hello! my name is Aziren, and between university exams and assignments I'm an aspiring fantasy writer. i'm also a DM for a multitude of TTRPGs outside from D&D, but still mostly fantasy. i've been a fanfic writer and a worldbuilder for years now, so i hope you'll enjoy my works
my main wips are Revolve and Unearthly, two series set in the Siliverse alongside their own custom TTRPG system Trick of Life. i try to post stuff about them semi-regularly, from worldbuilding to trope discussions to character intros. i also write for Flash Fiction Friday, so look out for that
my askbox is open for any ask games, and i'd love to be in any tag games!
[masterposts, wip intros and taglists under the cut]
Frequent Tags
#ark writing tips: advice about everything writing
#ark writing resources: circulating writing resources, because real writers don't gatekeep
#ark.txt: random thoughts, events and life updates
#ark writes: pieces of writing by me
#ark draws: pieces of art by me
#diary of a suffering writer: where i talk about my experience with writing
#diary of a suffering artist: where i talk about my experience with art
#ark reblogs: anything that gets reblogged from others, you can find here
#ark originals: any and all talk about my original works goes here
#ark replies: when i get asks, here you'll find the replies
#ark ask games: ask games i'm participating in
#ark tag games: tag games i'm participating in
#flash fiction: Flash Fiction Friday entries
Wip Intros
Revolve
the universe is crumbling. the Void slips into every crack in the Edges. the Realms' only chance is to find the Ashen Gods and convince them to help. it's a 50/50 chance, but it's all they have. it would be easier if everyone could collaborate, but history has the unfortunate tendency to get in the way
wip status ✵ drafting
genre ✵ low fantasy
subgenre ✵ grimdark
target audience ✵ new adult
tag ✵ #ark revolve
other ✵ queer fiction, not a lot of romance, political & social intrigue
✵ see more
✵ get on the taglist
Unearthly
Zeno comes from a family of spirit hunters, but he's the only one his grandpa won't trust to become one full time. so he trains harder than anyone. kills more spirits than anyone else. it becomes a problem when his best friend turns out to be a medium
wip status ⛧ planning
genre ⛧ urban fantasy
subgenre ⛧grimdark
target audience ⛧ new adult
tag ⛧ #ark unearthly
other ⛧ queer fiction, romance, superheroes
⛧ see more
⛧ get on the taglist
The Mortal God
Aren would be happier if there wasn't a prophecy about him, because the hunters never believe him when he says he's trying to control his powers and not to kill the king
wip status ⚙ planning
genre ⚙ gaslamp fantasy
subgenre ⚙ epic
target audience ⚙ young adult
tag ⚙ #ark mortal god
other ⚙ queer fiction, no romance, found family
⚙ see more
⚙ get on the taglist
The Lost Sea Symphony
Talia is a monster in human skin running for safety across the glitching servers, and the voice only she can hear is saying that she'll find safety in the sea
wip status ⚔ planning
genre ⚔ high fantasy
subgenre ⚔ epic
target audience ⚔ young adult
tag ⚔ #ark lost sea symphony
other ⚔ queer fiction, romance, pirates
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written for Flash Fiction Friday 361, event hosted by @flashfictionfridayofficial
WIP ⚙ The Mortal God
Trigger Warnings ⚙ Very Vaguely Implied Domestic Abuse
Rating ⚙ Gen
Wordcount ⚙ 829
Illis doesn't want to be here. Yes, Jialee's farm is nearby, and it's nice and warm and do much better than being at home, and Sarine and Tedo and Azai aren't mean about his eyes or the talking to plants and animals, but those are the problem. The plants are really really really quiet. Like they're scared. The animals too. There's only Jialee's cows around, in the fence. The dog never comes this far, and he can't hear mice or crikets.
But Jialee and Sarine and Tedo and Azai are still following the ball they're playing with. They keep kicking it more and more far, and the farm is getting too far and the woods are getting too close. The bushes are taller and taller and Illis can't see over them, and he's pretty sure he heard mama say there's a bog here somewhere. You're not supposed to go near bogs. They take people and don't let them go back.
And then Sarine throws the ball too hard, and it flies right over the bushes and into the dark. Azai yelps. "My ball! Sari, you meanie."
"I didn't mean to throw it like that!"
Tedo, who is way taller than the rest of them, tries to look over the bush, but he's still too short. "We can probably get it back. It can't be that far." He makes to go through the bush, but Illis and Jialee both rush to take his arms.
