Paolo Sebastian | La Ballerine


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@averseunhinged
Paolo Sebastian | La Ballerine

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The long-lost remains of King Alfred the Great have been found buried under a car park, investigators claim.
Alfred died in 899, and his bones were repeatedly moved. He was buried in Winchester Cathedral until 1110, when his remains were moved to Winchester's Hyde Abbey, where they were interred before the high altar between the bodies of his wife and son. The abbey was demolished after the dissolution of the monasteries in 1539, and the place was left in ruins. In 1866, during construction of a workhouse on the site, the English antiquarian John Mellor excavated the area, found what he thought were Alfred's bones and had them reburied at nearby St. Bartholemew’s Church. But in 2013, when archaeologists exhumed and carbon-dated the bones from St. Bartholomew’s churchyard, they proved to date from over 200 years after Alfred’s death - sparking Graham's interest and search. He said: "Whoever’s bones they were, they weren’t Alfred’s. So, I decided to discover what happened to them. "The quest has taken me 13 years.”
shut up they did not find another goddamn king under another goddamn car park
Wait, shit, I saw this go past a few times and wasn't paying attention because like, old news.
But I was thinking of Richard III, what do you mean they found a second one?
i eat your grandads clothes
Macklemoth

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Straight culture’s orientation toward heteroromantic sacrifice is also influenced by socioeconomic class. Respect for sacrifice—or sucking it up and surviving life’s miseries—is one of the hallmarks of white working-class culture, for instance, wherein striving for personal happiness carries less value than does adherence to familial norms and traditions. Maturity and respectability are measured by what one has given up in order to keep the family system going, an ethos that is challenged by the presence of a queer child, for instance, who insists on “being who they are.” Queerness—to the extent that it emphasizes authenticity in one’s sexual relationships and fulfillment of personal desires—is an affront to the celebration of heteroromantic hardship. As Robin Podolsky has noted, “What links homophobia and heterosexism to the reification of sacrifice . . . is the specter of regret. Queers are hated and envied because we are suspected of having gotten away with something, of not anteing up to our share of the misery that every other decent adult has surrendered to.”
For many lesbian daughters of working-class straight women, opting out of heterosexuality exposes the possibility of another life path, begging the question for mothers, “If my daughter didn’t have to do this, did I?” Heterosexuality is compulsory for middle-class women, too, but more likely to be represented as a gift, a promise of happiness, to be contrasted with the ostensibly “miserable” life of the lesbian. The lesbian feminist theorist Sara Ahmed has offered a sustained critique of the role of queer abjection in the production of heteroromantic fantasies. In Living a Feminist Life, she notes that “it is as if queers, by doing what they want, expose the unhappiness of having to sacrifice personal desires . . . for the happiness of others.” In The Promise of Happiness, Ahmed argues, “Heterosexual love becomes about the possibility of a happy ending; about what life is aimed toward, as being what gives life direction or purpose, or as what drives a story.” Marked by sacrifice, misery, and failure along the way, the journey toward heterosexual happiness (to be found with the elusive “good man”) remains the journey.
Jane Ward, The Tragedy of Heterosexuality
Does anyone know what to do about the temperature and also the prices
exactly
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Album/playlist Kinsey scale
0 Exclusively listens to albums
1 Predominantly listens to albums, rarely listens to playlists
2 Predominantly listens to albums, often listens to playlists
3 Equally listens to albums and playlists
4 Predominantly listens to playlists, often listens to albums
5 Predominantly listens to playlists, rarely listens to albums
6 Exclusively listens to playlists
x Doesn't listen to music
x Listens to music, but not in either of these ways (eg: radio)
idk/i'm bald/results/nuance
Reblogs for sample size are appreciated, as I feel like my circle of mutuals would probably fall on the lower end of the scale! :p

