thought i didnt read one day and fully reset it and i am way too mad about this so i had to turn it off
I wanted to look back and share some of my experiences reading books with queer characters or books I projected queer experiences onto throughout my life.
Age 9: The first book I remember reading with any sort of queer representation was Faerie Wars by Herbie Brennan. I was 9 years old and told my mom I couldn't read it. Reason cited: there was a bad word. Bad word? Lesbian. Kudos to my mom for telling me it was not a bad word. She also said I didn't have to read any book I didn't want to, but she would happily read it alongside me. I declined. No idea what made me think lesbian was a bad word.
Age 10: Now In the Hand of the Goddess by Tamora Pierce, the sequel to Alanna: The First Adventure was one of my favorite books as a child. I loved the scenes about her wanting to learn to be a lady but I also loved the scenes where she would sword fight. She certainly planted the seeds of genderqueer into my brain and challenged the strict gender roles. And wow, that last fight scene... that was so important to me.
Age 13: The first book I remember reading where I wanted the character to be aromantic was The Squad: Perfect Cover by Jennifer Lynn Barnes. I didn't know that word yet but I found the romances in the series to be shallow and tacked on. The friendships were more interesting, engaging, and filled with much more emotion. I wanted more scenes between the friend group rather than the scenes with the obligatory male love interest. I would tell people about these books and say, I loved them except the romance didn't really fit. And I still believe that now upon rereading Perfect Cover as an adult.
Age 13: Cut to all the paranormal YA fantasy I was reading when I was in middle school and I started encountering more and more gay characters. I was still at the point in my life where I assumed I only liked guys but also I was incredibly confused at the dating craze in my school. I remember Hex Hall by Rachel Hawkins was puzzling to me because Jenna, a prominent side character, was talking about her past relationship and was using she/her pronouns to refer to her ex. I didn't realize what it meant until later in the book, when I believe she explicitly calls herself a lesbian. After this book (and a few similar ones) I started expecting gay or lesbian representation in side characters of the books I read.
Age 14: The first book I read with a trans character was Eon: Dragoneye Reborn by Alison Goodman with Lady Dela who was hands down, the best character in the book. I was about 14 maybe when I read this book. I had not been exposed to trans characters, I didn't know anyone who was openly trans in my life but this book started poking at my idea of gender and what it means to be a girl or a woman. I have no idea how the representation holds up, but Lady Dela was a step forward for me, which I find incredibly meaningful.
Age 14: One of the first adult books I read was Sing You Home by Jodi Picoult. This was one of the first books I read with a central bisexual character, Zoe. Her having loving relationships with both Max and Vanessa made complete sense to me and why so many characters made a big deal about her identity was so odd for me. Why wouldn't she? Something I found powerful and touching was how Picoult was known for writing devastating books (ex. My Sister's Keeper) and she very intentionally wrote a happy ending for this book focusing on a same sex marriage. I remember my mom talking about this and maybe this is my current self projecting but that always felt so special to me. There's a CD that comes with this book and I listened to the last song, about the main character being moms, over and over again.
Age 14: A book that radicalized me was Beauty Queens by Libba Bray, which introduced me to intersectional feminism. In terms of queerness, there were three openly queer characters. There were also make out scenes between two girls and I liked those scenes a lot. Jennifer was an out lesbian, who ended up in a brief relationship with Soisie, who is bisexual, and they have a very sweet relationship. Petra is also out as a trans girl and also has a sweet romance with a pirate. Queerness was such an important part of this book and I think this was the book that made me think I might be bi!
Age 15: Malinda Lo is one of the co founders of the #WeNeedDiverseBooks and I found out about her through her book, Ash, a retelling of Cinderella. I found it very romantic and I still think of Ash and Kasia fondly. This book also started getting me interested in reading diversely and being intentional. Ash was a huge factor how I read books and think about the ways diversity in literature. This made me think about my place int he queer community as well. This was around the time I thought I might be bi but wasn't willing to commit to the label. I told a few people but they seemed... unsupportive. But through fiction, I was able to explore my identity in a way that was safe, even if I wasn't able to admit it to myself.
Age 17: The next story was also helpful in me exploring/being exposed to queer main characters with Turn of the Story aka In Other Lands by Sarah Rees Brennan, which was written on her blog initially. I read each installment as it came out and I actively was shipping Elliot and Luke. They were probably the first mlm couple I shipped in a story that had multiple installments (at the time). It was also important in normalizing bisexuality for me. Elliot has multiple relationships with characters of different genders throughout this book and it was ... not a big deal! It was a little bit of a deal, but Elliot's life and choices felt very real to me, including his bisexuality.