"No no no, you can't do that. There could be the bog," Jialee says really fast, because she's smart. Illis nods along her.
Sarine tries to peek under the bush, then in the gaps at the sides, and turns to him. "Is there a bog?"
Illis shrugs, and steps a little behind Tedo. "I don't know. Everything is really quiet, I don't like it."
"But there isn't a bog?"
"Why would I know that?"
"You do kind of always know when something's weird with the fields," Tedo says, and shrugs when Illis throws him a betrayed look.
Azai crosses his arms. "Well we have to do something. My nana made that ball. I'm not going home without it. Can we get it with a stick?"
Sarine shakes her head. "The bush is too thick. I can't even see through it."
"We should tell a grown-up," Illis says. Still holding onto Tedo, he looks over at Jialee. Her parents are nice. Really nice. They don't yell, and they listen when she talks, and he's seen her spill a glass and not get in trouble. "Jia, your dad would help, right?"
Jialee blinks, and her eyes go sorry. "He would, but he's not home. He's at the market in Parfalls."
Tedo sniffs. "I'm going."
"No," Illis and Jialee both yell, holding onto him stronger. "It isn't safe," he adds.
Sarine steps away from the bush, and looks at him. "You'd be safest, right? The plants can warn you."
Illis's heart beats really loud, and his hands go sticky. "I mean, I guess."
"Oh, we can make a people chain," Jialee yells. She steps away and puts Tedo's hand in his before taking Tedo's other one. "Here, you hold on to Te because he's strongest, and I hold on to Te, and Sari holds on to me and Azai holds onto her!"
Illis squirms. "I don't know. I really don't like it here, it feels bad."
"Oh pleeeease, Illis," Azai says, and his eyes are big and shiny. "I need the ball back. My mama will get angry if I don't."
Illis flinches. He can't say no. Not if Azai's mum will get angry. He takes a deep breath and clings to Tedo's hand. "Okay. Make sure to hold me?"
Tedo nods, and his hold is way stronger. Illis breathes out and pushes a branch of the bush to the side. It's strong, but the plant doesn't say anything, and Illis doesn't like it. But he gets through the edge of the bush, and the ground becomes messy with roots and small plants and tall grass, and he can't see the ball. He steps careful and slow, and glances back every few steps.
Jialee is fully on this side of the bush before he sees a speck of blue of the ball. It's in a flat area that's brown and grey, with roots and old leaves and tree bark but no new plants. Illis doesn't like this, but still, "I think I see it. It's, uhm, five steps, but I think it's stuck."
"I see it too," Tedo says. They look at each other and nod. Slower, Illis takes a step. Then another, and the forest is way too quiet. He looks around and takes a third step, already reaching out with his hand. It's too far. He takes a fourth step.
Crack
Illis yells as his hand slips. Someone calls his name but they're too far. The rumble of dead roots coming down around him deafens the world.
❊
⚙ The Mortal God Taglist ⚙ @definitely-not-flynn @lizardperson @firesidefantasy @savvyminnow
fandom: original work (ocverse - warcrimes au)
rating: m
cw: casual patricidal thoughts?
wc: 938
prompt: #fff361 watch your step for @flashfictionfridayofficial
---
"Adelaide. Welcome." Her mother descends the stairs, a dignified smile on her lips.
"Mother," Addie beams at her and kisses both her cheeks. "You look wonderful today."
"Likewise, dear. So good to see you. It's so nice of you to make time in your busy schedule for your old parents."
"Mother, I always make time for you," Addie replies with a chuckle.
"Your father is taking his afternoon tea in the gazebo - why don't we join him?"
"That sounds lovely, Mother."
"Oh, but do watch your step, dear. You know how uneven those paths are," her mother states, glancing down at Addie's shoes. "I don't want you to hurt yourself." She smiles, and for a brief moment the corners of her mouth curl in a way that makes it seem very pained. Your mask is slipping, old hag. Usually, you can keep that up for longer.
"Don't worry, I'm sure I'll manage." She can run in those damn heels if necessary, some craggy garden paths won't stop her. "But thank you. What would I do without you looking out for me, Mother?" Addie beams at her adoringly, almost missing her mother's tiny eye twitch. Oh, she's in terrible shape today if that is already getting to her - how many 'Mother' was this? Three, four? Laughable.
Her mother composes herself and gestures toward the backyard. "Well then, dear."
