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LOUCLAUDIA: only time - searows
all the days gone by, all the good iβd find they can never take from me
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and when louis kills bruce and realises it doesnβt help, it doesnβt fill the persistent hum of emptiness that lingers along the edges of his consciousness, he goes to lestat. to be with the only other person who would understand how it feels to try and fill and fill and fill with no relief. and they both realise, thatβs all they needed. to just sit with each other and not feel lonely in their grief
well in a way i wasnβt totally off base here, just not in the way i was expecting
LOUCLAUDIA: only time - searows
all the days gone by, all the good iβd find they can never take from me
Her mind, fierce as it is now, will not endure. It will break apart in time.
βletβs run away togetherβ trope fucks me up bc itβs almost always doomed. but what if itβs not this time.
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all i need is a sweet treat. and six thousand dollars
nobody:
that final shot of armand at the end of tvl ep 3:
Starting a collection
some parallels that have nothing to do with each other i just think the way lestat carries himself so differently as a vampire is so interesting, the same mannerisms but with more Drama more Flair more Theatrics
why do we always bash girls for poisoning their family with arsenic but never question if the family had bad vibes? or was unpleasant to be around?
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i really love when a character, calmly and completely earnestly, is like iβm not important, iβm no one really, just a blade that people use and throw away. no one remembers me for long after i leave their life. and then you look at the evidence and it turns out that every person who meets them becomes permanently obsessed with them, for better and for worse, and the character has somehow completely missed this fact
do you guys remember when we used to say oh worm all the time. remember that
is anybody out there
Lestat crawling out of the car in flames, Lestat going back on stage not minding the muses and the trauma, conscious that he can't ignore it and shouldn't ignore it.
Lestat doing it because he loves music, not for the stage and to be loved, but because he loves music, art for art's sake.
Finally Magnus leaving and Gabrielle after. The abusers leaving and his past lover in the crowd happy.
To go on, to go on always.
Interview with the vampire 2.07 | 3.03
Happy Pride π | The Golden Girls (1985-1992)
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"You okay or can I get you anything else?" "I'm good. Thank you, Regina."
One thing I'm really loving about the perspective shift between Interview with the Vampire and The Vampire Lestat is how Lestat and Louis appear in each other's narratives, through each other's eyes.
Louis sees Lestat as this primal force of nature who looks like a romance novel hero, can effortlessly control any room, is "preternaturally charming," impeccably turned out, no one can say no to him for long.
but we get in LESTAT'S head, and suddenly he has scars and a tangled mane of hair, people are constantly talking over him, he sweats, he's getting beat up and his clothes are getting destroyed in a non-sexy way, he's flailing around wildly with NO idea what he's doing, people (lestat included) think he's untalented and annoying.
And LOUIS, well. Louis clearly sees himself as uncanny, reserved, compelling but a little off-putting. He is other: cut-off from humanity, holding his emotions and relationships at arm's length.
Then we see him in The Vampire Lestat, and it's like no. This is the warmest, cutest, sexiest, coolest, most desirable man who has ever walked the face of the earth.
