Word of God/movie backstory aside, it suddenly came to me that there is one other gap of knowledge that has probably contributed to a significant part of the alienation between Touga and Nanami, and it's something that existed throughout all of Nanami's life, so it's given that she wouldn't truly notice it: Touga knows they're adopted, Nanami does not. I think that makes a big difference.
Touga's backstory is bound not to be the exact same as the movie (After all, Nanami isn't even there with him), so I'll let myself speculate a bit. Their biological parents could have died, they could have abandoned them or sold them, or the siblings could have been removed from their care, and unless Nanami was brought in later to wherever Touga was, it's safe to assume that he spent at least 5 years with his original parents. He has memories of a different family, and of losing that family. Nanami doesn't even know about any of it. She doesn't realize there is a side of her brother that she never got to meet.
"Blood" is very important to Nanami. Blood is what Nanami uses to try and reassure herself that the parents who are cold and distant to her, and the brother who's grown cold and distant too, have an eternal unbreakable bond. It's very brittle though. Nanami constantly fears being replaced, discarded or harmed by her family. Most often by Touga, who ironically, happens to be her only blood relative there.
Her anxiety can be very easily explained by her experiences with how she was treated growing up in the Kiryuu household, but I do wonder if there's some subconscious parts of her that tap into these knowledge gaps too. I already felt like it was there, in the way her love for her brother is as protective as it is possessive, and how to protect him from harm, be it real or perceived, she can go feral, often shooting wildly at whoever she thinks is to blame, always hitting the wrong targets; and so maybe, I thought, it is possible that her anxieties are also tied to these repressed early childhood memories. Ones of once having a family, and then losing that world, being thrown someplace unfamiliar. Vague mostly forgotten memories fueling her fear of abandonment, working like a constant little nagging at the back of her head signaling to her how little blood ties really matter in the end.
"Blood" doesn't matter to Touga in the same way. He doesn't hold into a rose colored view of it. He knows by experience how easily those ties can be severed, how fickle they are. That's why when he found a little girl in a coffin, a little girl who spoke of there not being anything eternal, of how those you care about are bound to leave you, and questioning what's even the point of living then, he couldn't give her anything. He couldn't save her. He didn't know the answer for himself either.
A correction: When I first wrote this, I wasn't sure of how much of Touga's movie backstory to assign to his series counterpart, but now, although I still believe there are differences between the two, I do subscribe to the idea that Touga in the show (along with Nanami in this case) was also sold by his parents to the Kiryuu family.
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Anyway I never watched The Magic School Bus as a kid. Just found out about the salmon episode. Damn cartoons were really just doing anything back then.
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See this? This is the trap. This is how they get you.
You appeal to outrage and emotion, you make a bold statement like "sex offenders don't have rights" and whip up that righteous anger, get people all thirsty for blood and punishment, right? And that's their foot in the door. Once you've decided that there's a class of people it's okay to do this to, there's no clean line in the sand anymore, is there? Now chemical castration (or whatever fucked up shit you wanna bring into it) is an option on the table.
This is how fascists talk, this is how fascists think, and this is how fascists appeal to you to get what they want. Because once you've given them that inch, they can use it to take a mile.
The second they convince you that there’s a class of people that don’t deserve rights, they can make you believe that anyone they want you to hate is a part of that group. Why do you think they insist so much that gay people were sex offenders? Trans people pedophiles? Black people rapists?
in the uk in particular the line is that if a trans person doesn't out themselves before sex - even if they're bodily indistinguishable from a cis person when naked - that's 'sexual assault by deception'. you know, a sex offence.
i do not think people deserve chemical castration for anything, corporal punishment is fucked, and just blithely saying 'sex offenders' when the country already thinks 'trans people exist' is a sex offence like. come ON.
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I think I might actually be too woke for Hoppers...
Which is weird for me to say considering a movie doesn't need to be progressive for me to like it, but with this movie in particular it just landed as unsatisfying to me.
...
And I actually think Turning Red and Luca are better than Hoppers, it's funny how so many people think differently lol
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