Addie links arms with her, and they make their way outside, following the winding paths through the expansive garden, chatting and laughing about meaningless drivel. I can do this all day, dearest Mother.
They find her father in the gazebo, sitting in his big, comfortable chair, scrolling through a data pad with a deep frown on his face. The way you have to walk up to him, climb the few stairs - of course the effect is intentional. An aging monarch, presiding over his estate, waiting to be paid tribute to.
His expression softens when he sees them. It's the closest thing to a smile he can offer.
"Adelaide," he greets her, getting up from his throne.
"Father," Addie smiles, pressing a quick kiss on his cheek, and she actually manages not to flinch when he puts his hands on her hips to hold her close for a second. When he lets go of her, she takes a step back. He straightens his back, puffing himself up a little, and she is very pleased to see that she is taller than him in these heels. "You look well," she states fondly.
"Please, sit," he gestures at the other chairs. "Have some tea with me."
"Are you hungry, dear?" her mother suddenly pipes up, looking at Addie. "I can have the cook whip something up for you. I'm sure you've been eating terribly." She's so concerned. It almost sounds sincere.
"Thank you, Mother, but don't trouble yourself," Addie smiles. "I manage just fine." Yes, she still hasn't learned to cook since moving out a couple of months ago, but it's not like she's starving. There are a lot of great restaurants close to her house, and she has a few excellent cooks among her friends.
Her father crosses his arms in front of his chest, mustering her. "So - how's work?"
"Oh, just splendid, Father," she assures him enthusiastically. "I am having a wonderful time."
He frowns. "I still don't understand why you even bother. It's not like you need the money - not that this government job pays much anyway." He makes it sound like a slur.
"But I meet so many interesting new people through it, so many new connections," Addie beams at him. He always goes on about how 'connections' are the most important thing, so he can't argue against that. "Besides, why did I get all that education if not to use it, right?"
He rolls his eyes. "If you insist on wasting your time that way… Fortunately, this will have an end in a few years anyway." When she has finally found a suitable husband.
"Exactly!" she agrees with a smile. "Until then, it's simply a fun little hobby."
"Well, you always were a bit unconventional," her father chuckles. "I guess there's no harm in it."
Then he launches into his all too familiar speech about how a woman's only job is to be a wife and mother, while Addie listens attentively, smiling and nodding, giving exactly the right responses at the right moments in this carefully rehearsed little play, as she has done a million times before. She still doesn't understand how someone in this day and age can manage to hold on to those views - they're not even old-fashioned, they're downright antique. Pre-Empire. It's almost impressive, if it weren't so pathetic.
Addie knows their lines so well, she doesn't need to pay full attention, it's basically automatic at this point. So while she's smiling and nodding and giving the correct responses, she fantasizes about all the ways she could hurt him. Helena told her about this fascinating, barbarous pre-Empire procedure this morning - it involves an ice pick right through the eye socket. People sure were imaginative back in the day.
Her father's speech comes to an end, finally. "…but of course, you would never disappoint me, Adelaide."
She squeezes his hand, despite the mental effort it takes to touch him, and says her prescribed line. "Of course not, Father."
I am going to kill you one day, old man. It will be agonizing and so well-deserved, and you will not see it coming for even a second.
Addie gives him her most earnest smile. "You know how much I love you."
---
lizardwriting pinglist [ask/comment/dm to get on it]: @voidthing @ark-inkweaving @aalinaaaaaa @tales-from-nocturnaliss
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hiiiiiii happy sts, what is something cool you've thought of/plotted for the mortal god recently?
hehehehe, hi oli I've been evil >:3
mostly, i've been focusing on getting the structure of the plot to where i want it, like what like the midpoint and the climax, where i want the revelations to come in, in which order the allies are recruited, things like that
however, i've been giving a liiiiittle tiny itty bitty bit of attention to the point of no return, or what i lovingly call "the prophecy knocking down Aren's door". because, of course, Aren and the others caught the attention of the royals and thus got taken and in courteusly asked them to do their dirty work (find and kill the prophesied one) in exchange for a personalized something
thinking through plausible offers that Taradiel and Neisa will make to the people of the group has been quite the interesting exercise in character development and i'm going to break hearts and terrify characters :)
oh yes good i love the structuring things part of plotting. do u have a set structure u tend to work with or are you more flexible? i stick so rigidly to the 27 chapter structure but ik a lot of people just kinda put things in places and it works.
ofc you are going to break hearts and terrify your characters that is your favourite hobby i think. god the shit you've come up with in the past,, i am a little bit scared for these guys. pls be nice to them eventually.
