the authors blatant desire to be a girl that she thinks everyone has
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@autumns-arrival
the authors blatant desire to be a girl that she thinks everyone has

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Can I still be a leftist if I’m a reactionary conservative
yummy protein
barnyard the original party animals is the uncontested lord of bad implications in childrens movies
ok so like “the secret life of x” movies tend to not strongly explore the actual reasons why, exactly, their life has to be secret… they don’t really focus on it within the narrative. They do usually have some small justification for why animals or video games or toys or whatever have never just revealed themselves:
There’s no stated reason. They just pretend to not be alive. We usually can suspend our suspension of disbelief here because when it’s something like a video game or an emoji because any odd occurrences is perceived as a glitch or something similar but the actual reason why they aren’t too hung up on this kinda shitty lot in life isn’t said
They get something out of their current relationship with humans (like in toy story)
They have some specific reason to hide that they’re alive, like they die if they’re seen (like in the christmas toy)
They perceive themselves as sentient, talking creatures, but humans can’t understand them. They just see a squeaking mouse or an inanimate hot dog or whatever.
and the last one is what most animal movies do, and it’s like, not devoid of weird implications but you can see where it mostly works.
but barnyard is the outlier here: it goes with tier one: the animals can talk and walk on two legs but just pretend that they can’t for unstated reasons.
in the history of the barnyard world non human animals, at some point, decided to just pretend to be unable to speak. a “cow” or a “coyote” or a “hen” do not exist as we know it in the barnyard universe. the baa of the sheep is false; the ewe doesn’t understand it either. they only made up that noise to hide the fact that they speak human languages. a dog barking and running on all fours is a facade. animals naturally walk on their hind legs and made up whole postures just to appear non sentient.
and for what? what do they gain from this? they have no rights and no voice by their own choice. at one point a donkey claims the farmer is a good person because he’s vegan and a pig mentions bacon - this is not a fantasy universe devoid of death and misery and meat. do animals, in hushed whispers, remind their children not to sob in their real voice as they’re taken away? do the dogs not beg for kindness when they’re tied up and hit? do cows and chickens not cry for their life in the slaughterhouses? does a rat not scream a human scream when the trap misses their neck and only breaks their spine? Why? what is the point? They loose so much and have everything to gain.
anyways does everyone remember this really awful cat. it only appears in one scene but i can just sense the porn of it that would pop up if i googled it’s name

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"there's no way toby can wrap all this up in just 2 chapters!"
toby, preparing to drop chapter 6 chapter 1:
the main programmer at Team Cherry (the Silksong and Hollow Knight people) transitioned!!! all good things are made by trans women!
YIPEEEEEEEEEEE
guy that needed to get blasted with 70 citations of kris's pronouns to stop calling them a boy voice: "ummm using she/her for ralsei is literally misgendering? I thought you guys were progressive but I guess you just can't handle the world's Real most oppressed minority: cisgender feminine men"
our princess of the dark
Tumblr Sexyman Contest 2026 Final Round
Senshi (Dungeon Meshi)
Ryland Grace (Project Hail Mary)
Mr. Ant Tenna (Deltarune)
Tenna art by @9Aaaalt29 on twt
“And if you’ll give me 40% of the MOST POPULAR VOTE, I’ll give you my SPECIAL REWARD... A year’s supply of NON-GLOOBY SLIME!!! Never or BARELY used!!!” Tenna concluded his speech with a huge smile, jetting his hands up in double peace signs.
The crowd roared in confused enthusiasm as Tenna gave a gracious flurry of low-FPS bows, pausing only for the occasional stink-nose at his audience plants who weren’t throwing enough 3D roses.
Eventually, the room fell silent. It was Senshi’s turn to speak.
He puffed out his chest, took a long, sweeping look over the audience… and shook his head.
“I can see not all of you are eating properly.”
The crowd murmured with embarrassment.
“I don’t know who needs to hear this, but it’s time to take the turkey out of your icebox. I have seen the ingenious technology with which your people store food... and I have also seen the waste which results from such convenience.
“The food you take had a life. Beasts grew fat on the grass of the field, plants grew from the sun’s rays, and mushrooms grew from minerals in the cracks of caves. And yet, it sits in your iceboxes, collecting moisture until it perishes.
“Eat what is given to you. Because its life will make you stronger, too.”
Without another word, Senshi left his podium and stepped away from the stage. The crowd murmured in confusion. “Is he really like that?” somebody said. “I only remember reblogging the photosets of him tripping and showing ass.”
--
Back in the Green Room, Tenna wrung his antennas nervously.
“Y-y-you think they liked me!? They HAD to!! I mean, I don’t know what Asgore was thinking, getting that weird haircut and running that food waste campaign, but… YOU thought I did good, didn’t you, Kris?”
Laios nodded aggressively, a streak of blue face paint peeling from his forehead.
“You did AMAZING, Tenna! By the way, now that we’ve seen all your insider campaign secrets, do you have any more videos of Susie? Especially her tail... If I could get a look at that, I could finally tell if she’s a dinosaur or --”
THWACK. Fake antlers butted Laios’s head.
“LAIOS?? Weren’t we dressed up to help SENSHI???” Marcille hissed, gesturing awkwardly with her hooves.
Suddenly, Tenna turned to the two adventurers.
“Hey, WAIT a second. SOMETHING’s not right here...”
Laios and Marcille held their breath.
“Where the heck are my POINTS!?”
Just then, the door opened. Chilchuck took one step into the room, whistling and holding a large bag.
Everyone turned to him.
Chilchuck paused, took a step backwards, and closed the door.
“CHILCHUCK!!!” yelled Tenna.
“How come Chilchuck got to stay Chilchuck!?” yelled Marcille at the same time.
--
Meanwhile, in outer space somewhere, some guy was making out with a rock.

