Black Widow

Amid a global pandemic, entertainers, artists, and creatives have discovered new ways and avenues to connect with their audiences.  Chicago comedian Dawn B is one of those innovative creators.  This Chicago native, who was born and raised on the south side of Chicago has been a comedian for over 20 years. She has entertained audiences with her comedy on stages locally and around the world. She has worked with some of the greats in comedy such as Donnell Rawlings, Charlie Murphy, and D.L. Hughley and more.  Like many entertainers, she found herself out of work for months when COVID-19 hit and had to come up with another way of connecting with her audience.  In March 2020, she created her Facebook Live show, “The Stay Yo Ass at Home” comedy show from the garage at her home. Audiences tuned in live each Thursday to enjoy comedy from Chicago Comedians each week.

This year's Chosen Few Virtual festival will feature prominent and successful Chicago artists at the top of their game. The Festival, to be held on July 4, 2020, will feature live DJ sets and performances from the Chosen Few DJs and House Music legend Byron Stingily, lead vocalist of the seminal House group Ten City; and singer-songwriter Carla Prather, noted for her work with Poi Dog Pondering and Mr. A.L.I., and the current smash hit, "Never Fall in Love with a DJ."

A singer since the age of five, Byron Stingily grew up on the West Side of Chicago and became part of Chicago's exploding house music scene in the early 80s. As the lead vocalist for Ten City, they scored numerous hits that became house music classics. With singles such as "Devotion," "Right back to you “and” That’s the Way Love Is," they solidified their names in house history as these tracks are still played in clubs around the world today. As a solo artist, Byron topped the US Billboard Hot Dance Club Play chart three times with "Get Up (Everybody), a remake of Sylvester's "You Make Me Feel (Mighty Real)" and the re-recorded version of "That's the Way Love Is."

Another Chicago native, singer/songwriter, Carla Prather, has graced the stages of numerous venues in Chicago and abroad. Like many soulful singers, Carla honed her craft as a young girl in Church. After a chance meeting with the Poi Dog Pondering's, Frank Orrall, she was invited to become a member. She has created music with some of the biggest in the house music industry, including Terry Hunter, Byron Stingily, Hula Malone, Maurice Joshua, Mike Dunn, and more. She can be found performing with her band, Carla Prather and Company, Poi Dog Pondering, Mr. Ali, and Zzaje.

This year the two joined DJ Emmaculate and released the smash hit, Never Fall in Love with a DJ on Nervous Records. The song shot up the charts and is currently being played by DJs around the world to incredible critical acclaim. I had a chance to chat with these incredible artists about their careers, the incredible year they are having, and what it means to perform at this year's Chosen Few Virtual Festival.

The free Chosen Few Virtual Festival livestream runs from noon to 9 p.m. Central Daylight Time and can be viewed at chosenfewdjs.com.

The Chosen Few Festival is a time to gather with friends, eat, drink, and dance the day away as house music fills the atmosphere of Jackson Park.  As news of the Coronavirus spread across social media and various news channels, many of us could not have predicted how much of our daily lives and routines would be completely altered.   As the city began to close and events began to cancel, we all wondered what would happen to #SummerTimeChi and our beloved house holiday weekend.  The Chosen Few DJs canceled this year’s gathering for the first time in their history and decided to go virtual in accordance with the State and City Guidelines.  As we enter phase 4, I would like to share a few ideas on hosting your own Chosen Few Festival watch party…safely of course.

1.       Stay Outdoors

In an interview with the Today show, Paul E. Turner, professor of evolutionary biology at Yale stated that being outdoors is crucial.  “The virus is diluted outdoors so even if someone is shedding the virus, the wind will scatter it allowing your immune system to tackle the much smaller quantity of virus you may encounter. Setting up your watch party outdoors is a great way to ensure safety and enjoy time with friends.

2.       Social Distancing

Guests should use hand sanitizer upon entry and should have on masks until seated.

Create a hand washing station or hand sanitizing station using a large gallon jug with a Spigot faucet (no push button) filled with water with soap and towels nearby.

Use side tables to promote social distancing: by placing side tables in between chairs, you can ensure you and your guests remain 6 feet apart.

Have your guests bring their own chairs; They can wipe them down upon entry.

3.       Prep Your Bathroom or Secure a Porta-Potty

If you can secure a porta-potty, make sure you keep a hand sanitizer and plenty of towels and Lysol near.

If guests will use the restroom in your home, keep the area sanitized by following a few steps:

Have a clear path to your indoor restroom in your home so as guests do not have many items to touch.

Have plenty of paper towels or disposable hand towels for guests to use to dry their hands and turn faucets on and off and to open doors.

Keep Lysol spray or disinfectant wipes in the restrooms so guests can wipe down surfaces after use.

Type of a sign and place in the restroom so your guests know what to do.

4.       Set the Scene

Food

Have individually wrapped tableware for your guests

Keep hand sanitizer and/or a handwashing station near the food table for guests to use before eating

If you decide to grill or purchase food, place food in individual food containers instead of serving buffet style

With grilling, have one person prepare and cook the food and everyone bring a side dish.

Have one person serve the food wearing gloves

Consider boxed lunches

Beverages

Make your event BYOB, with everyone bringing their favorite cocktail or beverage.

Bring your own cups or provide disposable cups

Create a signature punch to share with guests

Décor

Decorate your patio and or yard with fairy lights and hanging string lights.