i so mean this when i say it, but i could not be paid to work within a set number of chapters. not for a first draft at the very least
i don't think the plotting structure i use is an actual tried & true & named one. i've tried a bunch (three / five act structures, hero's journey, snowflake method etc) and i've liked parts of them but they never really worked quite well
so i do what i privately call the stress-point fill method. i note down my start and end, then together my inciting incident, midpoint and climax
then i add in my doorway of no return between inciting incident and midpoint and the step up (where the main character & eventual allies get ready to face the antagonist) between midpoint and climax
then a second round of fill-ins, i put my moment of reluctance between inciting incident and doorway, the finding footing between doorway and midpoint, the crisi between midpoint and step up and the darkest hour between step up and climax
so by the end of it, i end up with this sort of structure:
• start
• inciting incident
⋄ reluctance
◦ doorway of no return
⋄ finding footing
• midpoint
⋄ crisis
◦ step up
⋄ darkest hour
• climax
• end
these are my stress points, and they are woven together in layers because they hold up the foundation of the story. every other plot point fills in the gap between the stress points, but they are entirely secondary and subject to change compared to the stress points
also, hehehehe thank you, i'm so excited to torture these guys. i promise they will get breathers and fluff too tho. eventually <3
hiiiiiii happy sts, what is something cool you've thought of/plotted for the mortal god recently?
hehehehe, hi oli I've been evil >:3
mostly, i've been focusing on getting the structure of the plot to where i want it, like what like the midpoint and the climax, where i want the revelations to come in, in which order the allies are recruited, things like that
however, i've been giving a liiiiittle tiny itty bitty bit of attention to the point of no return, or what i lovingly call "the prophecy knocking down Aren's door". because, of course, Aren and the others caught the attention of the royals and thus got taken and in courteusly asked them to do their dirty work (find and kill the prophesied one) in exchange for a personalized something
thinking through plausible offers that Taradiel and Neisa will make to the people of the group has been quite the interesting exercise in character development and i'm going to break hearts and terrify characters :)
You said this, "no matter their own gender or the gender of their partner, couples of parents have the same responsibilities as a couple. how they divide those responsibilities is a private matter, as long as it's balanced, and parenthood in general is seen as a joy, a responsibility and the fullfillment of a partnership'
And I am curious what happens if they're not this. If they do not enjoy parenthood, are not being responsible, do not get along at all. Is there some legal recourse or is it societal, as in frowned upon but not punished?
hello!! happy to see you!
there is a lot of societal pressure to find a partner, marry and have children. childfree couples are rare and side-eyed and the source of many rumors but they're not hunted down (doesn't make it any less bad)
however the insane amount of pressure about having children is somewhat institutionalized, in that a partner refusing to have children is one of the three reasons a marriage can be voided in an extremely monogamous society (the other reasons being a proven unbalanced relationship and adultery). not divorced, divorce isn't really a thing. voided. as if it was never there
unbalanced relationship does ideally cover a bunch of nasty cases, such as abusive or absent spouses, but the problem is in proving them and that there's a lot more of an effort toward changing the behavior and saving the partnership rather than actually fixing things
really, the only clean cut to a relationship that there can be is if one partner wants children and the other doesn't, or if one partner cheats. and mind you, cheaters or partners that don't want children are heavily shamed, and a sort of "reimbursement" is expected of them
if your problem instead is that you have children and realize that you didn't want them or that you married someone but don't get along anymore, you're all out of luck. you could get out by cheating, or saying you don't want kids, and then deal with the repercussions of that. at your own risk. you would definitely have to skip town tho after the voiding, because no one will want anything to do with you in either a personal or professional setting
this precise societal ideology is actually what holds the main characters together at first. they're all outcasts by that standard. Aren doesn't want a partnership, they never have and never will and this is the one thing on which they refuse to bend down to societal expectations. Leta was married and she didn't want children and yes, her husband cheated on her but she didn't want children and that's the bigger offence. Rie isn't monogamous, xe's had multiple partners but xe always disappeared the second marriage was brought up. Cileida is completely uninterested in any relationship beyond one night stands so she has completely stopped even trying to have a friendship. and Yevoz and Lavir were expected to marry and adopt by the people around them despite their partnership being non-romantic and neither of them wanting kids, and the second people realized that they were no longer "really partners" and Yevoz is not treated as a widow
it's a horrible system with a lot of problems that second you exist outside the expectation, and it's not going to be fixed within the novel, but it's a system that influences and is challenged by the main cast and it's so so important to me how bad it is
What that means is I will be active for the hour, hopping into ask boxes with followup questions as I am able, while encouraging you to do the same.
