Now I'm Learning German

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In the pleasure-hungry Berlin of the 1920s, theatres vied for attention with spectacular variety shows. Chorus girls in scanty costumes provided an erotic touch. As links in the chain of swinging legs, they were usually depicted as a type, not as individuals. But the two women in “Chorus Girls” by Jeanne Mammen (1890–1976) could hardly be more different. The artist centres on their weary faces, sallow skin and garish lipstick. The real attraction – the dancers’ long-limbed bodies – are only visible down to the breast. They pause for breath, no trace of glamour here. Mammen, a free-lance artist and a prototype of the emancipated “New Woman”, often highlighted female clichés of the day. The chorus girl in front has the facial features of the artist. The figure behind resembles her sister Mimi. [quoted from Berlinische Galerie]

No, but real talk: my German Skype partner is currently fundraising for her friend, a single mother and healthcare worker who needs a stem cell transplant. If you’re able to share or donate, it will be incredibly appreciated. Here is the link: https://www.facebook.com/donate/222074676443393/5663845030353885/ 

- Pia Klemp, 20 August 2019

Sigmar Polke and Gerhard Richter in the bathtub, 1966

Sigmar Polke (German, 1941–2010), Streifenbild IV, 1968

Franz Kafka (Die Verwandlung)