Add Tiki Torches and citronella candles to keep the bugs away

Add color to your food and drink tables with tablecloths

Look at this moment as an ode to the way it began. The picnic started with just a few friends at a family picnic in the park. Why not pay homage to the Chosen Few Picnic with a similar gathering in your own backyard or small outdoor space? Hosting an outdoor party is less risky and there are ways to remain safe, social distance, and enjoy the festival appropriately.

The virtual festival, to be held on Saturday, July 4, 2020, will feature live DJ sets and performances from the Chosen Few DJs and guests, including comedian, actor and DJ Deon Cole, whose weekly Instagram Live DJ sessions have gone viral during shelter-in-place directives; House Music legend Byron Stingily, lead vocalist of the seminal House group Ten City; and singer-songwriter Carla Prather, noted for her work with Poi Dog Pondering and Mr. A.L.I., and the current smash hit, “Never Fall in Love with a DJ.”

The festival Livestream runs from noon to 9 p.m. Central Daylight Time and can be viewed at chosenfewdjs.com.

Stay connected with Chosen Few Festival coverage by following us on social media @blkwidowsweb and the Chosen Few DJs @chosenfewdjs.

How are you planning to celebrate the Chosen Few Virtual Festival this year?

  Chicago DJ, Torin Edmond began DJing in the early 80s. He was introduced to House Music in its infancy, and has grown with it ever since. He’s held several different residencies around the city at clubs like, Sonotheque, Sinibar, Subterranean, Dark Room, Chant and Bassline and successfully ran the legendary Deep House Page. Currently he serves as one of the resident DJs for the successful Summer House Music Series at Pier 31.

Carlos Mena is a DJ and music producer born in Puerto Rico, raised in Brooklyn who growing up soaked up the vast array of sounds and musical idioms from house, hip-hop, salsa and more to help form a unique foundation for his music sensibilities that are heard throughout his music today. Carlos Mena is a music producer and DJ that has produced music for platinum selling artist Arrested Development, Tre Hardson (The Pharcyde), Osunlade’s Yoruba Records, Vega Records, Got Soul Records, Deeper Soul Records, and Phuture Soul, as well as many local bay area artists, including Zion I. Carlos is also the founder and president of CASAMENA, an independent production house, and Ocha Records (partnership with Osunlade), a record label, based in Oakland, CA, that works with uncompromising artists to produce music that feeds our souls.

I had a chance to speak with them both about the upcoming Sound Sanctuary Music Event, “Sessions”,  happening this Friday, November 15th at The Post in Chicago.  

Black Widow:  How did you guys initially meet?

Torin Edmond: I met Carlos in the early 2000’s. Sean Haley introduced us.  He mentioned Carlos and we did a party with him at Smart Bar and that was my introduction to him as a DJ.  I’ve watched him grow as a producer, DJ and label owner. Watching him grow and evolve has been incredible. We are really looking forward to having him back in Chicago.

Black Widow:  Carlos, how were you introduced to house music?

Carlos Mena:  I grew up in New York and it was part of what I was doing. I started DJing in 1982. I was playing everything; hip hop, house, Latin… we were playing all of it. I was able to go to a few amazing underground parties. Those vibes always stayed with me.  It was literally sweat dripping off the walls and the sun shining when you came outside from these underground spots. I remember wondering where the time went.  I’ve been chasing that feeling ever since.  When I moved to California, I was a spoken word artist and was touring around the world and I met Osunlade.  I was working on a project involving artists who were involved in the Orisha tradition.  He asked me to come to WMC (Winter Music Conference).  When he initially asked me to come down, he mentioned it would be house music and I thought he meant techno music.  I was playing a lot of hip hop at that time so when I went down, I just fell in love with the sounds.  I loved the vibe, the soulful sound and afro sounds. I suggested to him that we should start a label that would focus on those sounds but wouldn’t be house music focused. That’s where Ocha Records. Began.   It’s funny, because that’s exactly what it has become.  We are currently putting out other stuff; Afro Cuban, Soulful, etc., but I’m so deep in house music right now. I just fell in love with it. I especially love the Afro Sounds, it reminds of the early days of hip hop when artists were creating music without many resources.

Black Widow:  When did you start DJing?

Carlos Mena: I was in high school in ‘82 and they had an after-hours club in my neighborhood that held parties in the evening that would go until noon and I would bring my records and play everything. It was a lot of fun.

Black Widow:  Are you self-taught or did you have a mentor?

Carlos Mena:  Oh so you wanna dig deep? [Laughter]  In the late 70s/early 80s, I was listening to DJ Red Alert, Marley Mal, Special K and Teddy Ted on WHPI and I’d have my handheld AM radio under my pillow. I would listen to and record shows. My mom had a console stereo that had a turntable and radio in it.   I would put the paper sleeve on the turntable and put my record on the turntable and I would play with the switch on the console that turned it from FM to Phono and get it in between so you could hear the record and the radio. That’s how I taught myself to mix.  I was trying to get the beats to match. Eventually I bought a mixer and speakers and have been doing this ever since!

For a while, I stopped buying vinyl. Then 10 years ago my wife bought me a couple of records and like an addict, I was hooked back into buying vinyl and playing it again.   Right now, DJ Spinna and I have a monthly vinyl party called Dialogue and I’m enjoying it. When I travel now, I definitely bring a bag a vinyl. I’ll definitely be bringing a bag of vinyl to Chicago!

Black Widow: Speaking of the party, Torrin, what was the vision behind this party? It’s been a while since you were promoting your own events?

