Yk what joongdok remind me a bit of hualian but imagine more “Xielian keeps sacrificing himself” and “Huacheng is an asshole to everyone” and less outright worshiping
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Yk what joongdok remind me a bit of hualian but imagine more “Xielian keeps sacrificing himself” and “Huacheng is an asshole to everyone” and less outright worshiping

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arguably the worst possible time to declare you have a new bf is probably when your yandare ass ex-stalker whos still obsessed with you barges back into your life
seeing this pop down from the fucking sky wouldve had my balls up in my throat, kim dokja you real insane mofo
New to orv fandom but do yall see this vision?
ORV is about to fuck me up at a level previously unheard of

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best ship dynamic is when they go from "you fool" (derogatory) to "you fool" (desperate)
orv is wild to think about because what do you mean out of the 3 children kim dokja managed to collect throughout the book the fucking puffball is the biological one
“Unlimited power is apt to corrupt the minds of those who possess it.”
—
William Pitt the Elder (1708-1778) British statesman, orator
A quilt for you, Athena
I wove a quilt for you, Athena
You, who betrayed me most because you were intended to be wise
I wove a quilt for you; my arena,
To pull back the blanket lies of your cruelty
Is pain beauty?
It must be. You make tapestries of our terrors, our tortured torments
And you found no flaw within my truth.
I wove a quilt for you, Athena
And challenged you to make one better
To make it better
Didn’t you know I just wanted you to make it better?
Or else, find some loose thread to unravel the bloody kingdom of Olympus down
I wove a quilt for you, Athena
And you beat me for my pride
Red strings of fate wound around a broken neck
But it was for your shame, wasn’t it?
I wove a quilt for you, Athena
And you made me into a hated thing
Trapped in cups and cast out, kindly, or simply killed again
I will weave a thousand webs but never weave your story
I weave for you, forever, Athena
For you
For you
For you
To be a goddess is to demand sacrifice.
Keep reading
You’re a daycare worker, watching over toddlers, when the imminent end of the world is announced. It becomes increasingly clear none of the kids’ parents are going to show up as the end inches nearer.
[Audio starts]
“Mom has been texting me for the last twenty minutes. She wants me to come home. It’s a four hour drive, when the roads are clear, and from what I hear everybody is trying to get somewhere right now. There’s no telling if I’d even-”
“Everybody else has left. All the other kids were picked up, the other staff left. They gave me all the keys. I promised to stay and wait for as long as- well. Even if some of the parents show up, I guess some of them won’t, so I’m just waiting. Until.”
[Clears throat.]
“A couple of people came after everybody left. Peter, one of Aidan’s fathers, gave me three hundred dollars for staying. What am I going to do with money? It’s- anyway. I kind of get it. He wanted to give me something.”
[Audio ends]
[Audio starts]
“They’re all between 2 and 4.” Sniff. “They’re so little. Too little to really- maybe if they were older, I’d have to tell them something. But um. I’m just- trying to stay calm and keep them happy and occupied. I think that’s the best thing, right now.”
[Heaving breaths.]
“I normally use this recorder to help me remember stuff. It’s just, uh, habit to talk to it. I don’t know. They’re napping, right now. I’ve got the baby monitor, they know that if they talk into it, I’ll come, so-”
[Sobbing.]
[Audio ends]
[Audio starts]
“Mom keeps texting, so I blocked her. I sent her a text telling her goodbye, first, but. I do. But these kids need me.”
[Sniff.]
“I tried calling their parents again, but I can’t get anybody. It’s just busy signals. I called the firefighter station, 911. I can’t get through to anybody.”
[Shaky breath.]
“I went out into the yard. Um, I think they can play. It’s nice out, and you can’t really see it yet. Little bit of a glimmer, if they ask I’ll just tell them it’s a plane, but it’s nice out and we’ve got hours before-”
[Murmuring child’s voice, indistinguishable.]
[Audio ends]
Keep reading

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Emergency in the UK
An 18 year old trans man is being harassed out of his rental room. I have sent him money to pay for his rent and his bus ticket to his job, but I had to use the paypal of another person because his was on hold. That person has turned out to be a transphobe who is now accusing him of hacking her PayPal and stealing the money. She is insistent that he be evicted this evening. He needs £130 for rent at another place, and I just don’t have it. Please Cash App him at £sampetko
SIGNAL BOOST
Luo Yun Xi: this master has three holy weapons, which one do you want to see?
Chen Fei Yu: I heard that I have three faces, which one do you want to choose?
i haven’t really been doing anything but i still need a break from everything
idk I just love how we Young People Today use ~improper~ punctuation/grammar in actually really defined ways to express tone without having to explicitly state tone like that’s just really fucking cool, like
no = “No,” she said.
no. = "No,” she said sharply.
No = “No,” she stated firmly.
No. = “No,” she snapped.
NO = “No!” she shouted.
noooooo = “No,” she moaned.
no~ = “No,” she said with a drawn-out sing-song.
~no~ = “No,” she drawled sarcastically.
NOOOOO = “No!” she screamed dramatically.
no?! = “No,” she said incredulously.
I’ve been calling this “typographical nuance” and I have a few more to add:
*no* = “No,” she said emphatically.
*nopes on out of here* = “No,” she said of herself in the third person, with a touch of humorous emphasis.
~*~noooo~*~ = “No,” she moaned in stylized pseudo-desperation.
#no = “No,” she added as a side comment.
“no” = “No,” she scare-quoted.
wtf are you kidding no = “No,” she said flatly. “And I can’t believe I have to say this.”
no no No No NO NO NO NO = "No,” she repeated over and over again, growing louder and more emphatic.
nooOOOO = “No,” she said, starting out quietly and turning into a scream.
*no = “Oops, I meant ‘no,’” she corrected, “Sorry for the typo in my previous message.”
I cannot express how strongly I absolutely love language and writing and communication but if anyone asks why I will be showing them this post from now on
this is great, but I got to “no no No No NO NO NO NO” and immediately started singing “mamma mia, mamma mia, mamma mia let me go”
no no no nO (no no no)= “No,” she said, sticking to the status quo
Mo Weiyu: Why did you think it was a good idea to sacrifice yourself for me?
Chu Wanning:…True love?
Mo Weiyu: You are so lucky idiots are my type.

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2ha has many, MANY ridiculous moments but literally nothing tops the soul mate box. Like the fox spirit literally gave Mo Ran the box to try and fuck him over so he couldn’t get a weapon like “oooh oooh this box has never been opened only soulmates who mutually love each other can open it good luck bitch oooh” and of course cwn opens it and mo ran’s first thought is that the box was broken and throws a hissy fit. Despite the fact that the weapon inside is identical to cwn’s. And then this box is NEVER ADDRESSED AGAIN.
Something about disgustingly sticky, clingy, needy, obsessive fictional man-children really do be getting me.