Bottle spotting? Do I mean āfinding or identifying bottlesā in SueƱos de Libertad? Yes, I do. Just not any bottle, but perfume bottles.
It all started when I noticed a real-life perfume bottle in the shop of PerfumerĆas de la Reina (sometimes abbreviated as āPDLRā in the following paragraphs). I thought it was a coincidence, but weeks later I noticed another real-life perfume bottle. And you know, when something happens to you once, it might be just a coincidence, but if it happens to you twice, then you should start thinking itās a fact.
So what started as a simple ābottle spottingā turned into research (some of you have noticed that Iāve been paving the way by posting vintage perfume bottles latelyā¦) that I think is now more or less mature enough to be shared with you (itās a never-ending research, though, Iām afraid.)
In the last few months, Iāve been paying attention not only to doƱa Marta (god bless her, sheās so beautiful and I love her so much, period) but also to the perfumes and perfume bottles in the shop and the storeroom, taking screenshots, reading blurry labels, and using my own memories and Google Lens as my new bible (AI has proven to be useless on this matter.)
So far, Iāve found more than 20 perfume bottles in the store and most of them have a real-life counterpart. Since I started this discovery research after Brossard āmergedā with PerfumerĆas de la Reina, weāll see plenty of French perfume names. But donāt panic, I also went back to early episodes to find some bottles.
(Disclaimer: although I like perfumes, Iām far from being a perfume expert. Actually, Iāve learned a lot of things thanks to this research, the most important one being that āI barely know a thing about perfumes.ā)
Please join me in this amazing SdL/Real-Life perfume bottle journey: The crossover you didnāt know you needed ;)
Note: Youāll see the SDL perfume name first, followed by the real-life perfume name: SDL ā Real Life.
This was the first perfume I recognized. It was easy, because 5th Avenue by Elizabeth Ardenāreleased in 1996āis a very well-known perfume, even if you havenāt tried it (I havenāt, have you?)
2. Feuille Sauvage ā Agua Brava (Antonio Puig, 1968)
Recognizing this one blew my mind because Agua Brava (released in 1968) used to be a classic fragrance for old men. I mean, most +50 men in the 80ās and 90ās would smell like Agua Brava (in the Latin American world, at least).
I love the fact SdL called this perfume Feuille Sauvage (Wild Leaf), because yes, the green and brown colors recall a tree!
Iām sure DamiĆ”n wears this fragrance, I can smell it.
3. Esencias de la Reina ā Plaisir dāAimer/Plaisir de Vivre (Linn Young, after 2012)
I have to say that strange things happen in relation to this PDLR perfume.
As you know, first of all, Esencias de la Reina is the perfume that made Marta and Fina to start flirting (I will never forget that; we need more of this, please), but also⦠this bottle has a twin (in both PerfumerĆas de la Reina and the original real-life maker, Linn Young/Coscentra.)
The Esencias bottle, as presented to us, has a golden liquid and a golden cap, a white bow, and a pink label. The name of the perfume is very noticeable in the screenshot below, so there is no doubt this is Esencias:
This fluted glass bottle is, without a doubt, a copy of Linn Youngās Plaisir de Vivre. The Esenciasā pink label gives me Plaisir de Vivre vibes, but only because Plaisir de Vivreās liquid is pink. The cap and bow colors donāt match, though.
And here comes the twin: Linn Young has another āPlaisirā, called Plaisir dāAimer, which liquid color and cap color (both golden) match Esenciasā. The bow and the labelās color donāt match, though.
And here is when we also find a twin in PDLR shop! And thatās not the only curious thing: the Esencias bottle twin does copy Plaisir dāAimer colors in two identical bottles with different labels.
So, I wonder why PerfumerĆas de la Reina would release Esencias de la Reina with great fanfare if they are using a recycled bottle? Who knows, but I guess the props department realized this at some point because there will be a little change in the future (Iāll address that soon).
By the way, Linn Young is a sub-brand of Coscentra, a low-cost perfume maker from Netherlands, which creates perfumes that are inspired by or are interpretations of designer perfumes or perfume houses (they do not copy, they just āreinterpretā well-known fragrances).
For example, Plaisir de Vivre is supposed to be inspired by LancĆ“meās La Vie Est Belle (I can see what you did there, Linn Young, with the colors and ribbon), while Plaisir dāAimer would be inspired by Guerlainās Shalimar (they used the colors of Shalimar, indeed). I couldnāt find the āPlaisirsā release date but bearing in mind that La Vie Est Belle was released in 2012, they must have been released after said year.
