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@antitheticaldreamgurl
Oh, god, there was confetti all over it. This is like when the cats taste something they're confused by

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And, baby, tha's show business for you.
That July ninth, the beat of your heart;
TAYLOR SWIFT — Behind the Scenes of the Fortnight M/V (2024)
Taylor Swift and Travis Kelce leaving the Chiltern Firehouse in London, England, UK (June 24, 2024)

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seeing taylor today literally think im gonna pass out
reputation bodysuit's 100th show!!!!!!!!!!
SABRINA CARPENTER Please Please Please (2024)
and i'm just getting colour back into my face i'm just mad as hell, cause i loved this place for (insp.)
confusing Odysseus and Orpheus is like confusing a liar and a lyre. send post

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The first time we hear "tell me something awful, like you're a poet trapped in the body of a finance guy" we laugh. How pretentious! We're sooo sorry for you (not!)
But by the end of the song? I can't help thinking it describes Taylor's situation. She is hugely successful, an incredible business woman alongside singer/songwriter. Her music is for consumption, at an astronomical scale. And throughout the album she talks about the inherent contradictions and difficulties that come with this. How her pain is sold and bought. Consumed and gossiped over. And yes, she has chosen to participate in that. But there's still a lot of tragedy in it because she's human, after all.
So, she goes to secret gardens in her mind. The only place where she doesn't have to perform, isn't being consumed. Where romance is real. Where being a princess is beautiful rather than cold and painful. Where the gentle survive.
The palace metaphor is key here I think. Young Taylor started out writing songs like a diary or daydream. She dreamed of sucess, romance, beautiful dances and dresses (see love story, enchanted, today was a fairytale). Like being a princess! But as she's gotten older she's realised that a palace is in reality a very lonely and cold place (It was freezing in the palace) There is no romance and the love you want and receive isn't real - from suitors or from the public. We see this really clearly also in castles crumbling. And that hurts a lot!!
So - maybe it is awful to be a poet trapped in the body of a "finance guy"
Anyone remember standardized testing analogy questions? Well my analogy is that:
Little ttpd: Matty :: Lavendar Haze: Joe
Both songs are Taylor trying to make the best of a less than ideal situation and pretend she’s happy in her relationship when she’s not.
In little ttpd everything she’s describing sounds kind of awful. Matty is pretentious, he’s getting super high and passing out, he’s self sabotaging, he’s filled with dread, but she chose this cyclone. She is trying to convince herself it’s worth it because she is clinging to the fact that they GET each other and he’s saying he’s gonna marry her, so she’ll have to take the bad to get that. But in retrospect she describes it as him showing her off in public and then sinking into stoned oblivion and treating her like an also ran.
Lavender haze is her again trying to reframe things that aren’t really working for her to be positives. “You don’t ever say too much” and “you don’t ever read into my melancholia” are presented as good things but also later she describes him being quiet as “quiet resentment” and “quiet treason” and a safe she can’t crack. And talks about how she was doing terribly mental health wise and he didn’t even notice (my face was gray but you wouldn’t admit that we were sick). She calls the expectation of marriage “1950’s shit” and says she just wants to stay in the lavender haze, but then “died on the altar waiting for proof” that he loved her.
THE ERAS TOUR May 13th - Paris, France
thanks, I hate this
ALL EYES ON RAFAH YOUR VOICE COUNTS

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1/2
a poster for each era ✨
the eras tour + new surprise song dresses (x)