Call me Ian or Cass!! // 18 // Chronically online woke freakazoid with an interest for retro stuff, insects , and science // have been on the attention deficit hyperactivity disorder grind since i was a baby keep up
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Transmasc Genderfluid (they/he/it) (im extremely interested in mogai stuff too!!)
Otherkin, yumeship(?) and multifandom
Main fandoms:
Grounded
SCP
Mcsm
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I love yapping so much and im super friendly trust!!
I genuinely canât be bothered to take label or fandom discourse seriously most of the time, Iâm usually in my own realm, unless itâs something super seriousâŚidgaf
No dni, (or like... one that is unique) im married to the block button
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Okay, I have no clue if this was an intentional choice on cc!Div's part, but there was some symbolism in the interior design in one of the new Unserious SMP episodes that I found FASCINATING.
(Spoilers for the latest second-channel episode under the cut!)
We get to see the interior of Saturn's house this episode! It's very pretty, full props to whoever built it.
The house is built almost entirely out of brown blocks, but all the decor is pink and green. There's an abundance of cherry saplings for such a small space â I think I counted six? â as well a few candles. In fact, there's sapling(s) and/or candles in basically every shot. Especially when the conversation turns serious. The window, where the majority of the conversation takes place, has a sapling and a candle on either side of it. So does the main entrance door.
And that little detail is where things start getting interesting to me.
What color are cherry saplings? Pink and black. What else is pink and black? Yeah.
I think that the placement of the cherry saplings in this episode represent Quakitus, and Saturn's thoughts about her. And I think the green candles represent Saturn himself â his hoodie is green, his armor trims are green, even his dialogue lines in the captions are green. It follows that the candles would represent him.
So, with that in mind, the framing in some of these scenes becomes really interesting. Particularly when Pika first barges through the doorâ
Pika barges in here and cuts between the cherry sapling and the green candles in order to get inside. He is literally cutting in between Saturn and Quakitus, which becomes even more relevant when we find out he's only here on a mission from Div â who is of course the biggest source of the rift between the two. It's a very aggressive physical representation of how Div is using Pika to separate Saturn and Q from one another!
Another interesting point is when they walk toward the table, and Pika first mentions Q â Saturn's head drops, near-imperceptibly, toward the sapling in front of him.
Throughout most of the conversation, Pika is standing next to the green candles (because he's talking to and thinking about Saturn) but Saturn is standing next to the cherry sapling (because he may be talking to Pika, but the only person he's thinking about is Q).
Additionally, there's a point in the episode where the perspective switches, and Saturn himself is placed as a barrier between the candle and the cherry tree! And it's at the very moment when he first criticizes Q for her behavior! He rants to Pika, "Half the peopleâ no, half the friends I've made have been toxic, liars, manipulators... I mean COME ON, Q!"
And he LOOKS at the sapling! When he's talking about Div and the other manipulative friends he's had in the past, he looks at Pika, but when he talks about Q, he turns to face the sapling! And then the perspective switches to him standing between it and the green candles! For once this isn't Pika or Div coming between Saturn and Quakitus' friendship; it's Saturn himself, with his own personal grievances toward Q's overreactions.
Then once Saturn and Pika talk a little more, Saturn agrees to help Div, puts on his armor and goes to leave the house. Then the camera places him between the candles and the sapling once againâ
He takes one final look at his house (where the pink and green mingle together freely), hovers for a moment in the doorway (where you can still see pink and green, but they're separated by where he's standing), then finally says "I'm... so tired." and shuts the door to go help Div. With that, he cuts off his view of the colors entirely.
Again. I'm not sure how intentional these design/framing choices were, I might be reading into it too much. But either way, they're very cool. Unserious SMP is â as I expected â getting steadily more intentional with its camera angles and design choices, and I am a huge fan of that.
(Additional note #1: Saturn's house is lit very gloomily overall, which is a choice I really like. When Saturn complains about Pika's bright yellow armor trims ruining his "cozy, cottagecore aesthetic" it works in two ways the literal way, because Pika's armor is actually clashing with the house's pink and green decor; and also more symbolically, because Pika and Div's choices clash with Saturn and Quakitus' friendship.)
(Additional note #2: Completely unrelated, I really like how this episode expanded on Saturn's motivations for helping Div! Beforehand, he and Pika seemed to play fairly identical roles in the story and not have much differentiation between their characters. But fleshing out Saturn a little more completely fixed that problem imo!)
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it really pisses me off when adults sit there and drill it into kidsâ heads that their youth is fleeting and tell them things like âenjoy your childhood while it lasts because this is the best itâs gonna getâ. why are you telling children that adulthood is the worst thing they can experience? seriously what the fuck is wrong with you, why are you trying to make them feel like growing up is a fate worse than death? trying to convince them their life is over before it even begins? iâm tired of that shit. because tell my why my 12 year old cousin told me when she turns 30 sheâll be so depressed sheâs just gonna cry all the time. what the fuck. kids donât need to hear that their already stressful and overwhelming lives are never going to get better, that the abuse and lack of autonomy they face is apparently the highlight of their lives. they need to hear about adults who are happy to be alive and happy to have made it to their age. they need to know that growing up rules, itâs a gift and life does not have to suck for them, that they have a future thatâs worth sticking around for. this rhetoric is so damaging mentally and iâm about to start hitting the adults who parrot it. iâm sorry you hate your life but you donât get to dump your issues on these kids. donât piss me off and leave these babies alone!
as a trans girl, i think we should kill transandrophobes. they make me so angry. we should be protecting our brothers, not bullying them. this shit doesn't help anyone except for the people who want us divided.
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â˘I'm too lazy to draw, so I made a video. Pride month x Elemental Alliance, yayyy. This is my headcanons, so yea. More content with elemental alliance đ¤đ¤đ¤â˘
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If you want to push it back even further Margaret Cavendish, the duchess of Newcastle (1623-1673) wrote The Blazing World in 1666, about a young woman who discovers a Utopian world that can only be accessed via the North Pole - oft credited as one of the first scifi novels
Women have always been at the forefront of literature, the first novel (what we would consider a novel in modern terms)Â was written by a woman (Lady Muraskaiâs the Tale of Genji in the early 1000s) take your snide âIsaac Asimovâ reblogs and stick it
even in terms of male scifi authors, asimov was predated by Jules Verne, HG Wells, George Orwell, you could have even cited Poe or Jonathan Swift has a case but Asimov?
PbbBFFTTBBBTBTTBBTBTTT so desperate to discredit the idea of Mary Shelly as the mother of modern science fiction you didnât even do a frickin google search For Shame
Kinda funny, considering this Isaac Asimov quote on the subject:
Mary Shelley was the first to make use of a new finding of science which she advanced further to a logical extreme, and it is that which makes Frankenstein the first true science fiction story.
You know what else was invented by women? Masked vigilantes, the precursor to the modern superhero. Baroness Emma Orczy wrote The Scarlet Pimpernel in 1905. The character would later inspire better known masked vigilantes such as Zorro and Batman.
the first extended prose piece - ie a novel, was not, as many male scholars will shout, Don Quixote (1605) but The Tale of Genji (1008) written by a woman