Torin Edmond:  No, not really.   I had the residency with Anthony Nicholson at Sonotheque and events going back to when I was working with Deep House page but I really began to connect with promoters and DJing different events. That’s when it really started again.   I didn’t really stop promoting. I was co-promoting events I was DJing at like the Summer House Series.  I always knew I wanted to get back into it.   It’s really a matter of timing and I felt the timing was right. The Southside has really exploded as far as the house scene and parties are concerned and with that, opportunities started to open up. When The Post came along I felt it was the perfect venue. It’s the big loft space, the booming sound system with that underground feel and I thought it would be a great starting point to promote my vision for what I’d like an event to be.  There are so many great events here in the city and I’m really looking forward to getting back to that deep underground sound and those different vibes. Global music to keep people moving. 

Black Widow:  Because there are so many events in Chicago on any given night, how do you differentiate yourself and your event from the others? What makes this event different?

Torin Edmond: It’s a challenge. I think the artists I have coming provide a different and unique experience.   Their names speak for themselves and connecting with artists like Carlos and Nosaluv and letting people come and hear something different and unique is what sets this event apart.

Black Widow: Carlos, as a creative, how do you continue to stay creative when you are balancing so much? I’m always curious as to how other creatives balance their art and creativity with family life, business obligations, etc.

Carlos Mena: That’s a great question.  I have two kids that take up most of my time and I have to be disciplined.  It’s not necessarily making time to be creative but making time to center myself.  I try to allocate time in the morning to do that whether through prayer or meditation or something else.  It helps me to be present and aware so when creativity comes to me, I’m ready to receive it.  I have a list of projects, some are overdue but I don’t work on them until I feel that vibe. I don’t force it.  You can’t force creativity.

Black Widow:  I agree…you really have to be present and open to allow that creativity to flow.  I’m most creative in that space. I completely relate. Do you find differences in your creative process when producing a song versus curating a DJ set?

Carlos Mena: Absolutely. When I’m DJing, that’s more of a spiritual practice. I’m engaging with the space around me and the people who are there. I’m taking in their energy and assessing what’s going on and what needs to happen. That’s a totally different creative experience compared to sitting in a room creating a track. 

Black Widow:  I’ve often said there is an energy transfer between dancer and DJ. Can you describe what that feels like?

Torin Edmond:   This party is really an introduction to Sound Sanctuary Music. That’s the label I’ve created for my upcoming production and other things I’ll be working on.   When you are in this space, it’s a sanctuary.  You can release those cares. No matter what’s going on, the party is a time to release and just enjoy and experience and the music for that moment.  That energy transfer between dancer and DJ is a feeling based on the music that is presented to you.

Black Widow: Do you find it’s more challenging to have that type of space, where that energy exchange can take place? Especially because parties are filled with people on their phones, filming, going live and such?

Carlos Mena:   When people are filming me or staring at me, it doesn’t feel like a party, it feels like work.   The party I do with DJ Spinna called Dialogue is similar to the Sound Sanctuary party in that the party is literally a dialogue between DJ and Dancer through music.  You don’t see people on their phones and starring.  They are just dancing and enjoying those vibrations.

Torin Edmond:    That’s what you are going to get at Sound Sanctuary.  The Post has an actual DJ Booth. There are so many places where you can just walk up to the DJ and take photos, record or tap them on the shoulder. At this party, that’s not possible.  You are hear for the music and dance.  The DJs get to focus on delivering that sound and the dancers can focus on receiving it.

Black Widow: I try to sneak in there! Laughter. My job is to give people a snapshot visually of what happened at a party or event but to also paint the picture with my words.  That’s usually my approach. I’m looking forward to covering this event and hearing everyone play and experiencing the post for the first time. Thank you so much!

Carlos and Torin: Thank you! See you Friday!

Until Next Time, see you on a dancefloor!

Black Widow

  Sessions presented by Sound Sanctuary Music will feature music by Torin Edmond, Carlos Mena and Noshaluv and happens this Friday at the Post! For more details and tickets go to Eventbrite.

Find Music and more by Carlos Mena at Casamena.com

This past Sunday, I headed to the Renaissance Bronzeville to check out Anane Vega.  Anane Vega is a DJ Singer/Songwriter and CEO and Founder of Nulu Movement.  She has toured the world bringing Afro and electronic sound to a worldwide audience.  She’s a powerhouse, a lady boss who has been able to carve her own identity as an artist, DJ and Label owner with style, grace and finesse.   Her messages of female empowerment, health and wellness are well documented over the span of her career and are inspiring to those following in her footsteps.  I’m always excited to hear and support female artists so when I heard she was coming to Chicago for the first time, I knew I had to check her out. 

The night opened with resident DJ, Mike Dunn, who packed the dance floor with strong and pounding Afro Beats.  Anane Vega was gracious even before taking over the decks, taking time to meet, chat and take photos with club patrons.  I was able to meet her and she was incredibly polite, beautiful and humble. Once she took over the decks, she captivated the crowd with soulful, Afro-Caribbean rhythms that kept the crowd dancing all night long.  The music was diverse and it was evident that her musical tastes come from various places and cultures.  I found myself drawn to the dancefloor, often putting my phone and camera away to dance.  When I’m working and covering events, my phone is always in my hand but her set forced to me to simply experience the music and allow it to take over my spirit and enjoy. 

It was an incredible evening of music that kept the crowd on their feet all night long. Her energy was infectious. Even after her set, she went into the crowd and danced with patrons until the end of the night.  It was Anane Vega’s first time in Chicago but I hope it’s not her last!

Until next time,

See you on a dancefloor

A night of House & energy! Wear your sexy and smooth best with your mask or even face paint. Be creative and uninhibited!

