FLASH FICTION GRYPHON BAYby Scott Image by darksouls1 You know that famous song where the singer turns their collar to the cold and damp? Iā
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FLASH FICTION GRYPHON BAYby Scott Image by darksouls1 You know that famous song where the singer turns their collar to the cold and damp? Iā
Happy camper - published again in Mona's e-zine!

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if you are a parent, or may become one, or you are otherwise likely to arrive in the situation of caring for a child while they eat, promise me this: if a child doesn't like a certain food or food group, you will ask them WHY. and specifically, you will pay attention to either confirming or ruling out "it makes my mouth itch" or "it makes my stomach hurt," both of which are medically important info that children may not provide unprompted. which i know because this PSA has been brought to you by "i spent my entire childhood and much of my early teens eating peas and lentils while wondering why everyone else liked the Violently Itchy Mouth Sensation so much, like were they a bunch of legume masochists or something, before i finally realized that Violently Itchy Mouth Sensation was in fact a sinister demon appearing only to me, and her true demonic name was: Legume Allergy"
A cat needs no throne or crown,
Yet rules the house without a frown.
Grace in every step they take,
Love in every bond they make. š±

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The kittens love that dangly mouse toy. (I don't know if you can tell from this video, but it's a toy mouse attached to a bungy cord that attaches to the top of the doorway, and they're having a lot of fun with it. (I recommend NOT leaving kittens - or cats - unsupervised with this toy. I keep an eye on them when they're playing with it, and it goes into a drawer when I'm not around.))
āBible Verse:
āThou wilt keep him in perfect peace, whose mind is stayed on thee: because he trusteth in thee.ā ā Isaiah 26:3
Lord, guide me today and fill my heart with peace.
There are days when we wake up with many thoughts, many responsibilities, and many things pulling on our hearts. But before we carry the weight of the day, we can bring everything before God. His presence is the safest place to begin.
Peace does not always mean that life is perfect. Sometimes peace comes while we are still waiting, still praying, and still walking through uncertain places. The peace of God reminds us that we are not alone, and that His hand is still guiding every step.
When we ask the Lord to guide us, we are choosing to trust His wisdom over our own understanding. We are saying, āFather, lead me where You want me to go. Help me make the right decisions. Keep my heart close to You.ā
Today, may your mind be quieted by His promises. May your heart be strengthened by His love. May every fear lose its power as you remember that God is with you.
Let this day be covered in prayer, guided by grace, and filled with the peace that only Jesus can give.
In Jesus name, amen.ā
From: āDaily Breadā (FB)
Amen. š
Needing this.
Folk, Iām gonna vaguepost for a sec here, but itās an important one.
If you are in the United States and not employed by a zoo or sanctuary or a veterinarian working with a facility, if anyone for any reason offers to allow you to touch a big cat, please do not do it.
No matter how much you want to, no matter how much it is a dream, understand that it is a violation of federal law that could get the facility the cat lives at in very serious trouble. It does not matter if it is through the fence, or in the context of a trained behavior, or if the cat is on a leash. Even if it feels āsafeā or they swear the facility condones it.
Itās starting to appear that lots of zookeepers have not been informed appropriately about the scope of the law - or in cases where they do know itās inappropriate, they are sometimes being overridden by their management and forced to allow encounters. (Even at accredited facilities!)
We do not know exactly what the penalties could be for that happening within an accredited zoo (yay badly implemented laws) but it typically comes down to being risk to a) the catās welfare b) the facilityās ability to have any big cats at all and c) someone, either the facility owner or the person offering, could go to jail or pay serious fines. There are two instances of this happening at AZA zoos that were leaked recently and we may now find out how bad itās going to get for them.
Lots of facilities will have big cat pelts as educational biofacts that they will allow you to touch. You do not ever need to take the risk associated with touching a live big cat - generally anywhere, and especially in the US.
And for some reason, if you ever are in that situation and unethical enough to actually touch the cat? Donāt post it on social media and definitely donāt make that post public. š
I literally got to touch three different big cat pelts today in one zoo visit (didnāt take a photo of the lion one). You! Donāt! Need! To! Touch! Live! Cats!
The volunteer did not know where these pieces of pelt came from - they often donāt. Generally in the US they are either sourced from US Fish and Wildlife confiscations (as part of a collab for educational programs) or theyāre actually from previous collection animals. The latter is much rarer because itās pretty emotionally hard for staff, but it means you can touch them without worrying itās an animal you might have loved.