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A french one a friend sent me, we send each other pictures of doors for.... reasons.
The direct translation is "door out of use" and "just like us all", but the french word for "out of use" also means "doomed". So it would be something like "door doomed, just like us all".
Official ominous sign
certified door post
[text id: Ozempica Firestone clutched orphanly at her hot dead mother's locket, thinking about how orphanful she was. She was quite the most orphanest slender blue-orbed blonde seventeen and 11 months orphan in all of Appallingly Researched Somerset Village. Her two stepsisters, Size 12 and Size 14, glowered midsizedly at her across the tavern. “Lord Darkdunkelheartthorn will never choose you," they sneerified sneeringly. "You're just a fragile beauty with a voice that turns mud to gold." "I don't care about marrying Lord Darkdunkelheartthorn," she blushed thinly over my broom. "I care about sad children, and lonely kittens, and bandaging injured unicorn toes." "Too late," whispered Lord Darkdunkelheartthorn loudly. “I am in love with your fragile thinness and want to buy you stuff in the historically wobbly castle of Darkfaeblack where I live and do morally dubious aspirational wealth porn." "Never!" She daintied petitely. "I want to be thin and starving among the sad children." The table turned to gold, and the hungry children started chopping bits off it to sell immediately. "I am needed here," she whispered prettily. "We will marry you!" Said Size 12 and Size 14. "Never!" He roared fatphobically, turning them both into ravens. "I only have eyes for Ozempica. As you cannot love me, I must abduct you at once which will definitely improve the situation and encourage postitive sentiments towards me while I buy you stuff that is jarringly of the wrong era."
Before anyone could object further, he swept her into his dark robed magic fae arms. She weighed roughly the same as a decorative throw pillow, or 300g for EU audiences. "Release me!"she slimmed thinly. "I cannot!" he bellowed bigcockly. "Why?" she waisted 20inchly. "Because books are 70k words, and also something curse three days shadow moon fate true love monster turning etc, etc," he exposition rubbing coins on his 10 pack bulging crotchly. She nodded sadly, accepting her fate. They then had hot morally grey sex in alternative chapters with a weird b plot about gnome genocide at the following locations: turret, throne room, glasshouse, bridge, haunted wood, haunted ship, sex dungeon, sex library. Ozempica discovered a book expositioning the gnome genocide in a shelovesbooks kind of way. "But I loved you!" She wept unproblematically. "How could you gnome genocide knowing I would oppose that thinly until more hot acrobatic oral sex?" Her tears landed tearingly upon the carpet and immediately transformed into tiny crystal roses worth approximately £4,000 each. To her horror, her beautiful voice had turned him to gold. "No, true love I love you true love true love kiss kiss," she wept into his gold abs. He turned back into dark robed darkness. "Now you have loved me the curse from chapter 3 is broken and also I understand genocide is bad and won't do it again," he announced hornily. Reader, she banged him.
end id]
Hello.
On the subject of AI, I have a confession to make: I use it. Not to write for me, but to help me check for inconsistencies, to brainstorm ideas, to write outlines, to give me a couple of lines when I've been stuck for hours, to be my beta reader, if you will. Generative AI is bad? Yes, but it also a useful tool if one isn't lazy. I don't ask: write me a story. I go with my story and ask: help me with continuity. Look, this paragraph is clunky, how do I make it better? The demonization of generative AI is fair, but to be honest, I also understand people who use it. Maybe they're afraid of writing themselves, maybe they're insecure and don't trust their prose. Maybe they have brilliannt ideas but they need help to make them become fics.
To me, this is very much connected to my last ask where I was talking about how we don't have enough mentors in fandom to support the influx of people entering it.
All of the things that you're asking AI to do used to be done by a beta reader (or more than one!). A fandom friend (or even a random stranger who volunteered) would read through your work and help you with those issues.
Betas are amazing. They can help with grammar and spelling. They can regionalize language. They can provide sensitivity reading if they're from a marginalized community that you're writing about and aren't a member of. They can track canon, help with research, even just be a sounding board to discuss ideas with.
And sometimes, they're just a cheer reader - someone reading your story and telling you how awesome it is because they love it just as much as you do.
I understand turning to AI if you 1) don't know beta readers exist or 2) don't know how to obtain one. The need for that kind of support doesn't go away just because you can't access it.
But for anyone out there who needs this kind of help and wants to avoid Gen AI, you can write a post on your blog, add it to an author's note, check out resources like @needabeta or - if the time of year is right and you have the funds - place a bid on beta reading services during @fandomtrumpshate
Beta readers are often involved in fandom events like big bangs and exchanges, and if anyone is looking to host such an event, it's a great way to get people involved who aren't writers or artists but would love to help out.
I get it, anon. We use the tools that are available to us. But here's another potential tool if you're interested in branching out?
Sometimes it's scary to post a message asking for beta readers, you are putting yourself out there, you have no idea who might respond to your message (if anyone at all) and nowadays a lot of bots are muddying the waters.
I definitely recommend searching a beta reader within the fandom you're writing for rather than someone who knows nothing about it.
And when you don't immediately get a response, ask again. This comes from a person (me) who is now two and a half years into dating the girl who replied to my 'I need a beta reader' post that I was debating to reblog that day.
Sometimes I wonder where our lives would be if I hadn't reblogged it or if she had skipped past the post.
Fandom is a community of people with shared interests. It's supposed to make it easier for us to become friends, hang out and talk for hours.
Not a single AI tool in the world is capable of giving (fandom) writers/artists/creators what they actually need.
Connection.
I would argue that there is a much bigger issue here with this kind of use of AI.
Struggling through a problem is a huge part of learning. Getting stuck, reworking things eighty times, realizing you need to delete half a page and try again, looking up random grammar rules you don't know--this is how you learn. This is also how you develop your own voice. These are necessary parts of the process.
By turning to AI every time something gets a little hard or goes a little slowly or sounds a little wrong, you are hamstringing your own development. You are preventing yourself from growing at all as a writer.
Betas absolutely can help with this growth. It's not the same as turning to AI. Other human beings spark your synapses in a way genAI simply does not. I'm not saying you shouldn't use betas.
I am saying that while struggle might be uncomfortable and it might slow down the process and you might not like it, it is a necessary part of building skills, and by outsourcing struggle to a machine, you are limiting your own cognitive capabilities and your own ability to actually write.
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Sea wind blowing 16-1-22 - Nick Miller , 2022.
Irish , b. 1962 -
Oil on panel. 61 x 82 cm.

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Satta la main Verte, “Through darkness comes light”
ink drawing, 2024
This is your reminder today that Irene Adler in the original Conan Doyle story is literally not a criminal. She never commits a crime.
Nor is she a seductress in any kind of negative or manipulative sense - she has a mutual relationship with a powerful man who then breaks up with her, and afterwards she keeps protection against him in the form of evidence that the relationship existed. She HAS blackmail material, she even waves it at him threateningly because he treated her like shit, but she never even uses it.
Irene Adler is not a thief, femme fatale, or blackmailer. She's just a cool lady that wants to be left alone.
@delphi-star You do recall correctly!! She does not give a shit about that man! She's happily married! She tipped him for being a witness at her wedding!
If your Sherlock Holmes adaptation has a character whose identifying qualities are that she is a seductive criminal in love with Holmes, you have created a character that is basically the literal opposite of Irene Adler and you should name her something else.