Random Éowyn with Eorl the Young above her 🐎
cherry valley forever

Discoholic 🪩
d e v o n
"I'm Dorothy Gale from Kansas"

bliss lane
let's talk about Bridgerton tea, my ask is open
Lint Roller? I Barely Know Her
Sade Olutola
Game of Thrones Daily
ojovivo
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EXPECTATIONS
Monterey Bay Aquarium

if i look back, i am lost
taylor price
One Nice Bug Per Day
★


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@bevismusson
Random Éowyn with Eorl the Young above her 🐎

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"Sleeping Beauty" visual development by Eyvind Earle
How not to break your neck
Aka Blum throws himself on the ground a bunch of times while talking
You can find more about my upcoming shows and events here
RIP Sam Neill you gave us the movie-trivia that really mattered.
Truncated text of tweet from MrPitBull, Mar 11, 2026:
She kept finding women in laboratory photographs from the 1800s. Then she read the published papers—and every single woman had vanished. Someone had erased them from history.
Yale University, 1969.
Margaret Rossiter was a graduate student studying the history of science. She was one of very few women in her program.
Every Friday afternoon, students and faculty gathered for beers and informal conversation. One week, Margaret asked a simple question: "Were there ever any women scientists?"
The faculty answered firmly: No.
Someone mentioned Marie Curie. The group dismissed it—her husband Pierre really deserved the credit.
Margaret didn't argue. But she also didn't believe them.
So she started looking.
She found a reference book called "American Men of Science"—essentially a Who's Who of scientific achievement. Despite the title, she was shocked to discover it contained entries about women. Botanists trained at Wellesley. Geologists from Vermont.
There were names. There were credentials. There were careers.
The professors had been wrong.
But Margaret's discovery was just the beginning. Because as she dug deeper into archives across the country, she found something far more disturbing.
Photograph after photograph showed women standing at laboratory benches, working with equipment, listed on research teams.
But when she read the published papers, the award citations, the official histories—those same women had disappeared. Their names were missing. Their contributions erased.
It wasn't random. It was systematic.
Women who designed experiments watched male colleagues publish results without giving them credit. Women whose discoveries were assigned to supervisors. Women listed in acknowledgments instead of as authors. Women passed over for awards that went to male collaborators who contributed far less.
Margaret realized she was witnessing a pattern that stretched across centuries.
Women had always been present in science. The record had simply pushed them aside.
She needed a name for what she was documenting.
In the early 1990s, she found it in the work of Matilda Joslyn Gage—a 19th-century suffragist who had written about this exact phenomenon in 1870.
In 1993, Margaret published a paper formally naming it: The Matilda Effect.
The term captured something that had been hidden in plain sight for generations. Once you knew the term, you saw it everywhere.
Her dissertation became a lifelong mission.
For more than 30 years, Margaret researched and wrote her landmark three-volume series: Women Scientists in America. She examined letters, institutional policies, individual careers. She gathered undeniable evidence that women in science had been consistently under-credited and structurally excluded.
Her work faced resistance. Many dismissed women's history as political rather than academic. Others insisted she was exaggerating.
Margaret didn't argue emotionally. She presented data. Documented cases. Patterns repeated across decades and institutions.
Eventually, the evidence became undeniable.
Her research helped restore recognition to scientists who had been erased:
Rosalind Franklin, whose X-ray work revealed DNA's structure—credit went to Watson and Crick.
Lise Meitner, who explained nuclear fission—omitted from the Nobel Prize.
Nettie Stevens, who discovered sex chromosomes—received little credit.
Cecilia Payne-Gaposchkin, who discovered stars are made of hydrogen—initially dismissed.
And countless others whose names had nearly vanished.
Margaret changed the narrative. Science was no longer just the story of solitary male geniuses. It became a story of collaboration that included women who had been written out.
The Matilda Effect became standard terminology. Scholars used it to examine how credit is assigned, how authors are listed, who receives awards, who gets left out.

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me when therse apple slices at the function
@into-the-weeds
Kevin McDonald
My mom kept complaining that all of a sudden the Beatles are back and they're fucking everywhere and they're so obnoxious and were practically having an orgy in her garden under a cucumber leaf and that's when I realized she meant spotted cucumber beetles and not Paul McCartney
The Little Art Connoisseur (1863) August Friedrich Siegert
Last time this came around I showed my three year old and he said "He's little like me!" and stared for a whole minute (v. Long in toddler time).
Your toddler was the Little Art Connoiseur

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Be yourself as best you can whenever you can.
I've been following Archery Twink long enough to know there are two constant themes to comments:
1) OMG, Archery Twink is also Pole Dancing Twink, did anyone else know this
2) Archery Twink is straight?
And the lesson i take from that is you should always be who you want to be and let everyone else work it out for themselves.
The Odyssey if the suitors were competent…
Go Check out Neet- she’s awesome (her socials are at the bottom of the linked page if you want to see some of the training videos for this and other silliness)
just received the best text message I’ve ever had. from my mom
2 pics. no caption

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I’ve got a lot of Thoughts(tm) about The Odyssey at the moment, but damnit Blum I’m an archer, not a film critic, so here’s something in my lane!