Age 19: At this point, I was in college and I had realized I was ace and embraced my role in the queer community. This led me to talking a class focusing on queer literature. This included literature I enjoyed and found compelling (like Fun Home by Alison Bechdel) and the worst book I have ever read (Adam by Ariel Schrag). But what really great about it were the conversations around literature we had with people in the queer community about queer literature. it was a very validating experience. The experience was a great intersection of my queer identity and my love of literature and analyzing it. Truly an invaluable class.
Age 20: When I was in college, I started reading even more queer literature, talking about my experiences as an ace person, and posting about them on here. Tash Hearts Tolstoy by Kathryn Ormsbee was not the first book with an ace protagonist I read but it was one that mirrored my life most closely. I still remember crying while reading this book at like 1AM. This was such a validating book to read and I truly think it was a healing experience, reading this book. I actually have a hard tome recommending this book, as it feels too personal to share with others.
Age 25: No longer in high school or college, I still read YA sometimes and Ophelia After All by Racquel Marie is why I still pick them up. Ophelia's experiences of navigating realizing she was queer, shook lose so many memories I had fully repressed. There was an anxiety we both had as teens I had not realized and the tension in my shoulders loosened after seeing my shared experience. At this point in my life, I was comfortably queer, in a long term relationship with a woman (who is now my fiancee!!), and out to people in my personal and professional life. And yet I was still discovering aspects of my identity. This is when I realized the journey was neverending and also was a journey I loved being on.
Age 29: I currently have over 300 books listed in my LQBTQIA shelf on Storygraph and I love promoting queer media on my tumblr here and I attend a queer book club, I casually share book recommendations with queer rep and make book lists and for the library, from picturebooks to YA novels. I feel comfortable in my skin and I am writing blog posts like this about my queer journey. I've come a long way and I am proud of myself and proud I can share without fear.
i wanna see more art of trans men with boobs where the point of the art is anything other than the fact that they have boobs. i want the idea of trans men with breasts to stop being novel. i want people to stop perceiving trans men as only either having already had top surgery or always binding. i want people to stop assuming everyone with visible breasts is a woman or woman-aligned. i want breasts to become a completely genderless feature. i wanna be allowed to let em hang without being misgendered. i wanna be able to stop worrying about what to put on my chest every day for the sake of other people's perception of me without feeling pressured into getting expensive surgery. i want that to stop being the only two options for transmascs
"There is NEVER a reason to kill a dog in a book. Never." You can read about a woman's body found floating in a lake but you draw the line at dogs? what the fuck?
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[images: series of tweets from @realavocadofact. tweets read, “they’re not elite they’re rich”, “they’re not better they’re better supplied”, “they’re not smarter or faster they’re buying up others’ lifetimes to do their chores”, “there is nothing wrong with you; you’re doing your best in a game rigged against you, probably not enough people and fruit tell you that”]
I see this reaction a lot, and I gotta say, it always makes me a little sad. Whenever the conversation of exploitation of labor comes up, inevitably someone finds themselves struggling with the guilt of “It is so important to me not to contribute to exploitation but I cannot do this thing myself and need someone else to do it for me, so how do I even approach that?”
Exploitation isn’t in the hiring of a service worker. Exploitation is in the respect you show them for their ability to perform the service you need from them.
I have been on a cleaning service staff before, and also been someone who hired a cleaning service, and I can tell you for sure that a lot of cleaning crews (especially worker owned ones) absolutely LOVE their clients and are genuinely happy to be able to make their lives better. The clients they don’t like? Those are the ones who disrespect the workers.
When I was involved with a cleaning service, we had everything from little old ladies living alone to McMasions with five cars as clients, and I can assure you that whenever there was someone who clearly hired us because they were overwhelmed or unable to keep their space clean, those were the households where you put a little more elbow grease in and did a deep clean even when it wasn’t paid for, because you could see how much these people were trying and struggling, and they were always so kind and generous and often embarrassed when talking to you about the job.
I only hired a service a couple if times in my life, but whenever I did, I worked with the same people as often as I could, tipped as well as I could afford, and tried to be the kind of client I would want to have, and that’s how I often ended up with my baseboards cleaned too, or my fridge scrubbed and organized or a restorative clean done in a high use room even when that wasn’t what I had scheduled or paid for.
I’ve heard the same thing from all manner of service workers over the years. Many of us like our jobs! We enjoy the work. It’s the customers that can do a number on you.
I think a lot of people are afraid that by needing a service they are inherently exploiting or harming the people who perform that service, and they really aren’t. But it does benefit a capitalist system for us to all be burnt out and overwhelmed because we’re too afraid to hire the help we need. Be upfront and honest with service workers about what you need and why you need it, and treat them with dognity and kindness while they perform your service, and I promise you they will always be happy to answer your call.