Iām now intrigued by these Linn Young perfumes, and Iād like to know if they are good interpretations. I found Plaisir dāAimer available for purchase online for about EUR 12, so I could give it a try. Why not?
If, and only if, Esencias de la Reina smelled like Plaisir de Vivre (or La Vie Est Belle), wouldnāt it be a great perfume for Fina?
4. Flor Divina (original edition) ā Mies de Oro (Darjantyl, circa 1930)
The original Flor Divinaās bottle is so unique that for a moment I thought it was an original SdL creation; but no, of course not.
I want to publicly thank all those second-hand/vintage item shops online (such as ebay, etsy, todocolección and wallapop) for helping me find the Mies de Oro bottle:
This obscure perfume was made by an old (and extinct) Spanish perfume house: Darjantyl. I didnāt find much information about it, but it seems to have been based in Barcelona and released perfumes during the first half of the 20th century.
This is, as we already know, Dignaās signature perfume. Sadly, I donāt have a reference of how Mies de Oro smelled, but Iām tempted to imagine it as a floral and powdery fragrance, maybe having violet or iris notes.
4.2. Flor Divina (new edition) ā Anwan (Al Wataniah, circa 2020)
In case you didnāt notice, Brossard released the new edition of Flor Divina with a different bottle:
The change in the bottle design may respond to a budget issue, since the original Flor Divina bottle would cost thousands of pesetas to manufacture and Brossard doesnāt have the money right now. Vintage bottles (from art deco or art nouveau times) having such complex designs were manufactured using the finest raw materials and the bottle itself, without the fragrance, would be half of the price.
So, I introduce you to the real-life Flor Divina 2.0: Al Wataniahās Anwan.
I guess I donāt need to mention that Al Wataniah is a perfume house from the UAE
5. Air Nouveau ā Splendor (Elizabeth Arden, 1998)
Another Elizabeth Arden āinspirationā.
In the first screenshot, you can see when Gema, Claudia and Cristina see the French bottle for the first time. They were pleasantly surprised by the design, and we must admit it: the bottle is beautiful and delicate. Bravo for Elizabeth Arden! Itās a pity, though, that Air Nouveau is a perfume formulation stolen from PDLR. A big ābooā for Brossard⦠Thieves!
In case youāre wondering, Coeur Frivole is supposed to be inspired by Chanelās Coco Mademoiselle. Again, Coscentraās sub-brands do not only reintepret the fragrances, but also the bottles, as I can see a bit of Miss Dior in here (square shape, pink). This design is a bit too modern for 1959, in my opinion, but itās alright, it looks very good when Fina is next to it.
A final thought: SdL really loves Coscentra brands, letās never forget that.
7. Pasión Oculta ā L'Aimant (Coty, 1927)
LāAimant, as a fragrance, is a true survivor. The perfume itself was released in 1927, but the bottle we see in SdL corresponds to a modern retail design (1980s-1990s), rather than its original early 20th-century packaging.
The Pasión Oculta bottle is the same as LāAimantās, except for the label:
Iāll share with you something I learned while researching: LāAimant was the low-cost response to Chanel N°5, so this trend of creating more accessible versions of luxury perfumes isnāt a new idea.
I have no idea whatās the name of this PDLR perfume, so Iāve decided to call it āAnon 1 (aka Wild Lesbians)ā because I can, and because when lesbians are involved, things get wilder.
There is not much to say here. The bottles are THE SAME, except maybe because there seems to be a black bow in the neck of the PDLRās bottle (or an extra black ring).
To begin with, Iāve called the fictional fragrance XXX Salvaje because I can only read the Salvaje (Wild) part. A reward will be given to the one who can read whatās written before that.
When you look at this bottle, you can immediately tell that it corresponds to an āeau de toiletteā (EDT) or an āeau de cologneā (EDC). This type of bottle is usually more functional, being larger (to contain more fragrance), and having transparent glass and apothecary-style labeling. Youāre supposed to feel their freshness just by looking at the bottle.
Nowadays, EDTs can have a nice bottle, just as an EDP, but in the past, it seems the design of the bottle would immediately tell you what you were looking at, so I guess thatās why I associated XXX Salvaje to a cologne (I was right).
Ćlvarez Gómezā Flores MediterrĆ”neas line corresponds to an EDT and it can be purchased online and in the very same Ćlvarez Gómez physical store in Madrid, in case you want it.