Answering the questions tells me you are cool with this.
You may answer all questions via reblog, reply, hopping in my askbox or even reposting. Just remember the #writeblr and #writeblr live tags if reblogging/reposting so we can find ya.
We’re here to help rebuild interaction in the community, so get in there and have fun with it!
--
This is the promo post.
PROMOTE YOURSELF.
DO EET.
SHOW ME THOSE LINKS.
Hope you had fun and I’ll see you again next month!
i'm proud that i started plotting again! it's slow going, but The Mortal God is slowly taking form and i couldn't be happier about it. there's still a lot to do and plan and worldbuild, but the bases are coming along nicely and i can't wait to set my keyboard on them
What that means is I will be active for the hour, hopping into ask boxes with followup questions as I am able, while encouraging you to do the same.
Answering the questions tells me you are cool with this.
You may answer all questions via reblog, reply, hopping in my askbox or even reposting. Just remember the #writeblr and #writeblr live tags if reblogging/reposting so we can find ya.
We’re here to help rebuild interaction in the community, so get in there and have fun with it!
oh. hm. how interesting. putting the crew of The Mortal God in the world of Miss Peregrine would be quite wild actually. i do think they would adapt, mostly because they also live in a time of war and rapid technological advancements, but it would take a while. their main problem would be the time-loop shenanigans and the need for an ymbrine
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
✓ Live Streaming✓ Interactive Chat✓ Private Shows✓ HD Quality
Anya is LIVE right now
FREE
Free to watch • No registration required • HD streaming
What that means is I will be active for the hour, hopping into ask boxes with followup questions as I am able, while encouraging you to do the same.
Answering the questions tells me you are cool with this.
You may answer all questions via reblog, reply, hopping in my askbox or even reposting. Just remember the #writeblr and #writeblr live tags if reblogging/reposting so we can find ya.
We’re here to help rebuild interaction in the community, so get in there and have fun with it!
keeping to The Mortal God, lemme preface with this. in Restamir, there isn't much of a cultural difference between men and women beyond giving birth. the house work is the same, the duties as parents are the same, the job opportunities are the same. it's all culturally a matter of finding the balance (the Balance is such a big cultural thing)
if, for example, one parent gave birth and the other didn't, it becomes the other's duty to proactive in the care for the child(ren) and their partner. even rumors of your partnership being out of balance will result in social stigma
so really, no matter their own gender or the gender of their partner, couples of parents have the same responsibilities as a couple. how they divide those responsibilities is a private matter, as long as it's balanced, and parenthood in general is seen as a joy, a responsibility and the fullfillment of a partnership
now, in terms of dads, the most important one there is Taradiel Gande Mastiv, the king of Restamir. alongside his wife, he is the villain of the novel and he is the most doting and proud dad ever. both of them are, but i really cannot understate how much Taradiel adores his children
he personally taught their eldest, Princess Yahesmina, to ride, to fence, to fight with sword, lance, glaive and bow and how to command a room, and he has had her at his left in councils, meetings, war rooms and private conversations to have her learn the ropes of ruling. it is not rare for him to listen to his daughter before anyone else in the room (save his wife) and she has grown up bold and confident
their middle child, Princess Alisa, is closer to her mother as she has been learning magic from her, but Taradiel has been cheering her on from day one. in fact, he was the one to suggest she be tested for magical talents when he noticed her interest. he has spoiled her with books and tutors and artefacts and anything magical he can get his hands on, and he's been stacking the deck in her favor so she can become a cursebreaker (her dream) as soon as possible
and their youngest, Prince Doreno, is his treasure. there was a scare with his health when he was a newborn (entirely the prophesied one's fault in Taradiel's humble opinion) and he's maybe a little suffocated by all the attention security, and Taradiel and Neisa (his wife) are very careful about keeping him away from dangers, but Taradiel very much makes sure to always have time to train with him or to play music together
he is insanely dad-shaped and he really does want the best for his children which means the war will be during his reign, not theirs
What that means is I will be active for the hour, hopping into ask boxes with followup questions as I am able, while encouraging you to do the same.
Answering the questions tells me you are cool with this.
