Todos tenemos una rumba dentro

giselle

Angelica Generosa in Donald Byrd’s Love and Loss.

Helen Crawford -  Myrtha - Royal Opera House

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Yvonne Rainer, Stills from Hand Movie, 1966, 8mm, black-and-white film, no sound, 5 min. Cinematographer: William Davis.

Solange: An Ode at the Solomon R. Guggenheim Museum as part of the Red Bull Music Academy Festival. Photos: Carys Huws, Krisanne Johnson, & Stacy Kranitz. 

Solo performing at Guggenheim 

The En Pointe Sofia Dress by Selkie ౨ৎ

Eternal thanks to Carmen Quiñones Callahan for being such an amazing model ♥️♥️♥️

photo: Stephen Delattre

DANCERS: BALLET NACIONAL DE ESPAÑA, BALLET FLAMENCO DE ANDALUCÍA, COMPAÑÍA ANTONIO GADES, AND COMPAÑÍA SARA BARAS “CORTIJO ALCALA” | OSUNA, ESPAÑA RUVÉN AFANADOR // 2013 [archival pigment print | 60 x 48"]

https://t.co/QnZil0B155 https://t.co/Qj8EBSib4f (via Twitter http://twitter.com/Glasstire/status/844345891616145409)

#TrishaBrown

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In the absence of narrative, the characteristic of perceiving the scene intensifies the acute sense of the scene. dressing up on stage is different from everyday life or in front of a video. performance that makes you think about many things. invisibility moment. the ordinary is in a sense not visible and visible because it is ordinary. so the senses are tuned out, you don't need to see it. It's a paradox that what is very invisible and hypervisible becomes an absence, it becomes unseen, the banal, the ordinary in our everyday experience, as if it didn't exist, Stive makes a radical gesture of drawing attention to what is obvious and not obvious.

Sylvie Guillem and Jonathan Cope in Manon (Royal Ballet)