More HD Hayley Atwell and Chris Evans reuniting at SDCC 2026 for everyone
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More HD Hayley Atwell and Chris Evans reuniting at SDCC 2026 for everyone

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apologies for the bad quality BUT GUYS 😭😭😭😭😭
PAGET BREWSTER as EMILY PRENTISS CRIMINAL MINDS: EVOLUTION — 19x10.
then vs. now: Emily at The BAU 2.10 -> 19x10

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Okay, I have an essay on Tara and Rebecca’s relationship in CME and the racial biases that the fucking showrunners have (homophobia is very likely in there too).
Tara as a black woman is not allowed to be in stable and happy relationship and have that be shown on screen. In her previous relationships she was assaulted by her white husband and abandoned by her black fiancé (and I do think their races say something as well). And in evolution, she has the chance for real happiness. She even says as much: that she’s “never been this happy before”. And that gets taken from her too. And we see that fallout. We see that fight as the audience. We see the bickering and the digs at each other. But we don’t see any of the make up. In fact, all we get is Tara in a life and death situation and Rebecca not wanting to be alone after that. Then, we are told that they are back together again because they “are more miserable apart than they were together”. Why did that have to be the description and reasoning we are given as an audience? Why can’t it be that “never been this happy” again? Why is it that even when they are together, we still see that tension around the inability to let each other in? And it’s only after Tara almost dies that they get engaged. We are only given a bit of happiness to cheer for after she goes through a major trauma. And then we don’t even see the wedding. We barely even see them interact after getting engaged. No small touches, quick kisses, nothing. And yet when you look at other relationships that are shown on the show, you get the couple against the problem (see JJ and Will, Rossi and Krystall, Matt and Kristy to name a few). You get to see sweet moments between them and light touches and kisses and everything else you expect from married couples!!! What is the difference??? Oh, maybe that they are an interracial sapphic couple??? I mean we’ve all already noticed that the two off screen weddings were the black people on the show. Is it because they would have to hire people of color to be background actors and not suffer in some way, shape, or form?? And before you telling me it’s not that deep, it fucking is, okay. And it sucks. It sucks for us. It sucks for Aisha and Nicole and all the other people of color who get shunted to the side but are expected to take it because at least they have a job on one of the most streamed shows in the world. And so while white men and white couples get to have full feasts. Everyone else is expected to be grateful for fucking crumbs.
Is this my most concise or thought out post, no, it’s not. But I’m tired of this. And I’m not even the most effected by it. I mean we didn’t even get a Tebecca clip for Pride this year, and we couldn’t for this season because they didn’t have any scenes together that weren’t just work. Whatever, I guess I just need to learn how to write fluff to satisfy my own need for them because the fandom ignores them too.
no one speak to me for the next 3-5 business days.
thank you ally for blessing us with jemily daughter photos
emily & tara drinking together over the years
HAYLEY ATWELL as GRACE
Mission: Impossible - The Final Reckoning (2025)