With Special guests:

Jon Pierce & Energy Transfer

Black Widow

DJ Emmaculate

Dion Bracken

Chicago Artist, Jaya Jenay performs with her band Random Noyse. Special guest performances by:

Sheree Hicks and Black Widow

Musical Selectors for the evening:

Sean Ali

JR Jam

Vick Johnson and

George Jackson

Tickets available at www.eventsbyeve.com

$15 online-$20 at the door

Thee Debauchery Ball is the story of Chicago’s Afro-Futuristic, BDSM, Fetish Themed house music party and how it has reshaped the Black Social Scene and changed the narrative of Black Sexuality.

The Screening will be followed by a Q&A with Debauchery Ball creators, Khari B & DJ Bill Will, Director, David Weathersby and Music Blogger, artist and debauchery ball attendee, Black Widow.

Creative Soul Entertainment presents-

Unleash your inhibitions 10 year anniversary show and party! Surprise guests, food and plenty of sexy!

Hosted by Discopoet Khari B

Featuring:

Black Widow

Lady Laronda Maestro

Azha

Raye

Tekhen

Jim Bruno

Ja’Nilah

She-She

Originally from Detroit, now living and working in Miami, DJ Spivey fell in love with Dance music at the age of 13 when he was given his first set of turntables and has been in love with the music ever since.  After a break from the music, he returned in 2012 and his journey began again.  The dance music prompted him to start mixing on the internet via his YouTube channel with over 30k followers and his SoundCloud account with over 5k followers.  Those mixes caught people’s interest and he became a DJ in demand traveling as far as China.  He is currently DJ'ing and producing edits and remixes and working on Producing original music.   I had a chance to speak with him about his journey and playing at this year’s Summer Oasis Music Festival for the second time!

Black Widow:  What was your introduction to House Music and House Culture?

DJ Spivey:  I’m originally from Detroit.  It wasn’t called house music back then.  We were playing what we call, Progressive Music”.  This around 1980/81.  It was dance, euro, and disco music.  The music all had that 4/4.   It was a lot of R&B Artists that created dance songs. That’s what we were playing.  I had a guy who was somewhat of a mentor to me. I remember going in his basement and I fell in love with the DJ gear. I begged my grandmother and mom to buy me a system and I started to collect records. From that point on and all throughout high school, I was spinning records. 

Black Widow:  You fell in love with the art form before the music?

DJ Spivey:  Yes! I fell in love with DJ’ing before the music. I loved music but when I saw the setup I was infatuated with it. It wowed me.  I wanted to know how to do and he walked me through it. I started collecting music after and from there I started buying music with more intention. I was purchasing music I wanted to spin.  I remember the first record I ever bought was “Don’t make Me Wait” by the Beach Boys.  I used to love the crack in the song. I thought it was so cool.  I remember the day I found my first milk crate in the back of the store. I remember bringing it home and putting my records in it.

Black Widow:  Once you get the crate you are official! [LAUGHTER]

DJ Spivey:  Yes! [LAUGHTER] Exactly I had the bug for sure!

Black Widow:  So what was your first gig? How did you know this was more than a hobby?

DJ Spivey:  In Detroit we had social clubs and I was a member of one. Social clubs threw parties and I was the DJ for the social club I was a member of.   I loved spinning records. It was fulfilling and I loved making tapes too.   We would pass those tapes out at schools and such.   It was just fun.

Black Widow: I told you earlier but I actually learned about you from a DJ Friend of mine, who sent me one of your YouTube Mixes.  She knew I was a huge Jill Scott fan and you had a mix of some of her classics.  What I noticed is that many of your mixes on YouTube and SoundCloud are artists specific.  What makes you create so many artist specific mixes?

DJ Spivey:  I do. I like to look at them as tributes.  The first one I did was at the suggestion of a friend. I did a best of Josh Milan mix.  I was hesitant initially but did it and was amazed at the incredible response.  It was a huge hit.  I had no idea people were going to dig it like they did. It felt like I was on to something.  Since then I’ve done a few; Sade, Jamiroquai, Monique Bingham.  I collect so much music and I loved so many artists and their catalog so it’s fun to create mixes covering the catalog of certain artists.   It also brings a lot of people to listen who may not necessarily be “househeads’ to the genre.   They listen and end up enjoying the groove because they love the artists.  It may turn them on to another house song and artist.  

Black Widow: I found your marketing style to be really interesting.  You’ve built your brand and following almost completely via social media.  

DJ Spivey:  I started while living in Atlanta. I was a bedroom DJ. I didn’t think it was going to get big but it gave me a chance to play and get my ideas out there when I wasn’t being booked.   From there people started to contact me and booking me for jobs.  AS my audience grew, I got more offers.

Black Widow:  Everyone has to start somewhere and it looks like you’ve utilized social media to your advantage to help you create and build a brand and create even more opportunities for yourself.

DJ Spivey: Yes absolutely! Even now in Miami, it’s not a big house town. We don’t have a scene.   We get the big stars but we don’t have a week to week scene like you have in Chicago. I keep my energy out there by continuing to play online and putting my mixes out when I’m not playing clubs and such. It’s been instrumental in getting my name out there and I’ve been able to travel quite a bit as a result.

Black Widow:  Do you find that Social Media is a double edge sword for you?

DJ Spivey:  I haven’t had too many negative experiences with social media.  What I like about social media it is that it keeps my wheels turning. I’m learning new things, meeting new people, learning new ideas.  One of my favorite artists of all time is Herbie Hancock.  He is constantly evolving and reaching out to younger artists. He just did a project with Carl Craig who’s a Detroit techno guy.   I’m always trying to keep my mind open to new ideas, new directions and see where it takes me.

Black Widow:   What inspires you to create?

