really love that every time they cut to frank he was doing some bullshit. hits peter with an armored car and tells him to stop whining. lives in an abandoned ship with 20 booby traps like a maniac and thinks that's normal. brought a gun to a hulk and telepath fight and genuinely thought that would be enough. sees hundreds of people get frozen by jean's psychic powers and sets up a sniper gun on a roof because he's not gonna let that stop him. i have to respect the hustle
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Hi, I am kind of the Pale resident Nicolette stan. I saw a few of your art pieces in PHO (I am there under the name Rae) and was wondering, what was the reasoning behind the character design choices you made there? Really like how you're portraying the personality of all the Pale chars!
Hi! Love this ask, love yapping about my art design choices. I'm not sure if you're asking about my Nico design specifically or everyone else, but I'll answer for both.
For the most part I try to stick to canon descriptions as much as possible. Since I'm barely a quarter into Pale and can't look at the wiki to avoid spoilers, this means I reread previous chapters a lot or ask for details in my liveread thread. Wildbow also occasionally drops in to answer questions about character/location descriptions, which is super helpful.
If I anticipate that I'll be drawing someone multiple times, I usually look for an actor/model/public figure to use as reference for them, though I avoid copying them 1:1. For Nico I use Sara Montpetit!
Nico's hair was originally going to be a jellyfish cut, because her hairstyle descriptions between 2.z and 3.2 are different; In 2.z it's described as a "slightly modified pixie cut", while in 3.2 it's described as "it all fell down on one shoulder, the rest pinned back by a hairpin"... so I was confused if it was long or short.
Wildbow did say in my liveread thread that he was bad with keeping hair consistent and initially imagined it as a side braid, but his mindset was more a "long-ish 'talk to the manager' cut" from when she had her head partially shaved to get medical care from her head injury. Thus, the asymmetrical half-short half-long Nico hairstyle I ended up with. I think she'd find a way to make it look cool and stylish, so I've been making it cool and stylish-looking.
Here are some Nicolettes from my next Paleproject!
Similar processes for almost everyone else - I think of what vibe the character has, look for an actor/reference that radiates that vibe, and steal it.
Specifics under the cut:
Matthew Moss - is consistently described as attractive so I just found this photo of Sebastian Stan, added the chinstrap beard everyone keeps dragging, and called it a day.
Edith and Alpeana - they don't have specific actor references since they're both distinct enough design-wise that I worry less about falling into same-face syndrome. My singular Edith art is based on a bunch of marble statues though, since her Girl in Candlelight form had that vibe of being regal and ethereal. With Alpy I just love making her look like a super creepy teenager, multiple skinny arms bent at weird angles and black gunk hair and all <3
John Stiles - initially was based on Rutger Hauer specifically from Blade Runner 1982, because he has a really good haunted, weary look in his eyes. But recently I've also been referencing Wilson Bethel, especially from Netflix's Daredevil season 3. Dude is also great at having a wounded look in his eyes which is like the John defining feature. There's several scenes of him from Daredevil where he looks a lot like John's canon portrait. Like, look at this:
Wilson Bethel also has a massive fandom so it's a treat having so many easily collectible images of the guy's face from multiple angles.
Honestly it's not hard to draw John, which is one reason I draw him a lot. I just draw a square-chinned dude with a short haircut, dark shadows under his eyes, small irises, and gaunt cheekbones. I do tend to iterate on his design a fair bit, since I try to strike a balance between his canon portrait, the references I use, his in-text description, and my mental image of him (which is that he is hot 🫶)
Alexander Belanger - Wildbow uses Damian Lewis as a reference so I did the same. I tend to draw him with bluish/cooler toned outfits since it's a nice contrast with his ginger hair. I generally just tried to make him hot (which is easy with Damian Lewis as a reference lol, that man's fine) and smug, and punchable. He really fits a lot of tumblr sexyman archetypes which was why he was annoyingly fun to draw.
Snowdrop - doesn't have a specific reference, I just try to channel gremlin chaos child energy and occasionally look at pictures of opossums for inspo. I do make her hair a bit more off-white / platinum blonde than yellow-blonde, so it's closer to opossum fur and try to make it shaggy and unkempt. I also draw her with an upturned nose partly to match Avery. I give her little fangs in this one to mimic possum teeth and might carry that detail to other snowdrop art.
Toadswallow - just referenced his interview notes 2 EM portrait, with the goal of making him look really gross but exaggeratedly genteel. I struggled to figure out how the waistcoat fits him and think I made his legs too long in my art of him here, actually. Something I'm keeping in mind for future Toadswallow art.
Musette - She barely gets any description beyond having goth makeup and a leather jacket, so I took inspiration from Death (The Sandman) for her eye look and her hair. I hope she shows up again later in the story, but I'll be a bit bummed out if we get a better description of her then and it's far from what I imagined. One of the risks of making fanart without having finished Pale ;-;
Flashback Charles Abrams - He's described as being melancholy and sad-looking in the 7.x flashback, so I looked for an actor with that vibe and who had a similar face shape as his interview notes portrait. Settled on Domhnall Gleeson. I will probably not be using Domhnall Gleeson for future Charles portraits though, and will look for someone who looks sufficiently forsworn.
As for the trio, I sat down one day and put together a whole whiteboard of references for them! I'm likely going to be drawing them a lot so I know I needed something like this:
Top row are sketches and notes for how I want to stylize them and key differences between them. For example, I emphasize Verona's lower eyelids and stylize her nose to be a triangle and look cat-like, Lucy's drawn with a lot of sharp angles, Avery has the greatest distance between her eyes, which are upturned, both which make her deer-like, etc.
Middle rows are photo references with actors that I think look like them, and the bottom section are descriptions and references for their outfits/gear and Sight eye descriptions. I also included saturated, muted, and pastel variations of their key colors + colors I use for their masks.
I'm very #normal about this web serial and I am only on arc 8 🥲
Started this the night “The Parting Glass” came out. I think we all had a lot of feelings about that ending (I cried, then bawled, then listened to the whole thing again cuz im a masochist).
I put this piece aside for a while because there were things I just couldn’t resolve (like the background). I’m glad I finally finished it. I think it might be one of my favorites.
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Feeling love this morning for the room. Our friendly and familiar unit of interior space. Before even the thought of it offering room for something, it does so much. Floor walls ceiling. How big u want it? Geometry of life. Go ahead and rhyme with womb and tomb. Makes me want to throw all my things away. Makes me want to sleep on the hardwood.
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