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Alright. It’s been long enough and I’ve been thinking about it enough that it’s probably time to read through cucumber quest again.
Deltarune quest page 444
I just discovered I can recite that scene with Ralsei and Flowery at the springs almost word-for-word
“i have to listen to my body’s needs” secret boss fight written by person who has chronic and disabling wrist pain which has fundamentally changed his relationship to his hobbies and his job <- i care it as someone who has also had chronic pain in my wrist/hand for 5 years
another thing i tend to think about with this. i also just think in chapter 5 there's a theme of care and dependency. the flowers have extreme guilt over being taken care of by asgore. flowery conceptualizes himself as weak and useless. in the dark world, his fantasy, he tries to return the care given to him to asgore to "make up for" asgore taking care of him when he should've died decades ago. it's an extreme example, but i also resonate with his feeling.
when your body or mind puts you in a situation where your reliance on other people becomes really explicit, you're trained by the world to see that as shameful or to see yourself as deficient. your efforts to ignore your needs just to avoid "being a burden," will leave you worse off. you punish yourself because of deeply internalized ableism.
regardless, even by virtue of being a living thing on this planet, you are already designed to need others. you have to listen to your body's needs even against a society that teaches you you shouldn't. you have to be okay with the fact that you have needs. sometimes your needs are different or are greater than the person next to you, and all you can do is listen to your body and turn to others when you need them. you're still a person when you need people.
when toby says this:
it's interesting to me how much he uses the language of deltarune to express this feeling. your hopes and dreams slipping away, and bitterness growing is literally the explanation we get for shadow crystals (and so wept the fallen star, making rivers with its tears. then, slowly, from the bitter water, something grew. it looked like glass). this is also the crushing feeling when you lose a sense of control when you're in pain, when you can't do things the way you want, the way you used to. but when you find yourself still able to fly, you do so because you've adapted. you've listened to your body. you've learned that listening to your body means changing the pace, letting yourself be cared for, letting yourself be helped.
as far as toby's said it, having to expand his team has made deltarune a better game. chapter 5 is so expansive because so many people helped to make it. Pink's fight has sprite work from guest artists, music with Camellia, bullets programmed by Toby's team. She is, to me, a love letter to Deltarune's development process as a whole and how it has shaped Toby, and a reflection of the kinds of thoughts Toby has shared with us about developing Deltarune alongside pain. I also think it's a beautiful follow-up to Gerson's themes of storytelling and authorship (letting go of "perfection" + accepting the contributions of others = both about rescinding control and embracing perseverance). Pink is also so much more than this, but I've been thinking about this a lot.

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Everyone spun masterfully!
{The Knight attempts to spin as well}