Zac Oyama, the man that you are 😂
i need all my non dropout mutuals to know what this is fanart of:
(beautiful work op, chefs kiss [each other])

ellievsbear
noise dept.
One Nice Bug Per Day
Doug Jones
d e v o n
taylor price
Show & Tell
Misplaced Lens Cap
Monterey Bay Aquarium
Cosmic Funnies

tannertan36
Game of Thrones Daily
occasionally subtle
★
Not today Justin

Origami Around
🩵 avery cochrane 🩵
let's talk about Bridgerton tea, my ask is open

PR's Tumblrdome

Discoholic 🪩

seen from Malaysia

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@astralfiasco
Zac Oyama, the man that you are 😂
i need all my non dropout mutuals to know what this is fanart of:
(beautiful work op, chefs kiss [each other])

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Day 1: Soulmates
«Excuse me, I think you may have dropped your book»
Something I genuinely wish was explored more in the ATLA universe/fandom is how Katara is the last waterbender of the Southern Tribe. Like, I understand why it's not spoken about as much as Aang being the last airbender, because he is simply the only airbender left. But Katara is the last link in her entire tribes history of bending.
Sure, the Northern Tribe might have benders, but they have such a different culture/identity around bending compared to the South. We see in Hama's flashbacks that the Southern Tribe had male and female benders at the helm, fighting equally, learning the same things, sharing the same tactics. They weren't left behind as strictly healers or defenseless women given a man's gift, they were strong.
And the thing that separates Katara and Aang's stories being the last benders of their nations is that Aang remembers what it means to be an Air Nomad. There are obviously blind spots because of how young he was, but Aang knows the customs and the culture and spiritual practices. He was able to pass those down to Tenzin and his grandchildren, he was able to start the process of rebuilding what was lost.
But Katara? She was even younger than Aang was when the Southern waterbenders were eradicated. There are Southern practices that are most definetly just... a fractured part of history because she never got to experience them. There are ways of hunting, of building, of navigating the waters, ways of healing, probably even spiritbending, that are simply lost to time.
And maybe her grandmother can clue her into it, memories from a nonbender living aside benders, but it's not the same. She didn't get to hear it from the waterbenders, she didn't get to learn from a Southern waterbender, she doesn't even know what to rebuild because it was never something she was versed in.
That's why The Puppet Master is such a heartbreaking episode. Because Hama could have been the Southern teacher Katara clearly wanted, she could have shown her more, but ended up passing on her legacy of Bloodbending. And on the inverse, I can't even fully call Hama a villain for wanting Katara to know how to bloodbend, because the ache of thinking you were the only one left for so long, the rage against a Nation known for destroying nations, would've driven anyone insane.
We know that Tenzin felt an intense pressure to keep rebuilding Air Nomad culture, but I'm so convinced that Kya probably felt something similar with Southern waterbending.
bert and ernie go to ikea

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Softlaunching my Mamma Mia Ace Attorney musings I'm opening up about in my upcoming Aapw Sketch zine.... Phoenix can do Legally Blonde and Beanix can do Mamma Mia if we don't get into the semantics of it all
ACE ATTORNEY X MAMMA MIA??? OH HECK YEAH, I NEED MORE
ちいさな物語のはじまりは
The Story Begins Here
human pov following objects 😭
Little Giants
I’m paying to force seven thousand strangers to see a photo of my late husband having fun with his dog. Tumblr Blaze is totally worth it. XD
Thank-you to all of my new Internet stranger friends for being so gracious about having my post shoved onto your dashboards. I loved reading all of your kind tags and comments! Both Martin and Bosco have been gone for several years now but for 24 hours, they felt very present in my life. I greatly appreciate this gift. ❤️
Reblog to have your dashboard be visited by the spirit of joy that death can end but not erase.
Thank you to everyone who commented in their tags or messaged me. Indeed, today is “Martin and Bosco Day”. I originally whimsically blazed this photo on 13 July 2022. I never expected Martin and Bosco to travel so far and make so many new friends. The experience has been such a gift for me.

