Randomishness

At the end of the day, The Residence is an indictment of the wealthy’s attempts (and successes) to infiltrate the government, but more importantly a tribute to the everyday workers holding the line despite the forces trying to oust them, despite living in poverty and needing to take three buses to get to work, despite abusive relationships and coworkers who want to make you bring back the original meaning of “going postal.”

And yes, A.B.’s trusting nature got him killed, but it was by a very specific archetype and the only person given a political party: the “other” party. It’s pretty clearly implied which is which, but they intentionally didn’t state it because the house itself is apolitical in terms of left and right. No one else who wasn’t a politician was even given any indications of a political party because it doesn’t matter.

Sure it’s a little more idealistic than where we currently are (proxy Chuck Schumer and Marjorie Taylor Greene sitting next to each other comparing notes was a little too on the nose for my taste but she is the most recognizable example of a republican congressperson right now), but that’s the point. It showed us where we could be, where we should be. They showed a microcosm of it during the March 4th flashbacks, but just because it wasn’t as obvious throughout the rest of the events of the show (until the end) doesn’t mean it wasn’t there.

I should have had faith.

The color is bright, the dark scenes aren't hard to see stuff in, it's crisp. I have a deep fondness for being able to see the fucking screen.

ALSO also, they are really weirdly good about a tone shift when people would normally be yelling. Like, instead of making you cuss and reach for the volume because SUDDENLY YELLING right in the middle of everyone talking quietly, most of the telling is muted (toned down, but not silent). This made it REALLY easy to not worry about volume control every ten seconds.

like, that's the tragedy of MOTOE, that one bad person can ruin so many lives.

and how in The Residence, one of the problems in figuring out who killed Wynter is the fact that a ton of staff members have motives...

but not because Wynter was cruel and careless, he WASN'T. he was hard-working, dedicated, loyal, meticulous, professional, honorable, and above all motivated by a deep, deep love for the place he worked. every motive everyone has for killing him is, ultimately: he's a good man who wants to do a good job.

that's the tragedy in The Residence, that being very good can get you treated exactly the same way as being very bad.

The Residence 1.06 The Third Man

+ bonus:

Carolina Milanesi, an independent technology analyst, said Google is trying to make its cash cow business — search — richer and more personalized, and it will make shopping easier. But there is a risk that users may have fewer choices about what to click. "Right now it's: I ask a question, I get a bunch of answers and I feel that I'm in control as to which answer I take, or if I'm looking for something, which product I'm going to end up buying. That is going to be less so going forward," she said. Milanesi envisions AI-enabled search and agents proposing products to consumers — perhaps even those they have requested — but with less clarity or choice around where it's coming from. "If you're going to say: 'I want a pair of Jordans, go find them,' you're not necessarily sure what steps have been taken and whether the AI has used a source or a store that was paid for and therefore came up in the search results," she said, "or if AI actually went and did their due diligence and picked the best for me as a customer."

And here's one from Time magazine (May 20, 2026):

While Google already has “AI Mode,” the company will now power the whole search bar through its new Gemini 3.5 Flash model.  Instead of the classic list of blue links, Google Search will now also generate a custom page with an AI-generated summary of what you’re searching about, which will then trigger a conversation with AI Mode on the main page, allowing users to ask follow-up questions—similar to the kind of layout you would see when opening ChatGPT.

And a little more from Time's article on how this may affect the websites that we are trying to search for:

Rumination is probably the most common type of OCD compulsion, but I rarely see anyone talking about it. I've talked to multiple people diagnosed with OCD who didn't even recognize it as a compulsion.

Basically, if you have OCD you have terrible intrusive thoughts. They can be about anything, but common themes are fear of being a bad person, fear of hurting someone, fear of contamination. etc.

Rumination is when you get stuck in a spiral. Rumination is when you spend hours catastrophizing, overthinking, analyzing, telling yourself it's going to be okay.

I'll say it again:

Rumination is a compulsion.

Rumination is a compulsion, and that means you have to stop doing it.

I did ERP (exposure response prevention) for my OCD with a therapist! For 9 months! And it did help, but the idea didn't really click until I found this website a couple years later.

And Oh My God. It made things make so much more sense, and I was able to pull myself out of an episode even though I wasn't in therapy or on meds at the time.

Genuinely if you have OCD, or even if you suspect you have OCD, I'm begging you to read some of these articles.

Like this was genuinely life changing for me.

Here are some of the ones that were most helpful to me:

Defining Rumination

How to Stop Ruminating

ERP Exercises for Compulsive Rumination

So: repurposed vaguely Kinseyesque scale describing your aromantic and/or asexual protagonist's awareness of and relationship to their own aromanticism/asexuality:

Unaware That This Is A Thing People Can Be. Type specimen: Carl from Dungeon Crawler Carl. Has never once considered that "not wanting romance or sex" is a thing people could feel, let alone identify as. He is normal, which means straight. It's just a coincidence that his relationship with his girlfriend was a disaster and now he's just way too busy in this new nightmare dystopia world for any of that! Anyway!