DJ Spivey: wow…good question.  I get inspired by other songs, things I like, or even photos. Movies too! It hits you in crazy ways. Some of my best ideas come from movie soundtracks.  Even long road trips where I’ll listen to the radio and hear certain songs that are so random. 

Black Widow: I definitely relate. For me it can be a party that I attend or other music that I hear. I actually write songs while listening to other people’s songs sometimes.  It’s weird; I’m usually creating new house songs while listening to neo soul music! [Laughter] it’s really about allowing life to inspire you.

DJ Spivey:  I feel you! 

Black Widow:  I think it’s so interesting to speak with other artists, especially DJs because you have such a vast array of music to pick from and get inspired by.    Music from all genres.  That’s always reflected in a DJs set. 

DJ Spivey:  Right, you have a million records to choose from so now which ones are you going to choose? I always find that interesting

Black Widow:   Exactly! I would be totally overwhelmed! [Laughter] you really have to think fast and really have an incredible ear in order to blend music property, put songs together that work…it’s definitely something I know I couldn’t do! [LAUGHTER]

DJ Spivey: It definitely gets interesting.  I’m usually more relaxed when I start the event. I get nervous beforehand sometimes.  Once the system is on, I’m free.

Black Widow:  I noticed you do remixes and edits, are you breaking into producing?

DJ Spivey:   I’m trying to find my sound and what direction I want to go in.   I definitely want to get into it.

Black Widow:  My dad always says your art will make space for you if you allow it.

DJ Spivey:  That’s exactly where I am.

Black Widow: so let’s talk about Summer Oasis! This is your second year playing this event.    What do you love about Summer Oasis and playing this event?

DJ Spivey:  It was so magical last year!  I didn’t know what to expect but it was almost spiritual. Once I arrived, I felt free and connected with people I didn’t even know.  I’m looking forward to that again. I don’t know if it was the spirit of the ancestors or what but it felt great. 

Black Widow:  I really believe it is the ancestors. Just knowing the history of that land. I remember walking around and just being transported in a way. I totally get it.  Their spirit is definitely present.  I really felt connected to that space knowing our ancestors came to kick it and let their hair down and be free…

DJ Spivey: …Yes! It was a safe space! That’s really it!  That’s what Summer Oasis is too in a sense. It’s a time for us to leave that hustle and bustle and let our guards down and just enjoy. No TV…just free.

There was a little spot right by the campsite and there was a man, the owner I think. I was literally talking to him most of Friday. He and his friends would grab a beer and just tell stories. I loved it.  They reminded me of men I knew growing up.  He was amazing. It was so much history; he was funny and had a cool demeanor. I’m looking forward to the entire vibe. The entire vibe of Summer Oasis is just amazing.

Black Widow:  I agree.  It’s the peace of the lake, the music, the community…

DJ Spivey:  It’s a magical thing! 

Black Widow:  I can’t wait to hear you play! You gotta stop by my Moroccan Hideaway!

DJ Spivey:  Oh for sure! Absolutely!   I’m looking forward to it.

Black Widow: See you in Idlewild!!!

You can listen to DJ Spivey on the following:

SoundCloud: https://soundcloud.com/djspivey

MixCloud: https://www.mixcloud.com/discover/dj-spivey/

DJ Jihad Muhammad began exploring his love for music and DJ'ing at the young age of twelve. A native of Newark, New Jersey his love and dedication has lead him to reign as the “prince” of New Jersey’s underground dance music scene.

In 2002, Jihad began exploring the production world, producing songs on labels such as West End Records, Cameo Recordings, King Street Sounds and Offering Recordings. In 2005, Jihad developed his own production label MovmentSoul Recordings. Jihad has worked with House music legends such as Kevin Hedge of Blaze, Louie Vega and Danny Krivit of Body and Soul, to name a few. He has captured the souls of the populace and has secured a loyal following of energetic house music heads and soulful “garage” purist who march to the beat of his drum. In 2010, Jihad produced one of New Jersey’s hottest Global Soul parties, “Bang the Drum", that’s been going strong for over 5 years. Through hard work, perseverance and faith, Jihad has earned a special place in the hearts of his peers and loyal fans. He has the technical prowess, programming, sense of timing and adaptability to move any audience. His expertise and artistry in the scene has allowed him to play across the world. Jihad has played for audiences in London, Italy, Canada, France and throughout the United States, including at the legendary Apollo and as a guest at Tri – State area’s radio station Kiss F.M. Jihad annually he takes his Bang the Drum sound to Japan touring in places like Fukuoka, Hiroshima and Tokyo. With the musical milestones Jihad has achieved thus far, they are just the beginning of what is yet to come. The sky is the limit and Jihad Muhammad sees no limits in sight thus far!

I had a chance to chat with Jihad about his career and playing at this year’s Summer Oasis Music Festival.

Black Widow:  What was your introduction to house music?

Jihad Muhammed:  It started in the 80s.  For me, it derived from danceable R&B.  It’s always been a part of my musical history and background. I didn’t want to be a DJ until about 1981/82.  I would listen to the mix shows we had here with Timmy Regisford and Shep Pettibone, and Tony Humphries.  Those 3 guys sparked my interest and made me want to become a DJ.

Black Widow:  Did you have a mentor or were you self-taught? 

Jihad Muhammed:   Not really, our mentors were the DJs we heard on the radio. I didn’t have a personal mentor at the time; that came later as I grew and started playing in clubs.  I would try to copy what I heard them doing on the radio to the best of my ability.  I was “doing them” and that morphed into my own style. I had to create my own sound and identity but I got the basics from them the guys I listened to on the radio.   