You may answer all questions via reblog, reply, hopping in my askbox or even reposting. Just remember the #writeblr and #writeblr live tags if reblogging/reposting so we can find ya.
We’re here to help rebuild interaction in the community, so get in there and have fun with it!
holding on to The Mortal God, the entirety of the main cast is some flavor of queer, the labels they would use are somewhat different, but i'll report them in modern-day terms
Aren, the main character, is aroace and a mess in terms of gender. they have presented as a variety of genders across a number of fake identities, but never really explored their own. that exploration and acceptance of their identity is an integral part of their character arc, as it happens at the same time as their acceptance of the other major factor of their identity, which is their power and duty as a chosen one. both identities that get a lot of pushback and either derision or persecution, which is why accepting them is a whole journey for them
Leta is straight, though not a fan of romantic relationships since her husband cheated on her with her superior's sister and the woman cursed her. she also already was a demi-girl, which is not the most accepted of identities culturally. then the curse intervened and fucked with its sense of humanity and its perception of itself. and because it now views itself as a monster and a tool of violence without capacity for emotion, do you think any sort of introspection about it is happening? no
Rie is pansexual and nonbinary, which is again not the most well-accepted identity everywhere. however Rie picked for xemself a rural place with strong druidic influence in which xe's the only medic for a bunch of miles. no one's going to be disrespectful to xem, and xe picked the place exactly for that even while still not expressing xemself to xir fullest. though it does mean that when xe allies xemself with Aren, the people are even quicker to turn on xem. it's part of xir character arc that xe stops worrying so much about what others will think
Cileida is a cis woman and fraysexual. out of the whole group, she is the one who usually gets the least amount of shit-talk about her identity, though some still get on her for not having a partner. something that had quite the effect on Cileida right alongside the abandonment issues: she fully identifies herself as a lone wolf and drives people away in fear that they may expect more, despite how unhappy she is with such a solution (though she will never admit it)
and Yevoz is asexual homoromantic, as well as boy-flux. it's a mixed bag how people react to them, despite them being very outspoken about when they want specific pronouns and gendered nouns to be used. a lot of the level of trust they put in people actually comes from whether they will use the correct pronouns or not. at the start of the novel they've kind of resigned themselves (in many things, not only this) and it's a time to get them to stand their ground again
What that means is I will be active for the hour, hopping into ask boxes with followup questions as I am able, while encouraging you to do the same.
Answering the questions tells me you are cool with this.
You may answer all questions via reblog, reply, hopping in my askbox or even reposting. Just remember the #writeblr and #writeblr live tags if reblogging/reposting so we can find ya.
We’re here to help rebuild interaction in the community, so get in there and have fun with it!
—
*Taglist for Writeblr Live Reminders, yell at me if you want on/off*
ayup, Aziren (or Azzy) over here! i write dark and epic fantasy, generally with an eye for interpersonal relationships and conflicts. my big wips (Revolve and Unearhtly) are currently on standby as i'm focusing more on The Mortal God, a gaslamp epic fantasy about a chosen one on the run from their prophecy and the mess they've made of it
and oh boy, the thing i'm most proud about in my genre? how do i even pick one, lol. i adore the sheer range of characters there can be, especially when you shift more into dark fantasy. the exploration of what morality means to different people in different situations is incredibly interesting to read
late submission for Flash Fiction Friday 360, event hosted by @flashfictionfridayofficial
WIP ⛧ Unearthly
Trigger Warnings ⛧ N/A
Rating ⛧ Gen
Wordcount ⛧ 1091
Zeno can't focus. He should be. It's important that he does so. So much so in fact, that his phone is in the drawer of the nightstand, on the opposite side of the room, and he muted the notifications from the computer. Even his headphones are unplugged, though he's still wearing them.
He should focus. Miss Bellone's tests are insane enough as is, and with how often she's name-dropped the interference spectrum the past couple of days it can't be anything but a hint. He's sure of it. Which means he needs to practice it, which means he needs to find exercises on it somewhere, because their book has close to none, and if he'll find them anywhere it'll be in the vastness of the internet. Which means he needs to focus.
But.
Grandpa's words ring a lythany in the back of his mind, echoed by the open tabs of research and news and the powerpoint he made with Andrea and Marti. It niggles at the back of his head, and then it drills. Like a physical fucking pressure. Or an itch that begs scratching. The cursor hovers over a news article.
Four weeks ago, a system malfunction in Lancetti blocked passante. Three weeks ago, a new spirit was stalking the technical cabin in Lancetti. And the spirit in San Siro only appeared, again, after the game.
