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noise dept.

let's talk about Bridgerton tea, my ask is open

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oozey mess
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ICE agents are claiming Lorenzo Salgado Araujo attacked them. That’s not what the latest video footage shows.
Mexico says it will go directly to U.S. prosecutors as ICE continues to kill its citizens.
gooseworx has been banned but neil gaiman is still up. i would say i'm baffled if i didn't know exactly why this is the case.
also just so we're clear on what kind of manga this is, this is followed by the other girls forcing misora to show off her own in solidarity

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Claudia and Madeleine looking at each other
el gringo que se cree woke mcwoke ahora: tenemos que apoyar a la noble nación de inglaterra ante la malvada selección argentina
ya viene pasando
“We can see that Nazism understands itself to be engaged in a culture war with Jews over gender roles and gender/sexual variance. But, just as we saw in the original National Socialist regime, Nazism also understands the fundamental terrain of this war to be on the level of biology. There is a deep anxiety expressed in Nazi and far-right thinking which is constantly concerned about the biological undermining of the white race yes, but also the white male, and his hormone balance, his testosterone level. Nazi political ontology understands the biological as one of, if not the most important terrains of political dispute. We know this in our understanding of Nazi race theory, but what has been neglected is the centrality of endocrinological purity and security to Nazi ideology. In this sense, endocrinological purity is the gender/sex corollary of the Nazi eugenic project of racial purity.”
— Joni Alizah Cohen, The Eradication of “Talmudic Abstractions”: Anti-Semitism, Transmisogyny and the National Socialist Project (via probablyasocialecologist)
Truncated text of tweet from MrPitBull, Mar 11, 2026:
She kept finding women in laboratory photographs from the 1800s. Then she read the published papers—and every single woman had vanished. Someone had erased them from history.
Yale University, 1969.
Margaret Rossiter was a graduate student studying the history of science. She was one of very few women in her program.
Every Friday afternoon, students and faculty gathered for beers and informal conversation. One week, Margaret asked a simple question: "Were there ever any women scientists?"
The faculty answered firmly: No.
Someone mentioned Marie Curie. The group dismissed it—her husband Pierre really deserved the credit.
Margaret didn't argue. But she also didn't believe them.
So she started looking.
She found a reference book called "American Men of Science"—essentially a Who's Who of scientific achievement. Despite the title, she was shocked to discover it contained entries about women. Botanists trained at Wellesley. Geologists from Vermont.
There were names. There were credentials. There were careers.
The professors had been wrong.
But Margaret's discovery was just the beginning. Because as she dug deeper into archives across the country, she found something far more disturbing.
Photograph after photograph showed women standing at laboratory benches, working with equipment, listed on research teams.
But when she read the published papers, the award citations, the official histories—those same women had disappeared. Their names were missing. Their contributions erased.
It wasn't random. It was systematic.
Women who designed experiments watched male colleagues publish results without giving them credit. Women whose discoveries were assigned to supervisors. Women listed in acknowledgments instead of as authors. Women passed over for awards that went to male collaborators who contributed far less.
Margaret realized she was witnessing a pattern that stretched across centuries.
Women had always been present in science. The record had simply pushed them aside.
She needed a name for what she was documenting.
In the early 1990s, she found it in the work of Matilda Joslyn Gage—a 19th-century suffragist who had written about this exact phenomenon in 1870.
In 1993, Margaret published a paper formally naming it: The Matilda Effect.
The term captured something that had been hidden in plain sight for generations. Once you knew the term, you saw it everywhere.
Her dissertation became a lifelong mission.
For more than 30 years, Margaret researched and wrote her landmark three-volume series: Women Scientists in America. She examined letters, institutional policies, individual careers. She gathered undeniable evidence that women in science had been consistently under-credited and structurally excluded.
Her work faced resistance. Many dismissed women's history as political rather than academic. Others insisted she was exaggerating.
Margaret didn't argue emotionally. She presented data. Documented cases. Patterns repeated across decades and institutions.
Eventually, the evidence became undeniable.
Her research helped restore recognition to scientists who had been erased:
Rosalind Franklin, whose X-ray work revealed DNA's structure—credit went to Watson and Crick.
Lise Meitner, who explained nuclear fission—omitted from the Nobel Prize.
Nettie Stevens, who discovered sex chromosomes—received little credit.
Cecilia Payne-Gaposchkin, who discovered stars are made of hydrogen—initially dismissed.
And countless others whose names had nearly vanished.
Margaret changed the narrative. Science was no longer just the story of solitary male geniuses. It became a story of collaboration that included women who had been written out.
The Matilda Effect became standard terminology. Scholars used it to examine how credit is assigned, how authors are listed, who receives awards, who gets left out.

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Aggressive wawa
nazi dead
New York empties out on holidays, so this little Dachshund had Madison Avenue at 30th Street all to himself. July 4, 1958.
Photo: Associated Press via Stuff Nobody Cares About
"As my own neurosis became more subdued I found myself unconsciously drawn to female characters who exhibited signs of behaviors I had recognized in myself: repression, delusion, jealousy, paranoia, hysteria. But these issues didn’t magically disappear; they just became buried beneath business and activity, and came back to sideswipe me at inopportune moments.
We have more patience, or perhaps more empathy, for fictional characters than we do their real-life counterparts. Faced with neurosis in film and literature, we want to investigate rather than avoid. If watching horror films is cathartic because it provides a temporary feeling of control over the one unknown factor that can’t be controlled (death), then wouldn’t it make sense that a crazy person would find relief in onscreen histrionics?"
-Kier-La Janisse, House of Psychotic Women: An Autobiographical Topography of Female Neurosis in Horror and Exploitation Films

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ah ok gooseworx's tumblr account got banned
extract celebrated culture from transfem and then drop them like a brick
exactlyyyy! you get it! i've seen this cycle like 5 different times minimum
I think the lipstick looks really nice actually, and maybe this was the pig's first night out in a long time.