đšATTENTION ALL ARTISTS, WRITERS, & CREATIVESđš You have âtil 10/30, 9PM PST TO LET THE COPYRIGHT OFFICE KNOW YOUR THOUGHTS ABOUT AI đ€
They want answers on all kinds of questions, like training datasets ingesting creatives' works or the copyrightability of outputs. Hereâs a guide I transcribed from my Twitter on how to get started:
On the comment submission page, there is the âNotice of Inquiryâ document where the Office literally gives you what questions they want answers to (p12-21) - and thereâs a LOT of them. Like, 50 at least. (Itâs honestly so prohibitive to the average creative, which is why I made this guide). You DONâT have to answer every single question - just pick the ones that speak to you the most or ones you understand the best! To make it easier, hereâs an edited list of questions that are most relevant for creatives
You DONâT have to be based in the US to submit a comment. In fact, the Office asks for examples of how other countries approach copyright & AI (Q#4), so if you live in places like Britain, Japan, etc. that have made major moves in those areas (for better or worse), leave a comment!
Below are some important questions for actors and VAs in particular. Though voice and likeness arenât generally protected by copyright law, the Office is interested in hearing how AI may be impacted by state laws involving right of publicity or unfair competition (Q#30, Q#31).
đWRITING TIPSđ
The Copyright Officeâs goal is to create the best policy. Be clear, be constructive, and explain the reasoning behind your position. Wherever possible, counter the other sideâs arguments. One well supported comment is more influential than 1000 copy paste ones!
Provide evidence - facts, expert opinions, your personal experience. How is AI already impacting you? Your industry? How will it impact you in the future? What are some stories you've seen in the news or social media about AI?
The Office is also VERY interested in any papers or studies relevant to AI and copyright (Q #3), so feel free to include a link to this incredibly informative paper on AIâs impact on artists
Be sure to mention any relevant personal or professional experience and credentials to lend more weight to your arguments, i.e. # of years drawing, years in the industry, major projects, awards won, union membership, etc
Here are some solid comments submitted by artist Kelly McKernan and screenwriter Bill Wolkoff if you want to see some examples
OTHER TIPS (courtesy of my ADHD brain): Schedule a block of time to write your thoughts out! Coordinate a little sesh with your friends! Keep a copy of your work in a separate doc! Itâs so important that we get our concerns and ideas out there đȘ
YOUR COMMENTS will not only inform the Officeâs own work in determining what protections creatives may receive in the face of AI, but also inform their advice to Congress on potential generative AI legislation - so make your voices heard and SPREAD THE WORD! đąđąđą
If you want to stay informed on this issue, particularly as it concerns visual artists, I highly recommend you follow @kortizart @ZakugaMignon @stealcase @chiefluddite @JonLamArt @ravenben @human_artistry on twitter and AI ML Advocacy on Insta (I donât know of any tumblr blogs that actively follow this issue, so please reblog/comment below if you do!)
You also may know about the Concept Artist Associationâs GoFundMe to represent artist voices in government - they made some big moves in the regulatory and congressional space, and are now fundraising for year two! đđđ
tagging some very cool creatives I follow that I believe care about how AI impacts their craft so this post doesn't die in the tumblr void đ«Ą
@neil-gaiman @geneslovee @anarchistfrogposting @pimientosdulces @sabertoothwalrus @simkjrs @loish @waneella @tunabuna @writing-prompt-s @logicalbookthief @bedupolker