Aware They Have These Feelings, Assumes Everyone Else Also Does. Type specimen: Doug Eiffel from Wolf 359. Firmly believes that his aro-allo experiences are universal and everybody else is just better at acting like a functional human being than he is. Being a huge movie nerd also leads him to believe that "romance" as we understand it is massively exaggerated for drama in movies and people in real life don't actually do and feel that stuff any more than they mind-meld or can use the Force. He's just a fuckup at everything; why wouldn't relationships be included in that? For most of the show if you told him about aromanticism he would NOT be comforted about it, he'd probably take it as a diagnosis that his fuckup-ness regarding relationships was innate and incurable. (This doesn't have to be negative; this is also where Andy Wheyface from Arden falls and he is having a GRAND old time.)

Aware They Have These Feelings, Realizes That It Sets Them Apart From Others, Doesn't Conceptualize It As Part Of An Identity. Type specimen: Ryland Grace from Project Hail Mary. His reaction to other people having sex is mostly "why would you do that." His single attempt at a serious romantic relationship didn't work out and he has a nagging sense that there is something in him that can't maintain serious relationships; attributes it to cowardice and fear of commitment. Ironically he does know what asexuality is. He's a middle school teacher in 2020s California, he has absolutely gotten LGBTQ+ Sensitivity Education at least in "pamphlet listing queer identities" form, he for sure has students with pride flag pins on their backpacks and pride stickers on their notebooks, and he is also not immune from the Culture War Bullshit around gender in schools. Knowing that asexuality exists did not even slightly lead him to apply this to himself.

Aware They Have These Feelings, Considers Them Significant, Attributes Them To Some Existential Feature Of Their Existence Rather Than A Personal Identity. Type specimen: Murderbot from The Murderbot Diaries. Murderbot is very confident it does not want anything to do with romance or sex, and it attributes this to Being A SecUnit, and romance and sex are Human Things SecUnits Don't Do. Has not yet realized that this is an itself thing and not a SecUnit thing. Probably willfully at this point.

Considers These Feelings A Significant Aspect Of Their Selfhood, But Doesn't Name It. Type specimen: Sister Carpenter from The Silt Verses. Clearly confident in who she is and what she wants in her personal relationships, recognizes that as something that makes her different from others and out of step with what others expect from her, and is basically like, that's their problem. She knows who she is. Sometimes other people try to make it her problem but she has so many other problems that societal amatonormativity keeps getting pushed lower and lower on her list of Problems.

Recognizes Themself As Aromantic/Asexual As A Personal Identity. Type specimen: Nova NoStar from InCo. Clearly considers this part of her identity, but is allergic to talking about her feelings even at her therapy android's insistence and besides that's not anybody else's business is it?

Publicly Identifies As Asexual And Describes It With Period-Correct Sexual Orientation Language. Type specimen: Sally Grissom from ars PARADOXICA. The only character I've ever heard come out as asexual and lay out the definition in terms of sexual orientation and attraction to another character on-air that made me go "yeah she would do this, this is in character for Sally." Strongly feel like she would be an active commenter on the 2010s ace blogosphere. Would get in an argument about the correct definition of asexuality on AVEN.

This is a really interesting aspect that I was definitely thinking about when I put this list together, because it began as an expansion of this post and I was freely mixing characters that are canonically and intentionally written as aro and ace, and characters who were not at all intended to come off that way but really do to me and/or a lot of people. But it's true, and I think that speaks to something about how different genre narratives prioritize things that lead to these readings!

A lot more thoughts about this under the cut:

They will say “don’t you want them to go to the grave without debt”, they will try to guilt you, they will take advantage of your vulnerability.

Source: when my father died, he had some credit cards that my mom wasn’t on that she had no access to. The companies contacted her while she was sorting through the bills and getting a handle on how to run the house alone, badgering her with his credit card debt.

She wasn’t liable for any of it, but if she had ever agreed to pay before finding out that she didn’t need to, she would have been considered to have taken on his debt and would have HAD to pay it. It’s slimy, it’s predatory, and it’s entirely legal for them to do this.

It didn’t register for me until recently that my experiences of being forced to strip naked multiple times at the mental hospital to be ‘checked’ when I was 14 was sexual assault, because the people who did it were nurses/doctors who clearly didn’t find me sexually attractive but instead used it as a form of humiliation and control towards children they deemed as ‘unruly’ and ‘uncooperative’ (ie. children who asked to be treated like people). I thought only people who fit into this idea of a child attracted pedo could be child sexual abusers, so I thought my experience didn’t count.

my stepfather would openly sexually harass me and my siblings at dinner while also loving the fantasy of killing pedophiles. whether he personally found our abuse sexually gratifying was frankly irrelevant to whether it traumatized us. whether he would be considered a pedophile or not doesn't change that he committed sexual abuse of children

Employers liked offering this structure because then they didn't have to like, try to guess how long the invasion of spain will take and then carry 800 coins per soldier around the battlefield where it could be captured. It also gives them the chance to budget around the assumption that they take an enemy city and *find* vast sums of treasure even if they don't have the full value at the beginning of the war.

The main flaw of this system is that it's very easy to end up in a scenario where if you have, say, 50,000 guys that have been fighting for 800 days, you now owe 40 million silver to your army, and if the budget has not worked out to a 40 million surplus, you literally can't afford to end the war, but you can probably afford to pay them for a couple more weeks. So then you have to start thinking creatively.