@thelordofshrimp HELLO I am your secret santa! Late but truly in earnest. Here's your gift for the @rrversesummerbang gift exchange: A Valgrace snow day!
6,052 words | 1/1 chapters
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Excerpt:
This time, when Jason climbs up and settles into place on Festus's back, the question of what to do with his arms (and hands ) arises, and Jason does have second thoughts. And third thoughts. And fourth, fifth, and sixth ones, too. Jason eventually settles for placing his hands on Leo’s shoulders—definitely the wrong choice, because it immediately feels awkward—but he doesn’t know what the right choice is, so his hands are there to stay for the duration of their flight.
This particular problem has been plaguing Jason for weeks.
Four weeks since Leo turned his entire world upside down by confessing his true feelings to Jason.
Three weeks since Jason managed to wrap his mind around the fact that he definitely feels the same way about Leo.
Two weeks since he figured out how to put those overwhelming, fireworks-on-the-fourth-of-July feelings into words and told Leo.
One week since he worked up the nerve to kiss the boy he loves more than anything.
And all the while, the only thing Jason’s been certain of is that he now has no idea what the protocol is when it comes to touching his best-friend-turned-crush-turned-boyfriend. Even the achingly familiar task of sitting on Festus has been transformed into uncharted territory.
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Mr. Collins would be such a fan of ai. He would love it. He would have it write scripts for him to use for complimenting people. He'd ask it what to do in social situations and then when someone would tell him "I think that's a bad idea" he'd be like "my dear madam it's so good of you to be concerned but I think the highly esteemed Grok knows a little more about this than a lady like yourself" and then he'd go humiliate himself publicly.
part of the reason i love mean, bitchy, rude, domineering, firecracker female characters and loathe seeing them defanged is because the prickliness repels men and the defanging is ALWAYS to make them more fuckable for whatever man they have a weird sexual tension with. like yeah i don't like the Mean Lesbian stereotype either but at least the mean lesbian isn't shelving her career to become a tradwife after spending however many episodes/chapters/issues saying how much she didn't want to do either of those things
i will take twenty mean women being headcanoned as lesbians solely on the basis of how fucking toxic they are before i will take ONE formerly mean woman suddenly being sunshine and rainbows in the arms of a man she should be slapping across the face
and maybe this isn't revolutionary of me at all but in addition to being perfectly fine with the mean lesbians i also just want to see more female characters who are genuinely Married To Their Work. not in that she doesn't have time for dating but wishes she did, i mean that she genuinely gets all the fulfillment she needs from the satisfaction of a job well done and the socialization she enjoys in the process of doing her job. and it can be any kind of thing that keeps her busy, not just modern formal 9-5 employment; "passion" and "calling" also work here instead of "job". female characters are never allowed to loiter around unfucked, especially not if the male lead wants a piece of that (and even if the male lead getting a piece of that would completely derail everything she has going on). like oh my god can just one chick win an employee of the month award and not have to immediately suffer some sort of cisheteronormative penance for it
the thing is, as much as i want to hate the stereotype for its real-world implications, i'll only be able to stop finding catharsis in the fictional(!) Mean Lesbian when i stop feeling alienated by the mainstream reduction of female characters to sexdolls and housemaids.
anyway, in light of recent developments, i'm briefly returning to this post to give a hearty congratulations to both eva "scapegoat" stratt and captain ava iron lung for each winning the Mean Lesbian Employee of the Month award. your names' allusions to the biblical eve are not lost on me and i too agree that eve did nothing wrong. i do think it's feminist praxis for an intimidating, glowering, nonsexualized woman to seal a crying man inside a metal box and not let him back out
Albert was such a fun and sweet character, man. he ran from Seoul to meet a brother he had never talked to or actually met before, blindly trusting that they'll be fine because they're brothers and because he believed Chim was good and cool. wanted to get along with all of Chim's friends because he's never had a group like this before, his idea of a family was more rigid and smaller, and seeing the family his brother had found made him want to find it too. became roommates with Buck, huffed and puffed about it teasingly but always was a solid friend who actually liked Buck. opened up to Maddie and became her friend too when she wanted to talk, never taking sides in any conflict and instead trying to have both sides' back. tried to follow his brother's career path, gave his best, and then followed something new when he knew he needed a change. he had his own desire for his family to reconcile and he was stubborn in his own way and he was loving in every way he could try too. buckley-han family had two pairs of siblings and it will always be special to me
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ahhh so you're shown to be capable of recognising that people's trauma can make them act irrationally and unpleasantly! you recognised it in the white man! can you also recognise it in the brown woman? no? she's mean and bitchy and uncaring? i see
finally watching oscar winning critically acclaimed movies and thinking damn this movie is good they should give it some kind of award for how good it is. has anyone heard of this. could be big.
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under-discussed opportunity for off-screen development is the fact that they tell us buck called their parents to inform them of doug's passing because it raises so many more questions than it answers... when was the last time buck or maddie talked to them.... did they know she was living in LA.... that she left doug.... did she have to ask them at some point in her trip across country to not tell doug where she was if he came looking for her.... how much did buck have to explain and how hard did he work to keep as much of it as close to his chest as possible because maddie was still in the hospital and he didn't want to take her story out of her control.... do you think that the conversation crosses a line past tense and buck blames himself in the aftermath for why they don't show up to check on maddie and help her in her recovery.... does the case reach national news and if so how do the people who hid a son from the world for 30 years cope with the people in their community getting this window into a different major family trauma... literally the possibilities here are endless for buckley family weirdness and i am chewing on all of it....
"You make it sound like something out of a soap opera, Evan. Like your sister was in hiding from her husband."
