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Mike Driver

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tonightâs aesthetic: Cookie Monster philosophizing in an art museum
Iâm too drunk for this.
quarantine mood
The Tatler, England, February 3, 1943 Image Š The British Library Board. All Rights Reserved.
viva la vida defined 2008 I donât remember anything else and I refuse to
There was a financial crisis
sorry bro canât hear you i think st peter is calling my name

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i wonder if there will ever be a day where i can ask myself âwho am i?â without then immediately wondering if i can condemn this man to slavery. pretend i do not feel his agony. this innocent who bears my face, who goes to judgement in my place
I need this movie in my life now.
âŞSometimes he uses The Force to steal extra marshmallows.âŹ
Credit: @juliehangart

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i just read a washington post article on romcoms aging poorly due to the pushiness (and oft-stalkery conduct) of the male characters therein, and it got me thinking about pride and prejudice, and specifically darcy saying, âone word from you will silence me on this subject forever.â
because, like, thatâs the seldom-portrayed romantic dream in the patriarchal hellscape that is our world, isnât it?
a dude being willing to say, âi understand if you donât feel the same way about me, and iâll leave you alone forever about this if my attention is unwanted.â
so simple, yet so wonderful in its basic human decency
and dudes to this day wonder why women still swoon over darcy
Note also: Elizabeth turns down Darcyâs first proposal, and in the process, accuses him of doing some stuff he did not do (and also some stuff he totally did).
The next day, he surprises her on her walk. He hands her a letter, asks that she read it, and then takes off.
When this happened to me after I had turned someone down IN REAL LIFE, the letter contained a passionate argument to the tune of âactually youâre wrong and you do like me and you should go out with meâ and it was creepy af.
Darcyâs letter to Elizabeth starts with: âBe not alarmed, Madam, on receiving this letter, by the apprehension of its containing any repetition of those sentiments, or renewal of those offers, which were last night so disgusting to youâ. He goes on to set the record straight about the stuff he didnât do (as well as the stuff he did) which is *actually relevant* to Elizabeth. And he, as promised, doesnât romance her further.
Itâs totally bizarre that even now, this can be considered unusually great dude behaviour.
Darcyâs first proposal:Â âYou must allow me to tell you how ardently I admire and love you.â
Darcyâs second proposal:Â âOne word from you will silence me on this subject forever.â
His whole arc in the book is about learning to consider other peopleâs feelings and not just his own, but the fact that itâs expressed via who gets to talk and who is told to shut up is so, so telling. The first time around, he imposes his voice on her whether she wants it or not. The second time, he asks how she feels, and in exchange, offers her the gift of his silence.
And yeah, the fact that dudes still! have! not! learned! this! lesson! is exhausting.
How surprising is it that Pride and Prejudice was written by a woman, when many romantic comedies are produced and directed by men?
Answer: not at all
200 years later and the world is still full of guys who think theyâre a Mr Darcy when theyâre actually a Mr Collins.
200 years later and the world is still full of guys who think theyâre a Mr Darcy when theyâre actually a Ross Geller.
FOR THAT LAST ONE
Todayâs Enjolras is brought to you by: High School Musical (âMarius, you gotta get'cha, get'cha head in the game.â)
Oh yeah? Who you going with then? Oi, Angelina.
Mean Girls (2004), dir. Mark Waters
A single man in possession of a good fortune: âIâm in want of a wife.â
Mrs Bennet:

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I canât cope with this, but Iâm going to try hard anyway.Â
The bad news: The snap clearly affected every single hairdresser on the planet.
The good news: Somewhere in the soul stone, Jonathan Van Ness is teaching Bucky Barnes to love himself again.