Edwin Smith, Palace Pier, Brighton, 1952
Three Goblin Art
Not today Justin
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trying on a metaphor

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i don't do bad sauce passes

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祝日 / Permanent Vacation

Kaledo Art
DEAR READER
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let's talk about Bridgerton tea, my ask is open
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@birdwings
Edwin Smith, Palace Pier, Brighton, 1952

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Irving Penn - Veruschka for Carita Paris (Vogue 1967)
via are.na
Paul Klee (Swiss-German, 1879-1940) - Hitze, colored paste on paper laid down on the artist’s mount, 49.90 x 69.50 cm (1940)

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https://www.instagram.com/kroki.shop/
A connection to nature dominated Nellie Mae Rowe’s childhood as the seasons and weather often dictated her farm tasks. She reclaimed that connection by tending to the Playhouse’s garden, filled with flowering plants. After 1969, the completion of a major highway drastically altered her surroundings. The space she made for nature to grow densely was a form of self-care that became all the more meaningful against the backdrop of the rapidly gentrifying suburb where she lived.
Celebrate the final weeks of #NellieMaeRoweBkM with us on December 17. The day will feature an exhibition tour with the artist’s grandniece, conversation with the curators, a poetry tribute by vanessa german, and a musical performance by Lonnie Holley.
🎟 https://bit.ly/CelebrateRowe
📷 Melinda Blauvelt (American, born 1949). Nellie Mae Rowe, Vinings, Georgia, 1971, printed 2021. Gelatin silver print, 21 ¾ × 14 5/8 in. (55.2 × 37.1 cm). High Museum of Art, gift of the artist, 2021.69. © 2022 Melinda Blauvelt. (Photo: Courtesy of the High Museum of Art)
Burt Glinn (photograph), Helen Frankenthaler in her studio, New York, NY, 1957 [© Burt Glinn/Magnum Photos]
Goddesses Dancing
“Keep abortion legal”
Cyndi Lauper and Debbie Harry, 1992, NYC

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Illustration from Shakespeare’s A Midsummer Night’s Dream by Arthur Rackham (1907)
Seated Nude Woman, Pierre-Auguste Renoir, 1901, Art Institute of Chicago: Prints and Drawings
Gift of Joseph R. Shapiro Size: 182 × 140 mm (image); 252 × 181 mm (sheet) Medium: Soft ground etching on bright cream laid paper
https://www.artic.edu/artworks/81989/
fraktur love letters (pennsylvania c.1800-1850)
can’t wait to make this for someone
Joyce Kozloff, If I Were an Astronomer (Mediterranean), 2014, Mixed media on canvas. 72 x 54 inches
https://hypebeast.com/2022/1/auralee-fall-winter-2022-collection-new-balance-xc-72-release-details

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david abrahams
© Amanda Charchian.