Iāve seen a couple comments in the tags suggesting zoos should trade biofacts from their deceased animals for educational purposes - itās a good idea, but a little more complicated than that!
Most of the animals people want to touch something from (elephants, rhinos, cats) are protected under at least one and sometimes multiple federal laws. Those laws extend to cover their bodies after they pass. States may also have additional laws regarding what can be done with the remains of endangered species or marine mammals. IIRC Iāve been told by keepers that some zoos canāt even keep chunks of elephant tusks broken off of live animals (this happens, sometimes) because of ivory laws. Even if theyāre just burying them on site, they have to keep detailed records to prove theyāre not illegally selling the remains of protected species. So itās a lot more complicated than just being able to keep and do whatever with the remains, even for businesses with all the right paperwork and compliance to own the live animals.
Next, youāve got to process the remains to turn them into a biofact that can be used. I donāt know of any zoo that does this themselves. That means theyāve got to find a credible business that can clean skeletons or process pelts, make sure they can receive the remains (laws often prohibit movement of protected species across state lines, even if not alive), and then pay for the process.
Sometimes other institutions have a claim on the remains that could preclude other options, too. I know of a number of facilities with agreements with major museums or academic research groups who will take remains to study them or prepare them for display. I donāt know if the zoo can overrule them and say theyād like to keep a specific animalās remains for other uses - probably very contract specific.
Then, right, you run into the same issues if you want to move finished biofacts between zoos. Thereās a lot of laws that govern what can move where and if money can be involved, and it can require a lot of paperwork.
You also have to think about the fact that there are extreme cultural differences across the US regarding if itās āokayā for zoos to use their animals that way. I grew up in the Pacific Northwest where the mentality is more⦠anti-exploitation focused? Even about good zoos. Let animals be animals, donāt commercialize them, etc. When I walked into a big Midwestern zoo a bunch of years ago and found a docent on the front plaza with an entire tiger pelt for people to pet - from a recently deceased animal that guests remembered - I was honestly kind of horrified? But after talking to a lot of people over the years Iāve really come to understand itās a regional difference that seems to parallel how prevalent agriculture and hands-on experience with farming or game animals is culturally. There are still some things that blow my mind, though, like the time I found an elephant education cart with an entire taxidermied ear being used for outreach, or the lemur leg a docent had that was preserved bone and fur and all to show off the grooming claw.
All of the complications - logistical, legal, cultural, emotional - mean itās much easier to get confiscated items loaned from US Fish and Wildlife to use for education. And this actually serves a second purpose! There is a massive warehouse in Colorado that holds a fraction of the illegal animal parts that USFWS has confiscated over the years. Iāve been and itās⦠incredible and horrifying and really, really full. They donāt want to destroy the items if they donāt have to, but space is finite. So loaning out items as biofacts is a really good solution. It makes space and it provides a clearly legal avenue for educational facilities to access preserved pieces of protected animals. I also feel like using confiscated biofacts honors the animals, in a way, giving a second meaningful purpose to an item produced through senseless commercialized death.
We know that people appreciate and care about animals more when they can see them and have meaningful āinteractionsā with them - and using biofacts people can really touch and experience is a wonderful, safe way to do that. I find most docents and volunteers donāt know where the biofacts theyāre using have been sources from, so itās hard to know if a pelt is a previous collection animal or a confiscation in the moment. Regardless, itās an incredible opportunity to understand an animal a little better (and much, much safer than doing so with a live one).

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Andrew Liptak at Transfer Orbit interviewed me about my upcoming art book!
Your first book was Worlds Beyond Time: what will this new book do that you couldn't do with that one?
Thereās a great Leo Steinberg quote: āAll art is infested by other art.ā My first book took a really close look at one slice of science fiction illustration (mostly book covers, mostly 1960s-ā80s), so this new one is pulling back to look at the web of influences that went into that era and emerged from it.
Iām covering such a broad area that itās going to be impossible to include everything, so Iām approaching it more like an art smorgasbord that jumps around between centuries and mediums.
Read the whole interview over here!
Original: https://www.tumblr.com/catmat/674558808557797376/can-we-just-take-a-second-to-acknowledge-how

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Ā "Grooming Male Leopard"Ā by Marius Coetzee
Art by Ed Valigursky for The Currents of Space by Isaac Asimov. Image from The New Visions: A Collection of Modern Science Fiction Art (1982)