LOUISE BOURGEOIS NATURE STUDY // 1986 [pink marble | 29 1/2 x 34 x 29 1/2"]
"Since the fears of the past were connected with the functions of the body, they reappear through the body. For me, sculpture is the body. My body is the sculpture." āL.B.

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LOUISE BOURGEOIS NATURE STUDY // 1986 [pink marble | 29 1/2 x 34 x 29 1/2"]
"Since the fears of the past were connected with the functions of the body, they reappear through the body. For me, sculpture is the body. My body is the sculpture." āL.B.

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peanut butter Mona Lisa š„šØ Illustrated using a butter knife, chopstick, skewer, toothpick via my instagram
Lead Shot Star XI Watercolor, gouache, and graphite on paper, 11x14ā³Ā 2015
'sex and death by murder and suicide' by bruce nauman, 1985 in twentieth-century erotic art - gilles nƩret (1993)
āDogs donāt know what they look like. Dogs donāt even know what size they are. No doubt itās our fault, for breeding them into such weird shapes and sizes. My brotherās dachshund, standing tall at eight inches, would attack a Great Dane in the full conviction that she could tear it apart. When a little dog is assaulting its ankles the big dog often stands there looking confused ā āShould I eat it? Will it eat me? I am bigger than it, arenāt I?ā But then the Great Dane will come and try to sit in your lap and mash you flat, under the impression that it is a Peke-a-poo⦠Cats know exactly where they begin and end. When they walk slowly out the door that you are holding open for them, and pause, leaving their tail just an inch or two inside the door, they know it. They know you have to keep holding the door open. That is why their tail is there. It is a catās way of maintaining a relationship. Housecats know that they are small, and that it matters. When a cat meets a threatening dog and canāt make either a horizontal or a vertical escape, itāll suddenly triple its size, inflating itself into a sort of weird fur blowfish, and it may work, because the dog gets confused again ā āI thought that was a cat. Arenāt I bigger than cats? Will it eat me?ā ⦠A lot of us humans are like dogs: we really donāt know what size we are, how weāre shaped, what we look like. The most extreme example of this ignorance must be the people who design the seats on airplanes. At the other extreme, the people who have the most accurate, vivid sense of their own appearance may be dancers. What dancers look like is, after all, what they do.ā
ā Ursula Le Guin, in The Wave in the Mind (via fortooate)

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Illustration from a 1941 advertisement
Heeyoung Noh (Korean, 1995) - Be Quiet! I Won't! (2025)
I-710 from I-105 / North Long Beach, February, 1998 by John Humble
Venus and Anchises (Venus och Ankises), by Johan Tobias Sergel.
Sofia Coppola polaroids (2003) Ā© Diego Uchitel

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Viviana Lorenzo
A Dream Longer Than the Night (Niki de Saint Phalle, 1976)
ā3 kinds of spillagesā (2018) ā London, late AugustāSeptember

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The Color of Pomegranates Ā 1969
RenƩ Magritte, The Tempest, 1931