William Ortman, Celadon Celestial Moon, blown glass vessel.
Sherrie Gallerie
(via (2) Pinterest)
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ojovivo
2025 on Tumblr: Trends That Defined the Year
PUT YOUR BEARD IN MY MOUTH

@theartofmadeline
Claire Keane
"I'm Dorothy Gale from Kansas"
RMH
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William Ortman, Celadon Celestial Moon, blown glass vessel.
Sherrie Gallerie
(via (2) Pinterest)

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Ugo Mulas, Fausto Melotti in his studio via sodisnanee
Herbert List, Waiting, Positano, 1936 via transiberiana
Herbert List, Bocca della verità (Mouth of Truth), Rome, Italy, 1949 via keepingitneutral

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Rome was mud and smoky skies; the rank smell of the Tiber and the exotically spiced cooking fires of a hundred different nationalities. Rome was white marble and gilding and heady perfumes; the blare of trumpets and the shrieking of market-women and the eternal, sub-aural hum of more people, speaking more languages than Gaius had ever imagined existed, crammed together on seven hills whose contours had long ago disappeared beneath this encrustation of humanity. Rome was the pulsing heart of the world.
Marion Zimmer Bradley, The Forest House
(via artemisdreaming)
Adachi Museum Garden | Yasugi | Japan
The Adachi Museum of Art is best known for its award winning garden. It has been named the best garden in Japan annually since 2003 by the “Journal of Japanese Gardening”. The garden can be enjoyed at anytime of the year and shows a different character depending on the season. It can only be viewed from the museum building.
ph. Malcolm Raggett
(via keepingitneutral)
nobrashfestivity: Kunihiro Amano Cape - V, 1965. Woodblock Print
杉本健吉「樹下童女」
鐘消えて
花の香は撞く
夕かな
The temple bell stops–
but the sound
keeps coming out of the flowers.
— Matsuo Bashō

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Untitled [2019]. Acrylic paint; Jacquard Pearlex powders, on (6"x 8") canvas panel, mounted on larger, treated panel. Collection: Eva Bain
Simplicity is not an end in art. But we usually arrive at simplicity as we approach the true sense of things.
Constantin Brancusi (via origamiquotes)
Waichi Tsutaka
Japan 1911-1995
HUMAN BEING 13
oil on canvas 60 x 73 cm. | 23 ⅝ x 28 ¾ in.
Zao Wou-Ki
China 1921-2013
27.12.00, 2000
oil on canvas 65 x 81 cm. | 25⅝ x 31⅞ in.
without seeing sunlight the winter camellia blooms
Issa Kobayashi

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Barbara Takenaga, Cepheid Flash, 2006, Acrylic on linen 60 x 45 in
Pierre Soulages
France, b. 1919
PEINTURE, 24 JANVIER 1997
OIL ON CANVAS 81,5 x 63 cm. | 32 1/16 x 24 13/16 in.