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They/Them By Danez Smith
guy who definitely doesn't blame himself for anything or has self-destructive tendencies
"Pretty Pretty Please I Don't Want to be a Magical Girl" 🌟MASTERPOST🌟
"Pretty Pretty Please I Don't Want to be a Magical Girl" is a series that follows Aika, a reluctant magical girl, her new friend, Zira and magical mascot, Hoshi. These days, all Aika wants is to be a normal girl but with her "nemesis" Eclipse and the all powerful Lady DeVoid causing trouble, that dream seems to be unlikely.
More under the cut!
just casually leaving this here for no particular reason
You know what? Fuck it I'm adding more context. Sesame Street has talked about the topic of death more than once and it's done with such gentle carefulness without watering down or censoring the heaviness of the situations. It treats heavy subject matter with respect and dignity and has been for DECADES. From the early 1980s:
To 2025:
Hell, they even cover the devastating heaviness of MASS SHOOTINGS without censoring or watering anything down.
They've been doing this for YEARS, and it's ALWAYS handled with dignity, respect, seriousness, understanding, and love.
Whenever I see people censoring words because it "might offend" someone or the big ad companies that are currently trying to run everything? I just want to say to them: "What? Is Sesame Street too mature for you?" Because really...what the hell are we doing.
I'm back with even more examples! Sesame Street once again to this day is out here handling extremely difficult subject matter with incredible care and respect. "We can't let kids learn about uncomfortable things!" Oh, really now? Even though they're things that happen in everyday life that they'll face one day at some point anyway? Interesting. Let's see what else this show has covered that people (for some reason) think should be avoided and hidden. Here's more on death of loved ones and greif:
Or how about when someone is put into the foster care system because their home isn't safe anymore and their needs aren't being met?
Maybe some discussions about group therapy/getting help and support?
Hey look! Here's a segment about gender expression vs taught expectation, including unlearning harmful biases and what to do when you hurt someone on accident because you didn't know it was wrong!
Look! The topic of race and diversity! The importance of unity and equity!
They even also have a more allegorical take on discrimination and being looked down on for who you are, featuring Big Bird. The conflict is about how he's not being let into a club because the one bird running the club personally decided he didn't want someone like Big Bird there.
Big Bird goes out of his way to keep changing parts of himself in order to "prove" he can fit into this club if he just changed enough. The truth comes out though, and there's nothing he can do to gain the approval of that bird. He will never be good enough in his eyes, and Big Bird starts to hate himself. His real friends see this finally put their feet down, emphasizing that you should never change yourself just to fit into one singular narrow idea someone else has.
There's A LOT of different situations this can be an allegory for. Racism, sexism, homophobia, basically ANY form of exclusion is put on full blast in this 15 minute clip. Sesame Street can be both blunt and allegorical when approaching difficult topics, and it NEVER misses or looses the point.
It does an exceptional job in both styles of representation WITHOUT watering anything down. The more sanitized everything gets, the more radical Sesame Street is suddenly considered, hence why so many "particular groups" want it gone. Hmmm! I can only imagine why that could be, in this current political climate! (I'm being sarcastic)
When Sesame Street is suddenly labeled as "questionable" or "politically/agenda motivated" content...it says A LOT about where we currently are and who gets to decide what's "best" for kids or not. Don't fall for the censorship and topic-dodging excuses that are covered by the "But think of the children!!!" movement. Never fall for it, because you know which side you're on if you do.
Sesame Street proves kids can be taught and trusted with learning about these topics when it's handled with the right amount of understanding and care. It shows what all this "controversy" is all really about. What it's always been about, actually.
Don't fall for it, always side with Sesame Street.
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The Carpet Merchant of Konstantiniyya Volume 1 rerun Book Two Update 6 of ??? (READ the Latest Update, starting from this page)
Zeynel is having a REALLY really bad day omg.
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This scene has one of more substantial revamps dialogue wise, mostly all in the section where Zeynel prays for Khalil. The surah (Al-Fatihah) was initially very abridged due to a perceived lack of space 10 year ago, but I am better at making comics now. I rejigged some of the panels and found enough space to finally show the entirety of the surah, as it should.
I also added in the last line ('To Allah we belong and to Him we shall return) which he didn't say in the first edition!) - he will say it again near the end of TCM.
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The marbled illustration at the end is an original piece by me! I made this in a workshop with a master ebru artist (Eslem at Anatolia Art Studio in Melbourne). The marbling broke apart and warped during transfer, which is not something we want in our ebru prints, but the breakage suited the vibe of what just happened with Zeynel.
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As usual, author's commentary is on the website, attached to each of the spreads!
"it's not that deep" START DIGGING!!
DIG
DIG
DIG
DIG
OOPS TOO DEEP
CLIMB
CLIMB
CLIMB
CLIMB
CLIMB
CLIMB