Once I started playing in clubs and parties, people like DJ Camacho and Naeem served as personal mentors to me at that time. I would travel with them to gigs.  Sometimes they’d let me playing during breaks and such. I was almost like a gopher; picking up crates, taking them to gigs, etc.   That’s where you have to start sometimes.

Black Widow: The DJ Training Ground?

Jihad Muhammed:  Exactly!  It’s real life experience.  Watching them play and work the crossover; those were things I learned and I paid attention.  I would watch how they would play and read the crowd.  I would look at the types of records and music they would play and make sure I had those same records.  DJ’ing live and hearing something on the radio are two different vibes.   Being in front of people requires a different type of energy and I had to learn that…sometimes the hard way.

Black Widow: When did you decide to produce and create your own music?

Jihad Muhammed:  At that point in my career, I was pretty good as a DJ.  I thought it was good enough.   DJ'ing and Producing were things that were always separate. My first love was always DJ’ing but I was told in order to go further in the business, I needed to be a producer.  I was reluctant but Kevin Hedge from Blaze was one of my mentors who encouraged me to do it.  He took me out to buy my equipment and showed me how to work it. It took me a little while to get the “producer bug”.  My first record came out early 2000 and I was hooked.  Making music brings out a different type of creativity and I really loved that. Once I started producing, I was definitely getting booked more but I consider myself a DJ first and producer second. 

Black Widow:  DJ’ing is an art form and the creative process that goes into curating a set or creating and setting a mood for a party is different from the art of creating a song.  Did your creative process change when you started to produce?

Jihad Muhammed:  Kevin would tell me to listen to my favorite record and try to mimic that.  That’s always been my approach. I listen to music I like and try to produce a sound like that. With playing so many records, comes so many styles you want to produce. You don’t want to get stuck on 125 bpms. I like the freedom of being able to do what I like. I’ve heard so many styles of music as a DJ; house music is just one of many styles of music and all that is reflected in my music creatively.  It challenges me. 

Black Widow:  That’s why I call house music, musical gumbo. Its so many different genres mixed into the music.  You can hear disco, funk, R&B, punk…Do you feel like people try to put you into a box musically?

Jihad Muhammed: Not really but I’ve been doing this for so long.  I think the challenge is getting the audience to go on the journey with you.  That can be difficult especially now.  The parties have changed. It’s not one DJ all night.  Now it’s 3-4 DJs so you don’t get a change to stretch out and express yourself musically. I tend to like to play alone.  Timmy Regisford said in an interview once that sometimes it takes two hours to really connect with a crowd and take them on the journey.  Once you have them locked into your flow, you can take them anywhere. 

Black Widow: I couldn’t agree with you more. I’ve had that experience as a dancer.  I’ve attended parties with a DJ where there are other DJs on the ticket vs attending a party where it’s just the one DJ and the difference is incredible!   I wish they would do more of that…having one DJ for the entire night. You really get to know the DJ and the music in a different way. 

Jihad Muhammed: Yeah, a lot of people have a festival mindset thinking they must have multiple DJs on a set because more people will come out.  In some cases that is true, like an outdoor event etc., but inside the club it can be a waste of time. 

Black Widow:  Because you don’t get any time to really stretch?

Jihad Muhammed:  Yes and then the mindset is, “I have to play all the hits that I know people are going to dance to”.  That can get redundant because how many times have you heard all of the “Hits”? It’s just not as creative.  It’s harder for me to do a two hour set vs an 8 hour set.  

Black Widow:  Where did the idea of “Bang the Drum” come from?

Jihad Muhammed:  Bang the Drum derived from a party I used to do called “The Movement”.  There was a time when I felt that people wanted to hear newer music here and couldn’t’ so they would travel to NYC to spots like Shelter.    I wanted people to get used to newer music.  The Movement parties happened around 9/11 so people weren’t going to NYC as much and the Shelter had shut down because it was in the vicinity.  We started to get people from NYC coming to Jersey and it grew from there. Bang the Drum started at Club Elevation and then we moved it to the Coffee Cave.  

We’ve had a rich history of house music in Jersey but it has been the stepchild of NYC. In order for our people to know who’s who in the scene, I have to bring new people in and introduce our audience to new sounds.  It’s not just about me, it’s about a collective of DJs who are playing new music, whether it’s soulful, afro or whatever sub-genre they create, it’s all about us playing new music and introducing the people to a new sounds. That’s the message I preach for bang the drum. 

Black Widow:   I have such an appreciation for those who create music in this genre because it’s so much music that comes out every week. It’s difficult to stay on top or stay fresh because it doesn’t last. It’s always something new and you have to constantly keep putting out something new.  Do you find that it’s a challenge to stay current and relevant with new music while not rushing the creative process?

Jihad Muhammed: Absolutely.   I agree…the music changes so fast. You always have to keep your ear to the street. 

Black Widow:  That’s a struggle for me as an artist. 

Jihad Muhammed:  I think it’s important that people get to see the performer. This business is so DJ driven that they forget the songs we play have artists who sang on it or artists who have performed spoken word on them.  If you keep the artist hidden, the people will never get to know who the artist is. 

Black Widow:   That’s been a long time discussion among artists!

Jihad Muhammed:  When I first started working with artists it was always Jihad Muhammed featuring…”so and so artist”.  I had to get away from that.  Now it’s Jihad Muhammed and “So and So artist”.  It has to be that way because we created a song together. Its collaboration and I title it as such.  This is the only genre where the DJ/producer is more famous than the artist. 

Black Widow:    I think that’s so important that you even acknowledge that.  It’s a collaborative process. 

