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@barbiedolling

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Amadeo, ca. 1525
Original Painting: unknown Italian painter, ca. 1480-1525, tempera on wood, 18x18 in.
Color and edits: me, digital painting
.
If youâre a nerd, further information about the irl piece and my thought process below.
" Who am I, Louis? Am I my history I have endured? Am I the job I do not want? I do not know anymore. No one has painted me in over 400 years. "
jacob anderson via instagram
my favorites forever <3
without texture stuff

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I have been charmed by this guy here some art of his gay ass
It was never about her
â Interview with the vampire 2.03
THE VAMPIREÂ ARMANDÂ INÂ EVERYÂ EPISODE 1.07 The Thing Lay Still
ASSAD: Nextâ Okay. Well, I think we're done with this. Did we win that round? Who wins theâ How does thatâ
JACOB: You're so competitive now! [Assad laughing] Assad basically just won two races in a row and he's now like, 'Who wins? Did I win? I won it!'
ASSAD: The power's getting to my head a little bit. I need to calm down. [Jacob laughing] Okay. Can someone else read?
VARIETY: Yeah. Pass it on.
JACOB: (Laughs) This feels unfair... 'Worst note you've gotten on set?' Could it be any set rather than our set? Cause we never get bad notes.
VARIETY: Any set. Preferably your set, but any set.
JACOB: Eric?
ERIC: Uh, the worst note I ever got on a set was Vincent D'Onofrio telling me how to do a scene on Law & Order. And I said, 'Oh, the way I was doing it was wrong?' and he said, 'Yes.' and I said, 'That's the way I wanted to do it; was the wrong way.' [Laughter] How's that?
JACOB: (Laughs) That was great! Yeah.
ERIC: He'll kill me now. He'll stalk me now. He's going to smash my head into a door or something, right?
JACOB: That's fine! We've got your back. Don't worry.
ERIC: Thank you.
JACOB: Yeah. Um, worst note... I don't think I ever got bad notes. I guess the only note that I can think of that was unhelpful was pretending that my head was dismembered and I was like, 'How would you breathe?' and I'm pretty sure Adam [Taylor] was like, 'Figure it out!' [Laughter]
ASSAD: That feels like an honest kind of note. Who knows how...
JACOB: Yeah. 'That's your problem'
ERIC: Method acting doesn't work when your head is cut off.
HANNAH: I feel like Levanâ and I feel like it was probably not a good note, but I remember Levan took you [Assad] off into a corner once...
ASSAD: Many times. Many times!
HANNAH: ...and you came backâ Many times! (Laughs). He like takes you away and then you would come back, and I remember you did something extraordinary when you came back and I asked him, 'What did you say to Assad?' and he told me that he had told you to 'Serve cunt' [Laughter]
ASSAD: Yep.
ERIC: What?!
HANNAH: And I was like, 'Thatâ that... that works.' [Laughter]
ASSAD: You know what? Levan's an example of someone who gives the most like, at first instinct, 'What the fuck?' notes. And then later you go, 'Oh, actually that was a probably the best note that I could have got.'
JACOB: This is why I bothâ I love Levan so much but also it's so annoying 'cause, I'm going to just expose his process but quite often he goes, 'Just say it. Just say the words.' and you're like, 'That's not like, something active!' and then you just say it, and it's so much better. And he goes (mimes Levan), and he goes (mimes Levan).
ASSAD: Uh-huh, exactly. Exactly.
JACOB: And he's always right, yeah.
ASSAD: I don't have a single example of a really bad note from a director, but I know that my least favourite notes are when someone's trying to overly explain something to me and I'm just like, 'Just give me one word, or just give me an action, or a trigger'. 'Cause the more you explain â'Cause that's what I do, I overexplain things myselfâ so if you're overexplaining to me as my head is overexplaining, we're just all overexplaining. And Levan would come and go, 'Serve cunt.' Or his other favourite one with me was 'More face'. Just 'More face' [Laughter] 'Give me more face. You have this face Assad, give me more face.' And I don't know what that means! But suddenly it works. I don't know what happens, but...
JACOB: He's very clever.
ASSAD: Yeah.
ERIC: (Softly) Wow.
JACOB: Is this live, by the way?
VARIETY: It's not live.
JACOB: Okay. We're okay on words.
ASSAD: Okay, great.
VARIETY: Yeah, we can tell people that you didn't say any of those things.Â
Source: (Youtube - X)
Levan Akin's build-a-bad-bitch workshop.
Bonus:Â Â Â Â

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These words will hold you up and carry you. They are your lifeline. INTERVIEW WITH THE VAMPIRE 2x05 - Don't Be Afraid, Just Start The Tape
Comrade Armand is so kind â¤ď¸
if i was in lestat's band and knew there was even a third of a chance sam barclay was going to end up my maker i'd be hitting up armand to finish me off faster.
to indulge
I want you more than anything in the world

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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not to be that person again but tvl was bad from the very first episode, especially in comparison to the first season of iwtv. it was always going to end up a shitshow at the end
genuinely open to disagreement but delaineyâs pained delivery of âbleak⌠black lifeâ felt like the anti-black insults she was hurling at louis were intentionally loaded with her own grief. especially with her comments that claudias jealous that louis gets to wallow and love and live.
louis gets to be black and desired, cherished and wanted with his whole personhood. louis gets to fuck up, be fucked up, forgive and be forgiven; he gets to be black and a whole person. claudia is disabled into helplessness by her little girl body that seems to keep signalling people to treat her like a boxed doll. its not a coincidence that she gets louis to plot against lestat by telling him heâs a kept thing, telling him he is all the things she experiences. the anger in her voice when she calls louis a slave, it feels situated against the incessant inertia she was always running on because she had no other choice.
in nola, its claudia micromanaging with an eye and ear on everyone. she nurses louis after the drop, she maintains the thread of their plotting. in europe, its claudia learning the languages, claudia keeping up the story, claudia maintaining hypervigillance. she notices the bombs about to blow while louisâ being woeful and hallucinating lestat. louis gets to be lost in lestats eyes; louis gets to dance with humans in romania; louis gets to run around paris âout on the streetsâ while shrugging off armands warnings. louis gets to be careless, gets to be oblivious, gets to drown in his pain and still be protected and unconditionally loved. what louis couldnt even give her
the blackness claudia navigates her life with is so radically different from louisâ that it makes a lot of sense that she so ardently hates his