Iād say Tasio would wear this, but heās such a pig that I donāt know reallyā¦
10. Cologne Royale ā 1916 (Myrurgia, 1982)
Cologne Royale is, evidently, another cologne-style fragrance. While the previous XXX Salvaje was a PDLRās creation, Cologne Royale is probably an original Brossard product.
The real-life bottle is 1916 by Myrurgia. In this case, the props department didnāt even try to change the label or the box. Itās absolutely the same packaging.
Myrurgia is another old, yet not extinct, Barcelona-based fragrance house from the first half of the 20th century. Myrurgia was bought by Puig in 2000.
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Since I donāt want this to be a massive post, Iāll stop here so you can digest all this useless information, and Iāll post another entry with more bottles soon (itās ready, I just donāt want to bombard you with bottles.)
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One of my favorite parallels between episode 363 and episode 602 is that, on the surface, they both seem to be about photography. I don't actually think they are. Back in episode 363, Fina tells Marta that she wants to photograph her. When Marta asks why, she says, "Because no one sees you through my eyes." Then Marta asks what those photographs show, and Fina answers, "The woman of my life." At first, it just feels like another romantic scene. But looking back now, I think it says a lot about how Fina saw Marta at that point in their relationship. Back then, Fina didn't just love Marta. She admired her. The Marta she saw through her camera was confident, elegant and composed. Maybe Marta the goddess? The woman she had fallen in love with. And that's exactly what she wanted to preserve. Not because she saw the "wrong" Marta, but because that was genuinely the Marta she knew back then. Every photograph became a way of holding on to the woman she saw through her own eyes. Which is why episode 602 immediately made me think of that conversation. After taking photographs all evening, Fina suddenly says the ones she wants to see the most are Marta's. At first that feels like a callback to episode 363. But then she explains why. She wants to see the photographs Marta didn't even know were being taken. And that's when the parallel suddenly becomes something else entirely. Back then, Fina wanted to preserve the Marta she saw through her own eyes. Episode 602 made me realize that those eyes have changed too. She still sees Marta differently than anyone else ever could, but the woman she's looking at isn't exactly the same anymore. This time, she wants the photographs where Marta didn't even know she was being watched. The moments where she isn't posing. The moments where she isn't trying to be anything. The Marta who isn't a Goddess. But Fina wants the moments where she's distracted, relaxed (like she was with her feet on the coffee table, fully chilling) or simply herself. That's such a small detail, but I think it completely changes the meaning of both scenes. The parallel isn't that Fina still wants photographs of Marta. It's that the Marta she sees through her own eyes has changed. Not because Marta became someone else, but because Fina has come to know parts of her she maybe couldn't have seen back then. I also love that this happens right before Marta wonders whether she's still the woman Fina first fell in love with. Years ago, Fina saw someone she deeply admired. Someone who always seemed so certain of herself. Now, when Marta worries that she isn't that woman anymore, Fina doesn't tell her nothing has changed. She admits that it has. She tells her it's even better to love a real person, with strengths, flaws and insecurities, than someone who always seems to have everything together. That's why I don't think these scenes contradict each other. I think episode 602 quietly finishes what episode 363 started. "Because no one sees you through my eyes" doesn't mean the same thing anymore. Not because Fina's love has changed, but because her understanding of Marta has. She still sees Marta through eyes no one else has. The difference is that those eyes have grown alongside their relationship. Back then, they saw the woman Fina had fallen in love with. Today, they also see the woman she's come to know. And somehow, that's the version she wants to hold on to the most. More and more and more and more.
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Marta and Tasio have another run in, this one featuring DamiĆ”n finding out about Tasioās dealings with Gabriel. Valentina and Cloe discuss a proposal for a new PR department Brossard fils wants installed in Brossard de la Reina permanently. And he wants Fina. Cloe makes the proposal to Fina, but Fina isnāt so sure. She discusses it with Marta, who also balks at the idea of the three of them working together. (Marta telling Fina that sheās drooling over her right there, in the cantina, is insane.)
(also if you all could see my notes for te escribo you would understand how I almost pulled my hair out at the mention of PR, but thatās neither here nor there)
(there is a second page to this that doesn't hit quite as hard as this one, but when I first found this I stared into space for a long minute. From exile, in Brazil - "Towards you, most beloved, my arms expand, like you drew [or photographed?] them...")
"...hiding heavens in your bedroom", but more so, "unfaithful to that laugh and that wind and the foam that caressed you, to the green hope of the late afternoons..."
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