So when in doubt, you kiss Craig?!

Little Women (2017) Miniseries Dir. Vanessa Caswill Written by Heidi Thomas

i have a gun

JUSTIN CHIEN in The Brothers Sun (2024)

Bounce, bounce, bounce, bounce. Twirl, twirl.

Veronica Lake as Jennifer in I MARRIED A WITCH (1942) dir. René Clair

"As she strode through the forecourt of Colwen Grounds, she crossed paths once again with Glinda. But both women averted their eyes and hurried their feet along their opposing ways. For the Witch, the sky was a huge boulder pressing down on her. For Glinda it was much the same. But Glinda wheeled about, and cried out, "Oh Elphie!" The Witch did not turn. They never saw each other again." - Wicked: The Life and Times of the Wicked Witch of the West by Gregory Maguire. (insp)

May all of you get the $10K raise your soul has yearned for. And whatever level of sex you can be satisfied with for $200.

She, she, she, it is she… It is often she. And in the old songs and in the long nights, she holds him in the softness of her arms, in her arms that are open, in her arms that are wide, that are open, that are always, that must always be open. And in the old ways and in the old laws, this was arranged. All this was arranged. And who arranged it? Did Amel? And that is what it means to be loved. It is Amel. It is always Amel. It is often she… Into the land where the dead are kept, where the dead are worshipped. And why the days without number? And what am I for? What is this for? And what should Amel do with it if not to answer? And why are they throwing stones? And why is she curled on the ground? And why is it wound… And in my eyes is desire, and why is it desire? And why does he tell her what God has said? And why Amel in their mouths? And why must my voice be smooth? And why must I sing so low? And why is she kept? Why must she be kept? And why in this place must she be kept? And what does it mean if you are not asked? And what does it mean if you are not answered? And what is it to see and to know, but to be told… You have not seen. You have not known. And why is her tongue cut out? And why is her death prolonged? And when will it stop? And who will stop it? And why must they, must we, must I, must he, must they, as the millennia, unfold? Why the girl curled? Why her eyes lowered? Why on the side of the road? Why limp in the straw? I am the girl! I am the god! I am the voice! I am the song! I am the night! And I can answer! I can arrange it! I can say rise, and I can say speak! And I am her! And I am she! And I, I, I, I am the answer!

I don't have a problem with this. I think it was heart-wrenching. I think it drives home the tragedy of Lestat and Claudia's relationship that they shared so many hurts, but could find no way to comfort, support, and nurture one another.

And I think the way the visuals and voiceover was used was a masterclass. It was heartbreaking, it was stomach-turning, and it was very graphic without being gratuitous. We are trapped experiencing all the pain and terror Claudia and Lestat felt, and we're also Louis, unable to do anything but bear witness, to know.

For Claudia she is at least presented in a sympathetic and tragic light for Lestat, not so much.

what if your situationship asked you to be his lawyer because a rockstar trashed his tacky hotel and requested to meet him but he lied and set the meeting up himself because the rockstar is his ex that he wrote a book about insulting him page after page after page and he wanted to ragebait him into talking to him and get yelled at in french

what if your situationship asked you to be his lawyer because a rockstar trashed his tacky hotel and requested to meet him but he lied and set the meeting up himself because the rockstar is his ex that he wrote a book about insulting him page after page after page and he wanted to ragebait him into talking to him and get yelled at in french