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@bloomsberries

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SERAFINA VALERO — sueños de libertad | eps. 189, 209, 223, 234, 260, 265, 269, 272.
Love women who love the brine of life...Pickles, Olives, pickled jalapeños, sun-dried tomatoes, pickled ginger, pepperoncini, kimchi, pickled red onions
"stress" by yoan capote - made of bronze and concrete
is this blog stupid? yes. but which one of us is following it?

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Like I know I’d feels awkward to write but when I’m reading a fic I don’t notice if an author is using the characters names too many times too close together. That’s their name! on the other hand if I ever have to read “the blond” I’m closing the tab. The only time it’s ever acceptable to use epithets like that is when the characters don’t know each others names yet
#200 is going to be the most self indulgent thing I’ve ever written and I don’t care — it’s 200, baaaaby
Marta and Fina meet up, but Fina walks in twenty minutes late because she’s been buying fabric for some couch cushions. Marta is displeased. Theyre both defensive. Fina asks whether Marta doesn’t like that she has her own life, that she’s independent, with a job. What don’t you like, Marta? And Marta’s response is simple: I like it all, but I want some support during a trying time. There’s some back and forth about it, and Fina says the only reason she has stayed in Toledo is to be with Marta, who is the love of her life. And if she needs more, she should I ask for it, and Fina will give it to her not because it was asked for but because Fina wants to give it to her. It’s an interesting response. (The words are right, but the tone is slightly chilly throughout.)
Cloe gives Marta and Andrés the good news that the French chemical company is indeed interested in buying the de la Reina’s industrial.
In the preview, Marta takes a phone call from a certain someone whose name is said with not an insignificant amount of bitterness.
me when I start to reread rs and im like ooh this is compelling
Tjalf Sparnaay - Kiezen voor Knikkers (2012)

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David Hockney (British, born 1937)
Kate O'Flynn as Patricia
“Your Baggage” | Widow’s Bay 1x08
These surrealists who made the early films were shooting in the dark, they were feeling their way. But they've left behind a sign on a door that said: once this door is opened, in the future, it will make a way for a brand new kind of film. I'm very happy to be a fellow traveler with any of these guys. David Lynch in Arena - Ruth, Roses and Revolver (Feb 20 1987)
Marta and Andrés have a heart to heart about his situation with Valentina. Cloe admits that she never had a date, she was just trying to distance herself from Marta because she still has feelings for her and she doesn’t think they can ever be friends. In the preview, we see Fina and Marta having another one of these coffees Marta loves so much. This time, Marta tells her there are so many changes happening around her, she wants to believe some things haven’t changed…
sdl ep. 587

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(I hope people are still interested in te escribo even though I haven’t been able to update daily recently)