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upsetting 2 me when ppl try 2 act like bruce isn't filled with so much love and compassion that it pours out of him and also that he is actually soooo funny
We need desperately to start celebrating the overlap of identity instead of hyper-scrutinizing whether or not someone overlaps fully.
Marsha P. Johnson never called herself a trans woman--she called herself a drag queen, or a transvestite--yet we recognize the impact she had as part of trans history. Of trans women's history. There is so much effort to re-imagine her influence as being the one who "threw the first brick" at Stonewall and less effort to remember her as one of the co-founders of STAR, an org dedicated to the protection of sex working transvestites. (Which took influence from both queer orgs and revolutionary orgs like the Black Panthers). Whether it's a lack of terminology or her transness was not under such a narrow definition (the P. in her name stands for "pay it no mind" because when people asked if she was a man or woman she told them to mind their business, and said "I think of myself as me.")--she is part of trans history because drag history, transvestite history, female impersonator history, gnc history is trans history whether the participants would consider themselves trans women or not. It's transfeminine history.
StormĂŠ DeLarverie, the person whose violent arrest sparked the Stonewall uprising, is described as a drag king, and as such, every publication--including queer coverage of her involvement--lump her in with cis women's history and never also transmasculine, despite the fact that while she didn't identify as anything to those who knew her, she preferred to be assumed to be a Black man. That's transmasculine history. That's lesbian history. These two histories are not mutually exclusive, yet we act like they are.
Leslie Feinberg described hirself as a trans woman--zie was trans and a woman. Queer coverage tries to decide whether that makes Feinberg a cis woman or a trans man. Neither. Leslie has influenced transmasculine history and transfeminine history, and has been part of women's history with hir feminism. Leslie was a pivotal voice in trans movements, and focused much of hir work on the overlap with "female" identity. Leslie has arguably moved the needle more for trans women than trans men due to hir focus on women, but those are not separate categories--victory for trans people of any type is a win for us all. Transmasculine history is not wholly separate from "women's" history.
Emi Koyama is responsible for popularizing the word "transfeminist" and was (and still is) a deeply influential voice in the trans and transfeminist movements. Emi is also intersex, and her identity has been used to discredit her status as a "real" trans woman. Her influence is in intersex history and trans history and women's history. These communities are not non-overlapping--Emi occupies all three!
Kate Bornstein has been one of the most influential trans theorists since the 90s, yet her work has been largely erased as time goes on. Her focus on nonbinary identity and attempts to break us out of a binary seems to be the cause of the strife. A writer, speaker, poet, whose work focuses on the overlap of many trans identities and the empowerment of the individual to find the language that suits them ought to be the single most talked-about style of transfeminism...and it isn't. Her name is fading from people's reading lists.
Riki Anne Wilchins created one of the most influential groups fighting against the exclusion of trans people from pride--and other queer events--alongside Denise Norris: Transexual Menace. She created the term genderqueer. She has written countless influential pieces about trans life and those of us who exist even in the margins of trans identity--and she wrote often about the overlap with nonconforming cis people, whether they later come out or not. She even founded GenderPAC.
Nonbinary people, intersex people, gnc people, genderweird--those who never had the language and those who didn't use it for whatever reason--are part of TRANS history. We do no one any favors to assign labels to people who didn't use them to legitimize their already-legitimate existence in our minds as part of the movement. And we do no favors to narrow our eyes and block the door until the folks who bled, cried, fought, and died for us--the trans community--call themselves what we prefer to hear.
The murder of Brandon Teena galvanized countless trans women. Trans men were some of the first to issue fundraisers for Miss Major when she first fell ill. There are so many trans people who do not see separate niche groups but recognize the collective under this big umbrella of transness--we desperately need for those groups to not be in the minority. Trans is a collective, not a club.
And what does trans men? Anyone who doesn't fit the cis narrative of gender.
Quotes from trans folks about what transgender means to them:
Dana Turner: "...you are a person that feels, in your spirit, your mind, your soul...different than your physical anatomy--your biological anatomy."
Leslie Feinberg: "--whether that be transexual women and men, or masculine women and feminine men, or bearded women who allow their beards to grow, or women weightlifters who can't use the women's bathroom because they've been pumping iron--it can mean everyone who doesn't fit that Ozzie and Harriet paradigm of sex and gender."
Kate Bornstein: "Transgender is just a big ol' umbrella term that includes just about everybody I know.
Martine Rothblatt: "To me, the civil rights movement, the feminist movement, the gay and lesbian and transgender movements all really are one and the same. These are all movements to respect people as individuals rather than as a body type that their genes determine for them."
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some people will be like âI wonder why fanfic writers donât share their works anymoređâ and then this is them when a writer is kind enough to share something they write â as a hobby, for their own enjoyment â with them for free.
some people really donât realize how privileged they are that they get fanfics for free. imagine having access to something for free because someone is kind enough to share it with you⌠and then being rude, entitled and an ungrateful pos to that person who was kind enough to share their creation with you for free
âalmost 1 year is a lil too much for meâ fuck off. fanfic writers donât owe you anything. one of my favorite fics was updated after 13 years, and what I did is that I thanked the author for choosing to continue the work, I didnât act like a spoiled toddler by asking why they didnât update sooner. and even if a writer chooses to abandon their fic permanently with no explanation, that is their choice, their hobby, their decision. they donât owe your entitled ass anything.
you people let tiktok rot your brains to the point you see everything as content farm and engagement. not a piece of art created by the artistâs love and passion. itâs dystopian.
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I think the battle is long since lost on what the â-codedâ suffix means, but I (old movie guy specifically invested in queer coding) seem to be unable to let go of how annoying I find the fuzzy popular use of the term. This is probably a flaw in my character.
Coding is intentional, itâs a way of communicating indirectly with the audience through a shared language of signs. Thatâs why itâs called coding, because itâs communicating in code. It isnât when a thing reminds you of another thing.
I genuinely wonder if people realize how many projects get abandoned because the readership "wasn't there", when in reality, the readership just stayed silent. It's a big thing in trad pub that book series get discontinued because readers pirate the books or wait until the series is finished to buy a copy, leading the publisher to think that nobody actually wants the book enough to continue the series, but it happens with indie creators too.
I've discontinued a lot of free, online series because it's not worth putting 3-5 hours a week into posting a project for no readers. Sometimes I finish the series for me but just never post it again, other times I don't finish it at all because it feels more worthwhile to put my time into other things. Sometimes I hear from readers who are sad or upset that I didn't finish something they were liking, but the *reason* it never got finished is because I didn't know anyone liked it. If you like something, tell the creator, tell your friends, make some noise about it. If you would be sad if a story never finished, make that interest known because one of my biggest considerations before discontinuing a series is "will people miss this? Will I be letting people down" and 9/10 times, I come to the conclusion of "no, it doesn't even seem like anyone's reading this" only to learn after I've moved on that apparently someone was.
I've said this before in a different way, and this post said it so well. With real examples.
If you like something, tell people.
If you want more content from an artist or author, if you like their stuff, tell them. It will give them creative fuel to keep going. And often it gives them other resources as well.
Recommend a work to other people. Leave a comment or a review. It doesn't have to be long, just genuine, a sentence or two.
Not many people know that a book's success is judged by book reviews as well as sales. Review the book on Amazon or another site to help it pass the metric of success and be recognized by publishers and retailers.
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