Two is a coincidence. Two is still no rhyme or reason to how the spirits appear, and grandpa is right. But three would be a pattern.
No. He should focus.
…But there's that spirit they've been spotting all over, always running, always so fast they can barely notice it. But is it all over? Zeno has seen it ten times over the week, and it was always in the same areas, going in the same directions. If he can figure out why it's doing that, then they can know where to ambush it.
No. No, no, no, he needs to focus. Already last week Miss Bellone had looked at him over her glasses when he forgot to do the entire list of assigned exercises and tried to cram them into the break, and the shame still curls around his neck and burns. He can't fuck up this test. He opens up a new tab. Three minutes later he notices it's a maps tab, and that he's pinning locations on the streets of Milan, and he freezes. His fists clench so hard the nails dig into his palm, and the mouse almost creaks in his hand.
He forces a deep breath in, then one out. Then again. A desperate glance at the clock reveals it's still only half past five. He has time. Fifteen minutes won't hurt. Hell, maybe even twenty.
He sets a timer on the computer, then gets back to his pins. One near Duomo, one by Porta Venezia. Then into Sempione and City Life, and Ste mentioned seeing it by Lampugnano, running around the park. Not in it. And then again, and again, and again. Like a circuit. A long circuit. A race, not a jog. And going off the hint of the other two spirits, a big one.
Wasn't there that marathon Sara went to recently? Was that before or after the spirit popped up? New tab, new search — what was that race called? Oh, found it — and it confirms it was barely a day before the first sighting.
The timer goes off, and Zeno silences it without a glance. He just needs to get to the bottom of this. Five minutes. No more than five minutes.
The race's route isn't hard to find. Side by side with the map full of pins, it isn't hard to compare. There's empty areas, places they don't go to and so without pins. But for every pin he has… they track perfectly down to the route of the race. So many people, so many high emotions. Who won, who lost, who got hurt.
Two's a coincidence. Three's a pattern. A pattern that grandpa won't listen to, if he knows the man at all.
Frustration bubbles up his throat, and he breathes it out. There's no use in getting worked up. He shakes his hands out, working out the energy sizzling in his wrists. His eyes fall on the powerpoint, so easily accessible and with the full list of spirits Marti, Andrea and him have analyzed already. He just needs a couple more points of reference. Expand the dataset, as Marti would say. It shouldn't take long.
He clicks on the powerpoint tab, and starts going through the list.
Who's there that's similar to Lancetti and to the stadium? A protest near Loreto is followed by an angry spirit, leaving broken bins and cracked tree branches in its wake. Garibaldi got practically infested after the trains got delayed by hours. A park with a music festival had a spirit jumping about and singing for weeks. Someone knocks on the door, and he replies on autopilot, halfway down a rabbit hole on events in Navigli, and what might have caused the stroboscopic spirit. A new construction site in a residential area got a spirit that rattled the ground and split the night with screams. And then another, and another.
The deeper he goes, the more he finds, and these are only the ones they'd grouped together under category two. He'd probably find more looking at the other three categories, though probably different. The spirit in Porta Genova was different from all the other station spirits. What changed? he could probably find some–
A knock to the window pulls him out of his thoughts. He blinks away from the screen, and his eyes ache. When he looks over, he finds Diana on the balcony, pale against the night and still in hunter clothes. Oh. Oh no. He glances at the clock as he gets up, and stumbles on a dizzy spell. Two in the morning greets him back with a dry throat and hunger pangs. He smiles above them as he opens the window. «Everything okay?» he asks before Dia can even say hi.
His sister presses her lips together. «Okay. How long have you been there?»
«I was just about to go to sleep,» he says.
Dia gives him that look of 'I know exactly what you're doing, but I'll pretend I don't'. «Make sure you do that.»
Zeno watches her hop onto her balcony and go into her room, then turns off the computer and lights. His heart jumps at the desk. He forgot physics.
fandom: original work (ocverse - sugarmommy au)
rating: m
wc: 1,043
prompt: #fff360 stuck inside my head for @flashfictionfridayofficial
note: continuation of last week #fff359
---
The door opens, and I am already on alert, sitting up straight behind my desk. Amir shuffles past, murmuring something that sounds like 'Morning'.
"Morning," I greet him. "Coffee?"
"Please," he confirms with a yawn. He does seem like his usual slightly grumpy morning self, which is good? I think?