"She was," Buck says. He doesn't have to lift a hand to cover his face against the grimace deepening the tension headache he's been suffering from for what feels like days, now. He's already on the floor, an elbow propped on a knee, and his face half buried in a palm so he doesn't have to look around at Maddie's apartment-- everything carrying the faint aura of having been searched over by cops. "She wasn't safe with Doug, that's what I said. That's why this happened."
"I just…" she makes a sound that sends him reeling back in time, makes him smaller, makes him young, "I wish you would just be more clear. You're being so vague-- Maddie is safe and Doug is dead, but what actually happened?"
"I already explained," he grits out, presses the heel of his hand more firmly into his left eye where a steady, sharp pain just won't quit. "Maddie filed for divorce so Doug was able to find her. He kidnapped her, Mom."
"I think what your mother means," Phillip speaks up, his voice steady through the phone, just with slightly more distance between him and the receiver, "is that we don't understand how it ended with Maddie okay and Doug dead. We're confused about what happened in between. How does something like that happen if he was-- Well, he took her somewhere I presume, but--"
"He took her somewhere secluded," Buck says, "specifically to kill her."
He's blunt, perhaps too much so, but he's been on the phone with his parents for longer than he's spent on the phone with his parents maybe ever, and he has this stabbing headache and he still hasn't gotten enough sleep, even though he had the place to himself last night.
Eddie had to pick Buck up from the hospital after he finally got Maddie settled, after she made it clear that dragging her away from Chimney would do more harm than good for both of them. Eddie had to pick Buck up because not only was his car not there, but also by that point his vision was tilting and his level of exhaustion would have made him a drunk driver in all but name.
Buck's insistence on coming back here to where his car is parked and he could pack some of Maddie's things up for her rather than taking the offer of Eddie's couch, however, means that he has to be here. In this place. Blood on the concrete just beyond the door.
"Evan," she says his name in the tone of an admonishment, an old familiar adage on the lips of Margaret Buckley.
"He did. That's what happened. I don't know what you want me to say."
"Don't-- You don't have to be angry," she sounds weepier, now, with a thickness to her voice. "My daughter was almost-- You could be kinder, how you explain it."
"Well, you didn't like when I was being vague," Buck mutters. He's not sure whether they hear him or not, a murmur of their own just barely audible on the other end of the line.
They've always been like that, to a certain extent. The tendency to lean on each other, to rely on each other, even when doing so meant neglecting being there for their children. Buck has never quite been able to wrap his head around it, given the fact that they can be good with kids when they want to be. They're teachers, so it must be something about their kids specifically.
"How did it get this bad?" Margaret pleads. "We knew he wasn't right for her, but to be that violent? To actually hurt her?"
"We couldn't have known," Phillip says, clearly for her benefit, once again, rather than Buck's.
Buck who was the one Maddie came to when she finally got out. Buck who chased her halfway across the state when it all went wrong. Buck who watched Chimney nearly bleed out beneath his hands one minute and held Maddie's own collapsing body in his arms the next.
They couldn't have known? They couldn't have seen it? This is the thing that really breaks him, on the floor of the kitchen so he doesn't have to look at the living room where he found her abandoned phone and wallet, where he realized what had happened, when he recognized that it was coming to pass, the very thing he knew-- the whole damn time-- was the greatest thing to fear.
"You could have," he tells his parents. "You should have. You should have known."
"You blame us?" Margaret, still crying, asks. "We didn't even know she was in California. With you. Our own children, not bothering to keep us in the loop--"
"You took yourself out of the loop!" Buck exclaims, something like bitter laughter coloring his breath. "You cut her off the second she got engaged! I mean, I know-- I-- I know that Doug was a master manipulator. Men like him always are, right? It's the reason I didn't get to talk to my sister for three years. But he didn't even--" another bark of laughter, "have to lift a finger with you two! You took yourselves out of the equation without any interference. He would've killed her. He almost did. She was-- she was bleeding so much--"
"Stop! Stop it," she cries. "Why must you make everything so much-- so much scarier? Why do you have to embellish like that? With the violence of it?"
"Did you think it wasn't violent?" Buck questions in disbelief. "He wouldn't be dead if she hadn't had to protect herself like that. He made it so that only one of them was going to walk away and all that matters is that it was her. How would you prefer I explain that?"
"Oh, oh, I just can't. I can't with you. Not right now. You take bad situations and you make them so big, Evan. You make everything so much bigger than I know how to carry and I just can't-- Phillip will you--"
The fumbling of the receiver, crackling with movement, and their voices are less hushed this time but he can't make out what they're saying all the same. She's walking away, which he should have expected, but his chest clenches with a searing guilt to match that in his head.
They'll never come, now, even if Maddie were to ask. He's ruined it for her, for all of them, because there's no chance that their mother is getting herself together quickly enough to be here and be a support system. That's just not how Margaret Buckley works. She breaks down easily and builds back up with so much effort, so much time.
Give me time, she always begged of him when he got on her nerves and drove her to crawl back into bed in the middle of the day. Give me space, Evan, please.
"I wasn't trying to make it…" he trails off, when he hears Phillip raise the phone to his ear, the noise shifting and changing now that he's no longer on speakerphone. "I just didn't want you guys to find out from-- the news, or something. I thought it would be better coming from me."
Phillip hums out a sound of understanding, or maybe just acknowledgment. The room is spinning again and Buck should go back to sleep. He really shouldn't drive himself to the hospital like he was planning, but maybe Eddie would be willing… if he asked…
"I thought it would be better," he repeats, "coming from me."
"Well, son," his father sighs, "I suppose I can appreciate that you believed that."
not only is he a movie-only character, but it was supposed to be a tiny part. the actor, Lionel Boyce, was originally hired for just 1 day of filming! according to his interviews & the directors commentary, he got along so well with ryan gosling & everyone that they just kept writing scenes for him and he was on set for a month
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