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Keni

JVL
"I'm Dorothy Gale from Kansas"
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art blog(derogatory)
noise dept.
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trying on a metaphor

@theartofmadeline
todays bird

tannertan36

ē„ę„ / Permanent Vacation
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Stranger Things

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@bloomsberries

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my friend invited me to go see Rosalia next Monday (right after my exam!) but I only know Lux. Should I just binge the shit out of her other albums before going or just go in cold and (probably) have a religious experience?
Both are extremely valid choices tbh! But motomami deserves repeated listens too!
Also: LUCKY YOU. I already want to see it again.
Claudia visits the piso cochambre which looks lovely actually and has a window with a view! They talk a little bit about how Fina seems sad and she admits things arenāt going exactly how she had hoped, that she and Marta didnāt pick up where they left off. Claudia asks her if she misses Argentina and Fina says no. Marta shows up announced and things get a little awkward. Marta clearly made an excuse to come over so they could talk (āI couldnāt stop thinking of youā) but Claudia is there and itās impossible. Oh, these two.

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Ingrid Bergman takes a photograph in a break from filming āVisit To Italyā, in Naples. 30th May 1953
Photo by Bert Hardy
online fandom is so fun because weāll be talking about very serious character moments and analyzing them and stuff and there will be a lull in the discussion and someone will be like āand then they fuck about itā and then weāre all like yeah and then they fuck about it
Haven't seen that many posts here that share about where to donate for the victims of the earthquake in Venezuela, here's a website that compiles a list of reliable associations where you can donate for the earthquake victims.
please spread the word! my country still needs all the help it can get
you know whatās hard? writing a close 3rd person pov where the pov character is lying to themselves

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"be open"? you mean that thing that wounds are???
Hello! Iām very interested in watching SueƱos de Libertad, but my Spanish isnāt good enough to fully understand everything. I have approximately a B2 level in Spanish, so I would really appreciate being able to add English subtitles. My English is at about a C1 level, which makes it much easier for me to follow the dialogue.
I was wondering if you could explain how everything works with the Google Drive and the Atresplayer app. Iām not quite sure how to use them together or how to add the English subtitles. Iād really appreciate your help. Thank you very much!
”Besos desde Alemania!
Hi hoi!
Our Google Drive is fully self-sufficient, hence why it takes up about 1TB of storage space already. You don't need the Atresplayer subscription to use it, as all of the episodes are up on the drive with the subtitles hardcoded onto it. You can just press play and start watching. As of T3, most of the episodes are also downloadable.
For access to our GD, I'd need an email adress from you (DM me) that is compatible with GD. Then you'll get an access link in your inbox. If you use a browser connected with the same email, you'll be able to watch all of the episodes - yes, all of them. See my pinned post on how we managed that for the T1 episodes - with corrected English subtitles.
There is a Google Drive out there with only the English subtitle files. Then you need an extention to get those playing at the same time as the episodes. But I also know that Atresplayer worked on their player recently and changed some things around. So I'm not sure if that works anymore (seeing as I don't use that method since making our own episode files). If anyone does, feel free to reblog this ask with info!
If you have any more questions, you can always reach out or send me a DM so I could help you further.
Groetjes uit Belgiƫ :)
PS: we've recently reached 100 watchers in the Google Drive! What a milestone.
If anyone reading this is interested in helping us with the episodes, we are looking for people able to help us with translations (mostly for the daily episodes, but we also still have the T1 and T2 backlog).
el mar debajo de tu almohada [sueƱos de libertad; fina valero; marta/fina (fina/bianca)]
Vignette set between episodes 596 and 597. Fina thinks about Marta's lie about Bianca's phone call. (My way of trying to make sense of Fina 2.0. At least until the show messes with her some more and leaves me high and dry.)
(I had a lot to do this morning so couldn't comment right away, but I honestly do not like this. It doesn't make any sense.)
Fina calls Claudia at the store from her apartment cochambre (which, from that angle, looks nice enough!) and invites her over. Claudia accepts. Marta walks in and asks her to bring some receipts or invoices or whatever upstairs and Claudia asks her when they might get another dependienta. Considering Carmen left on her own and they presumably had that position budgeted for, I don't see a problem (and Claudia probably doesn't either), but Marta hems and haws.
Later, Digna and Marta talk about Marta's issues with Fina having fallen in love in Argentina and here's where they lose me. Because now it seems like they ARE going for that stupid, stupid plot where it's actually Marta's fault and she needs to get over it, she's the one who needs to open up her heart, rather than what we've been seeing, which is a hardened Fina who is willing to be harder on Marta for not telling her about Bianca's phone call than Marta was about making her a two-timer. They then somehow make Marta compare Cloe withholding that phone call from the photographer's association with what Marta did with this phone call and they.are.not.the.same? I'm just... And then this whole idea that she suffered, too. Like, sure sure, of course, Marta, but we can't compare that, either. Fina was forced to leave everything! I just... they're really fucking up both characters with this stupid plot. I don't know where they're going, but what they've done so far doesn't inspire confidence.

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Marta and Fina Parallels - Part 02 SueƱos de Libertad, Eps. 52 & 257
"Look at me. Look at me, please. My love is already yours forever." Favorite Marta and Fina Moments - Part 138 SueƱos de Libertad, Ep. 257