Núria Riera
Mike Driver
cherry valley forever

❣ Chile in a Photography ❣
Noah Kahan
occasionally subtle

One Nice Bug Per Day
taylor price

titsay
tumblr dot com
KIROKAZE
macklin celebrini has autism
Lint Roller? I Barely Know Her

izzy's playlists!
RMH
ojovivo

Kiana Khansmith
Cosimo Galluzzi
The Bowery Presents
seen from Egypt

seen from Türkiye

seen from United Kingdom
seen from United States
seen from Japan
seen from Sweden
seen from Poland
seen from United States

seen from United States

seen from United States

seen from Germany
seen from Netherlands
seen from Canada
seen from United Kingdom

seen from Germany

seen from United Kingdom

seen from United States
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seen from Poland

seen from United States
@art-ks
Núria Riera

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Stephan Vanfleteren
Life changing.
Laura Davis, Frayed Edges, [a book of essays and a book of poetry], (announcement), Covers designed by infantilni, Femmesocial Press, 2026
Josef Bolf

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On the surface, avoidance, minimization, distancing, splitting, and attempting to place a positive value on painful experiences may look like dreadful self-deception. In reality, however, this self-regulation of negative affect performs a life-saving function. For precisely that reason, trauma patients find it dangerous, even impossible, to give up these survival strategies and self-healing measures, even though they block creativity and growth and lead eventually to stagnation and decay. [ . . . ] The sacrifice of one's self-protection strategies and the loosening of one's rigid defense mechanisms are dreadfully painful and threatening processes, for they uncover old wounds associated with safety, trust, power, esteem, and intimacy.
Ursula Wirtz, Trauma and Beyond: The Mystery of Transformation
Au hasard Bresson (1967) dir. Theodor Kotulla
© da-da-sk
Wilhelmina Barns-Graham (British, 1912-2004), Untitled, July 1995. Ink and watercolour on card, 7 ½ x 10 ¼ in.
1DontKnows aka Phanuwat Chukoed aka ภานุวัฒน์ ชูเกิด aka Mew aka มิว (Thai, b. 1996, Thailand) - Dissolution, Digital Collage

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Tomie / 富江 Written by Junji Ito / 伊藤潤二
We’ll leave the light on for you, Nadav Kander
Agostino Arrivabene (b. 1967), “Kore metamorfica II”
oil on canvas, 2025
source
Friedrich Kunath.

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Honda x Citizen, Ana-Digi Temp
Max Ernst, Marine , 1926
oil on cardboard
(19.9 x 15.9 in.)