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That ‘comment on your a03 work’ email hits like a line of cocaine every time. unmatched dopamine increase. shoutout to everyone who leaves a comment on fics. you deserve the world
The De-Radicalization of Jennifer Jareau: How Fandom Misogyny Re-Wrote the FBI's Most Elite Profiler
Hey y'all, welcome back to the blog. Grab your mugs, settle into your seats, and let’s get into the deep, dark trenches of criminal profiling, institutional bias, and how the internet loves to shrink hyper-competent women.
Because honey, we need to talk about the absolute media-literacy tragedy that is the fandom treatment of Jennifer “JJ” Jareau from Criminal Minds.
If you look at my header, you see Season 5 Catra typing away in the "Corridors" episode. If you look at my avatar, you see her in that iconic pink spacesuit from "Shot in the Dark." That is not just an aesthetic choice, honey. That is a warning. This blog page is a sanctuary for fierce, deeply complex, neurodivergent-coded anti-heroines and alpha women who refuse to be put into a digestible little box.
And right now? The Criminal Minds fandom has JJ trapped in a traditionalist, misogynistic shipping box, and I am about to tear that box completely to the ground.
Let’s lay down the canonical, chronological receipts.
The Chronological Blueprint: Putting Respect on the Media Liaison Era
Let’s start with a hard factual check that has been decades in the making. On September 22, 2005, television audiences were introduced to a fiercely determined, highly empathetic young woman who acted as the indispensable bridge between the Behavioral Analysis Unit and the rest of the world.
For the first six seasons of Criminal Minds, Jennifer Jareau was the elite Media Liaison of the BAU.
And let’s clear up the uncritical fandom lie right now: JJ was never just a secretary.
Being the Media Liaison required a masterclass in psychological warfare, communication strategy, and extreme emotional intelligence. JJ was the shield. She was the one who had to look grieving families in the eyes and promise them justice. She was the one who had to manipulate the savage, bloodthirsty vultures of the 24-hour news cycle to protect the integrity of active investigations. She was highly trained in crisis negotiation and tactical response from day one.
In Season 2, Episode 23 ("No Way Out, Part II: The Evilution of Frank"), when the absolute worst, most sadistic serial killer in the show’s history—Frank Brightkopf—had the team cornered, it was JJ who kept her composure under extreme duress. In Season 3, Episode 9 ("Penelope"), when the tech queen herself, Penelope Garcia, was shot and fighting for her life, who was the woman who stepped up, tracked the killer, and literally shot the perpetrator dead through a glass window with raw, tactical precision to protect her team?
Jennifer Jareau.
She was an absolute alpha, commanding rooms full of grizzled local police chiefs who didn’t want to take orders from a young woman. She earned her stripes in blood, grit, and bureaucratic warfare.
The Pentagon Era and The Forced Ascension
Yet, how does the system, and subsequently the fandom, repay years of masterful character development? By punishing her for her own competence.
In Season 6, JJ was forcibly transferred to the Pentagon—a narrative move that mirrored the real-world behind-the-scenes network misogyny where executives tried to fire the female cast members to cut costs. But when she returned in Season 7 as a fully-fledged Behavioral Analyst, she didn't just step up; she evolved. She survived literal torture in Season 9, Episode 14 ("200"), enduring brutal psychological and physical warfare while protecting national security secrets, showing an iron-clad soul that would make Natasha Romanoff proud.
She became a legendary profiler, a fierce mother to Henry and Michael, a master of hand-to-hand combat, and the absolute operational spine of the BAU.
The Stagnation of the "Jeid" Delusion: Shrinking an Alpha Into a Shipping Prop
So, explain to me how a massive portion of the Criminal Minds fandom looks at twenty years of elite institutional excellence and decides to reduce her entire existence to a validation tool for Spencer Reid or Emily Prentiss?
The subconscious objectification is staggering.
If you scroll through legacy fanfiction spaces or modern edit tags, you are immediately bombarded with a toxic, uncritical distortion of JJ’s character. This brilliant, authoritative, self-made woman is routinely stripped of her tactical competence and rewritten as a weeping, emotional damsel-in-distress whose only function is to be the comforting maternal figure or the hidden romantic prize for the "misunderstood, neurodivergent underdog" archetype or the raven/silver-haired Spy-turned Agent-turned Chief of the BAU.
Sound familiar? It’s the exact same script the TMNT 2012 fandom used to shield Donatello’s entitlement, and the exact same framework used to turn Olivia Benson into a 27-year waiting room for Elliot Stabler.
The fandom treats JJ’s canonical husband, Will LaMontagne Jr.—a supportive, emotionally secure, respectful detective who holds down the home front while his wife hunts monsters—like an obstacle. They villainize an incredibly healthy, stable marriage because they are obsessed with the codependent, fan-fictionalized fantasy of "Jeid" or "Jemily".
In Season 14, Episode 15 ("Truth or Dare"), the writers gave in to the uncritical echo chamber, forcing a bizarre, out-of-nowhere confession where JJ claims she "always loved" Reid. It was a complete bastardization and fetishization of linguistic and narrative boundaries. It insulted single mothers, it insulted happily married women, and it was a blatant rejection of canonical facts.
JJ’s value is not an accessory to Spencer Reid’s emotional growth, nor is she arm candy for Emily Prentiss. Her worth is embedded in her tactical brilliance, her survival, and her deep, soulful empathy. Her story belongs to the victims she fights for, not the simps who demand she be slotted into a traditional, digestible shipping box to validate their self-projection fantasies.
The Intersectional Reality: We Are Done Letting Fandom Gaslight Us
As a young woman with a curvaceous hourglass body type who navigates the real world with ADHD, Bipolar, and my own intense mental health battles, I know exactly what this brand of objectification feels like. Toxic spaces immediately use a woman’s physical intensity, her beauty, or her outward "softness" as an excuse to strip away her right to have a fierce mind, an iron-clad boundary, or complex trauma. To them, an alpha woman cannot simply exist in her own authority. She must either be a silent trophy, a helpless victim, or a flattened, hyper-sexualized maternal caricature.
I am completely done letting uncritical internet echo chambers gaslight us into thinking this is "just a fan thing." Media analysis matters because how we treat characters reflects exactly how we value real-world human beings.
When you minimize Jennifer Jareau’s lifelong tactical and strategic excellence to a cheap shipping punchline, you are telling real-world women, survivors, and neurodivergent individuals that our safety, our boundaries, and our professional dignity are less important than your internet fantasies.
Jennifer Jareau is an elite, independent queen. She is a fierce, protective mama bear who has stared down the worst monsters humanity has to offer and never blinked. She is not up for debate, and she does not exist to satisfy a lazy, uncritical fandom box.
i miss you 2012 avengers. i miss you the avengers tower. i miss you irondad and spiderson. i miss you meme lord shuri and peter. i miss you loki lingering in the tower for no other reason than that he's the main love interest. i miss you poptart-eating thor. i miss you grumpy bucky barnes. i miss you old man, chronically offline steve rogers. i miss you clint in the vents. i miss you girls night with wanda and natasha. i miss you resurrected, shamelessly flirty pietro. i miss you clueless, socially inept vision. i miss you the rare bruce banner feature. i miss you sassy sam wilson. i miss you cheeky reader who always called fury by his first name. i miss you super nanny phil coulson. i miss you christmas avengers blurbs in the middle of the fanfiction written by an autistic 14 year old. i miss you 😔😔😔

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Blackbird, what does that mean? It's JJ.