A few minutes later, I nervously make my way into his office with a big cup of black coffee in hand.
"Close the door on your way in, please," he says when I enter.
Aw shit, here we go. I put the cup down in front of him and ready myself for this talk I do not want to have. Fuck.
"Listen - are you about to fire me?" I blurt out before I can stop myself, and I already regret it a second later. Why can't I just shut up and let him speak first? "Because I really like working here, but I also really like her, so… please don't make me choose?"
Maybe I should have thought about this before I started dating my boss's ex-wife. On the other hand, I did think about it. It was literally my immediate concern, back when Addie first kissed me. Well, right after I managed to recover from said kiss. I figured it might be a bad idea, but I was so head over heels for her that I pushed those concerns aside for as long as possible.
"Fia. Relax, please," Amir replies, looking slightly amused about my little outburst. He takes a careful sip from his coffee, then gets up and walks around his desk, leaning on it. "We're good. Really. That's actually all I wanted to say, so things don't get weird around here. It's literally none of my business what my employees do in their free time. Or my ex-wife, for that matter. Just wanted to make that clear." He looks at me intently, repeating, "We're good."
Relieved, I take a deep breath, letting go of all the tension I was holding. "Good. I know it's a little awkward but-" I stop myself before I say something stupid, instead I murmur, "Thank you. I'm very glad you say that."
Now that Addie and I are official, I really felt like it was time to let him know, so she told him about us yesterday. And yes, she said he was pretty relaxed about it, albeit surprised - still, I've been obsessing over this talk all morning, imagining how it would go over and over, and every new iteration turned worse somehow, until I was convinced this could only end disastrously. That even though they separated amicably and are pretty good friends now, he would hate the fact that we're dating. I don't know from which depths of my silly brain that came from.
We smile at each other a little awkwardly, and I'm not sure if our talk is already over and I'm supposed to leave or not.
"It's just…," Amir finally says, searching for the right words. "Be careful with her, okay?"
Confused, I blink at him. "Careful how?" What is that supposed to mean? Is he worried that I'm going to break her heart? That's a little ridiculous.
"Addie…" He sips his coffee for a moment. "Addie always gets what she wants. Which is great - as long as that's what you want, too. But she has this way of getting inside your head and…" He rubs his face. "All I'm saying is, don't let her steamroll you into things you're not comfortable with."
I still have no idea what he's even talking about. "Like what?"
"Anything, really." He chuckles, looking at me. "She started improving your wardrobe yet?"
I stare at him, a little stumped. I didn't realize that was a regular thing for her. "Well, she bought me some things," I admit, crossing my arms in front of my chest.
Insisted on it, actually. Our wealth gap continues to feel a little weird to me, but Addie just earns so much more money, so right from the start, she was always the one paying for things, claiming that she doesn't mind at all. And supposedly, she really likes giving gifts to people she cares about. So by now, she has already bought me a few pretty dresses that were a little outside of my personal price range, and I am still trying to get used to that. My best friend Mika even called her my sugar mommy, which definitely doesn't help with the uncomfortableness.
"But she does have great taste," I add, a little defensively. Addie has a knack for fashion, and everything she picked for me looks pretty stunning, despite it not necessarily being my usual style.
"She does, absolutely," Amir agrees. "I'm just saying, you're allowed to decline sometimes."
"Noted." I frown at him, slightly uneasy. I'm not exactly sure where this whole speech is going - what is his point? Is he trying to talk me out of this relationship? Is this a jealousy thing after all? Because I really don't see what the problem with buying a few clothes for me is.
Amir looks at me silently for a long moment, then he rubs his face again. "I'm sorry, I don't even know-" He interrupts himself and takes a big gulp of his coffee. "You're a grown-ass woman, you don't need very unasked relationship advice from your boss of all people." I'm glad he realizes that it is indeed a little weird. "Blame it on being too damn early. Tell you what - how about we both pretend this conversation ended when I said 'we're good', and we never talk about this ever again."
"Sounds good," I nod enthusiastically. It definitely does.
"Great. Then back to work."
"On it, boss." He sits down behind his desk, and I make my way to the door. "Oh, Mr. Bradford wants you to call him back."
Amir sighs dramatically. "If you insist on ruining my morning, I'll reconsider that 'not firing you' part."
I laugh and make a face. "Sorry."
"Yeah, yeah," he chuckles. "Give me another hour to wake up properly, then you can put him through."
"Got it."
Yeah, I'm really happy I don't have to find a new job.
---
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