Jihad Muhammed:  Right! We have to take it back to the way it used to be!

Black Widow:  Agreed! Getting in the studio together, bouncing ideas off of one another.  That’s a relationship. That kind of energy you can’t really duplicate.  When you have that, it’s something special.  What’s your greatest lesson you’ve learned as a DJ/producer?

Jihad Muhammed:  I’ve learned how to make a proper record and I recognize what my limitations are. For example, I’m not a musician, so I bring in people who are.  As a DJ, I’ve learned to be prepared to reinvent yourself. You can’t stay stuck where you were 5 years ago or even a year ago. Always be willing to update who you are as a DJ.   You have to be willing to accept change and adapt to it. That doesn’t mean you forget the old school because some things can’t be compromised. You have to know how to balance the two.  Technology says you can be a DJ if you press a sync button but the old school knows how to mix, blend, etc. 

Black Widow: Absolutely! Some things cannot be compromised!  Let’s talk Summer Oasis!  Last year was your first year playing the event. What did you love about it? 

Jihad Muhammed:  I enjoyed it very much last year.   I enjoyed the idea of going to a piece of land and making it your own thing.  You can play by your own rules. I loved the comradery among everyone.  It was a great vibe.  It was different from festivals I’ve done in the past. 

Black Widow:  You gotta stop by my tent!  I’m looking forward to hearing your set in Idlewild.

Jihad Muhammed:  Yes it’s should be a lot of fun!

Black Widow:  Thanks for speaking with me today!

Jihad Muhammed: No problem! My pleasure!

You can catch Jihad Muhammed next weekend as one of the featured DJs at the Summer Oasis Music Festival held in Idlewild, MI.  His Bang the Drum party happens each and every 3rd Saturday at The Coffee Cave in Newark and you can hear him every Tuesday on buttersoulcafe.com from 6-8pm.  For more information on Jihad Muhammed, his events, and his music, check out the following links!

Soundcloud: www.Soundcloud.com/jihadmuhammad

MixCloud:  www.Mixcloud.com/discover/jihad-muhammed

Beatport:  www.Beatport.com/artist/jihad-muhammad/12510

TraxSource:  https://www.traxsource.com/search?term=Jihad+Muhammad

Twitter: https://twitter.com/jihadofbang?lang=en

Facebook https://www.facebook.com/Jihad-Muhammad-113847431976470/

“Born out of a desire to stage an event that would celebrate this stunning part of London, ONBlackHeath was created as the perfect festival for unwinding and putting a smile on your face, showcasing the best in local and international artists, serving up amazing food, and offering a world of fun for our younger visitors”. (From the OnBlackheath Website) The 2019 OnBlackHeath Music Festival was sensory overload.  This year’s festival did not disappoint.  From the layout of the space, the food vendors, the activities for children, the incredible production and outstanding musical lineup, this festival quickly became one of the best experiences I’ve had this year! 

THE PRODUCTION

The #OnBlackHeath Music Festival was well organized.  There was a single entry into the festival grounds that ran quickly and smoothly.  Bags A4 size and smaller were allowed.  I had a clear Adidas Festival waist Bag that held all of my essentials; my phone, Cellphone gimbal, money and lip gloss. It was the perfect accessory because I was hands free and my stuff was close to me and protected.  The staff was friendly and quickly searched my bag, scanned my ticket and I was in!  The festival grounds were well organized. The bars and food trucks surrounded the perimeter of the festival. The children’s area and carnival rides were near the front of the festival and the main stage and 2nd music tent were close to one another but not so close that the music overwhelmed you.   The rest of the area was open and attendees found spaces to lay blankets and inflatables to relax for the day.   The first day the bar lines became really long in the afternoon but the festival quickly addressed and corrected that by day 2.  My wait was much shorter the 2nd day. They also added more food trucks the 2nd day as well. I was amazed at how quickly the staff addressed concerns by the 2nd day!

What I loved most about this festival was the attention to detail.  The planners of this event thought of every aspect of what makes a festival great.  As an attendee, you are there the entire day. There were plenty of restroom facilities on both sides of the festival grounds, plenty of places to refill you water bottles, a special area for parents to get ID bands for their children in the event they got lost and even a booth for parents to purchase sound reducing headphones for smaller children and babies.  The sound throughout the festival was clear and crisp. Even though the distance from the main stage to the second stage was close, I never heard the music overlap.  I appreciated that as I went back and forth throughout the festival to see my favorite acts.

Even though it was a large crowd, I never felt cramped.  The grounds were large enough to accommodate everyone comfortably.  Kudos to the planning team for executing a well thought game plan!

THE FOOD!

The OnBlackHeath Music festival was filled with food to satisfy any palate.  The choices were endless.  I was able to choose from a variety of foods and treats.   Traditional fish and chips, Spanish Paella, Jerk Chicken, Vegan Options, Tibetan and more; there were a wealth of options. I particularly loved the Paella, the Churros and the Organic, Nondairy Ice Cream!  I ate well at the festival.  The portions were well sized and filling and ranged from 5-8 British pounds each.

SOMETHING FOR THE CHILDREN

The festival is marketed as a family friendly event and they spared no expense when catering to families with children. There were carnival rides for teens and young kids and a special kid’s area complete with a play area, a tent with musical performances, magic shows and an adorable area where kids played their favorite video games in an interactive way.   It was the perfect place for kids to blow off some energy and run and play freely without fear of injury or getting lost.

THE MUSIC!

When I first saw the lineup for this festival, I was blown away! The amount of talent in two days was outstanding!  For both days I experienced sensory overload.  The music was incredible!!!  Day One of the festival had me dizzy with excitement. Day 1 included Jamiroquai, The Roots, James Morrison, Jacob Collier, SG Lewis, Incognito, Soul II Soul, Swing Out Sister and MF Robots.   Day 2 included performances from Yakul, Laville, Aswad, The Brand New Heavies, Newton Faulkner, Morcheeba, UB40, Rag N Bone Man and Grace Jones.

I was overwhelmed by the sheer awesomeness of each performance.  Everyone sounded so good.  My absolute favorites from the festival were Incognito, Swing Out Sister, The Roots, Brand New Heavies and Jamirioquoi.  I’ve been fans of them for so long, to see them live at the same event was a treat. Incognito and Swing Out Sister were absolutely outstanding. They were so soulful and melodic. I was blown away at the magnitude of their vocals and musical artistry! The Roots proved why they are the best band in the business.  Every single member of the band was exceptional! They are so much more than hip hop! They are soul, funk, R&B and more! It was the perfect blend of genres! It was a special treat to meet the guitarist and Trombone player later that evening in the bar of my hotel. They were humble and gracious and spent time talking and hanging out with fans. Jamiroquai was another highlight as it’s been ten years since I last saw him perform.  The hometown fave returned to an enthusiastic crowd.  He performed crowd favorites and had us dancing until the end of the festival. My entire body hurt but it didn’t matter, the music felt so good!  The magnitude of talent, musicianship, artistry and creativity overwhelmed me.  The musical lineup exceeded my expectations on both days.  I left the festival exhausted but on an emotional high.  

The festival was beautifully diverse with every age represented, different races, genders, sexual identities and ethnicities; it perfectly reflected how music is such a unifier.  Thousands of people singing and dancing together to their favorite groups under a beautiful London sky was magical.

A QUICK PAUSE…THEN OFF AGAIN…TO DANCE!

I was exhausted after the festival but headed back into the city to check out some of Chicago’s own house music DJs.  I headed to Oval Space & The Pickle Factory for a Day & Night Double Venue party with Chicago DJs, Sadar Bahar and Lee Collins.  I had never been to a party like this before. Held in two different spaces across the street from one another, it was a combination of a warehouse and an industrial rooftop. It was packed and filled with dancing bodies.  Sadar and Lee rocked the crowd with that Chicago House Style that is recognized all over the world.  Watching London club goers groove to house music spun by Chicago DJs was a priceless moment. It was just a reminder of how many talented DJs we are fortunate to have in our own city!

It was my first time visiting London and attending the OnBlackHeath music festival but it will not be my last.  This festival was top notch from beginning to end. The city of London was good to me and I cannot wait to cross the pond and return again.  If you are looking for a dope vacation with great music in July, I’d highly recommend putting the OnBlackHeath Music Festival on your calendars for next year!

I hope you enjoyed my 2 part wrap-up of the OnBlackHeath Music Festival and my live coverage on my social media pages throughout the festival!

Until next time, see ya on a dance floor!

Glamping also known as glamourous, luxurious camping conjures up images of 5-star fabulousness, but the truth is you can create a beautiful and luxurious glamping space on a budget.  As a single mom of three, I definitely live on a strict budget that doesn’t allow for many extras. When I started to plan and prepare for my 1st glamping experience, I wondered if I could pull it off with limited funds.  I’m here to tell you, it can be done with good planning, research and preparation. Your space can be luxurious without breaking the bank!

Choose a Theme or Color Scheme

The possibilities are endless.  Last year I chose a Moroccan theme. I started with a basic color palette and built upon it from there.  You don’t necessarily have to have a theme. You can use your favorite colors, sports team, and your favorite hobbies and create a look that works for you. Having a basic color palate will help tremendously when planning your glamping space.

Grab that Checklist!!!

Did you download my Ultimate Glamping Checklist?  If you haven’t download it today!  It is a comprehensive list of everything you need to create a personalized glamping space and serves as a great guide as you get started planning your glamping weekend!!!

Research!!!

Start at home and look for items around the house that would be great additions to your glamping space. After all, glamping really is about having the comforts of home or a 5 star hotel.  Check garage and estate sales, thrift stores (sometimes you just need a little paint to upgrade something from basic to fabulous).  Check the clearance sections of your favorite stores such as Bed, Bath and Beyond, or Home Goods or online at Walmart, Amazon and EBay.  If you start now, you have time to grab items from online wholesalers such as Wish or Alibaba.   

DIY!!!

If you are handy or crafty, try creating décor and centerpieces yourself. Pinterest has a wealth of ideas and YouTube is a great start for crafty how to videos. Last year, one of the Summer Oasis glampers created beautiful lanterns with mason jars, fairy lights and a little burlap.  Beautiful lighting for just $5!!  I found a few old planters around my house and spray painted them with a beautiful metallic paint to create the perfect centerpiece for my outdoor table.  You may have items around the house that could use a little coat of paint or something extra to turn it into something really cool.  Take existing pillows and add a new pillow case to create a fun decorative pillow for your sleep space.  The possibilities are truly endless.

 With enough research and proper planning you can have the basics to enjoy a beautiful glamping space and build on it each year you attend Summer Oasis and it doesn’t have to hurt your wallet!!!

Do you have any tips for glamping design on a dime? I’d love to hear them. Share some of your best tips with me and our readers! Hope you are getting ready for Summer Oasis 2019!!! A Glamping experience like no other.

Stay tuned to Black Widow’s web as we help you prepare for Summer Oasis and bring you interviews and helpful articles leading up to the event!

Until next time,