Everytime I see this comic I always feel a bit happier
This is so important. So so so so soooo important. Seeing people that look like you being displayed in their truth and being exalted changes your life.
Today's Document
Xuebing Du
I'd rather be in outer space đ¸

gracie abrams

shark vs the universe
Aqua Utopiaď˝ćľˇăŽĺşă§č¨ćśăç´Ąă
h
Noah Kahan
sheepfilms
macklin celebrini has autism

oozey mess
ojovivo

tannertan36
RMH
hello vonnie
Mike Driver
tumblr dot com
Game of Thrones Daily
we're not kids anymore.

seen from United States
seen from Germany

seen from United States
seen from United States

seen from United States

seen from United States
seen from United Kingdom

seen from United States

seen from T1
seen from United States
seen from Canada

seen from United States
seen from United States

seen from United States

seen from Finland
seen from United Kingdom

seen from Belgium

seen from United Arab Emirates

seen from United States

seen from Singapore
@angelic-hippo
Everytime I see this comic I always feel a bit happier
This is so important. So so so so soooo important. Seeing people that look like you being displayed in their truth and being exalted changes your life.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
lrthreads replied to your photoset âFireplace Hanging South Germany (1571) Okay so this thing isâŚjust soâŚâ
Thatâs embroidery, using the couching technique. The Bayeux Tapestry is probably the most famous surviving example, but it was popular in Germany too IIRC. And extremely popular for ecclesiastical vestments.
I totally see what you mean. Iâm just wondering like, if the faces/bodies are quilted on or something? Iâm sincerely asking, I really have no idea.
And to be fair to the technique, The Bayeux Tapestry at least is slightly charming:
This, however, is not so much:
Also ^^ like, you see what I mean? Do you think this might be like, quilted on there?
These replies!!! *heart eyes*
@randomproxy the keyword to look for is âstumpwork.âhereâs a link to a less spooky example (sorry, on mobile): https://s-media-cache-ak0.pinimg.com/736x/8e/81/a1/8e81a175067df2d72051e249526f5679.jpg
@jeanninedupree That looks like trapunto to me.
@slythwolf looks to me like a padded applique of some kind
@lrthreads At least some of it looks like it could be applique ⌠but itâs somewhat hard to tell if some of the faces are worn embroidery. And thanks to the person who came up with stumpwork ⌠I knew there was another term I was spacing on but couldnât find it with a quick google.
@darthmelyanna Seconding the trapunto suggestion. Itâs basically padded appliquĂŠ.
@ardatli Confirming the suggestion of padded stumpwork / trapunto. It was a huge fad in the 16th century and carried on for a while after that.
@flintandpyrite Definitely trapunto. It can be a very charming technique when not depicting NIGHTMARES.
@mabith Adding to the agreement - Itâs not quilting, but padded applique, and stumpwork. Trapunto is padded, but also generally referred to with quilting and nothing about the piece is quilted, so I wouldnât use that term.
@thewynne Iâm not an expert by any means, but if I had to guess Iâd say they look appliqued? Applique quilting is a thing, where you sew different pieces of fabric on top of a base sheet to make the quilt top (as opposed to sewing all the pieces together like a jigsaw puzzle for one layer), but âquiltingâ itself refers to sewing the various quilt layers together (front, back, and padding), not just making the top. The diagonal strings behind the figures look like theyâre supposed to imitate quilting,âŚ
@stylishanachronism Looks like a combination of trapunto (where batting is layered to create depth) and appliquĂŠ, with vouching and French knots for the features.
@fermentedsugar OO I know this!! This looks like a blend of Trapunto and soft sculpture. Trapunto is where you place a thin piece of cloth on the back of your embroidery and outline whatever image you want stuffed, going through your main cloth and the cloth in back. Then you make a slit in the cloth in back and stuff it full of filling and whip stitch it up to create a 3D effect. The face looks to me made out of a combination of soft sculpture (like trapunto, only this time the fabric shape of the face isâŚ
@fluffybunnyremi Thatâs an appliquĂŠ, so itâs a piece of fabric thatâs been overlaid onto the ground fabric. Part of the problem of lrthreads comparing it to the Bayeux Tapestry is that itâs two completely different traditions of embellishment and embroidery. AppliquĂŠ is weird, and thatâs what this looks like for the vast majority of the bodies, though the faces look like a mix of embroidery and appliquĂŠ, with the base being the appliquĂŠ, and the details being embroidered on with a split stich or somethingâŚ
@optia If it wasnât German, Iâd be calling it raised work or stumpwork. It was pretty popular in England during Elizabethan/Jacobean times: http://heritageshoppe.com/raised-work-stump-work/
@latining It looks like quilting or possibly needle-felting. The image in the hat and beard looks like itâs made of leather, which contrasts with the waxed flax(?) thread of the stitches.
@peoriarhetoriapeoria That looks like applique for the body with some sort of stuffing. Canât tell if the beard is french knots.
@clothofkings It looks to me like it mostly was cut from fabric and appliquĂŠd on with stuffing underneath. But the face is more complicated? Clearly stitching is done on hat and hair for texture. And stitching on the face, but Iâm not sure of the stitching helped to shape the face, or if itâs just on the surface.
Thank you, textile tumblr!! <3
So, textiles are notoriously hard to preserve. It looks to me like part of the grotesqueness is that the faces are flattened, possibly because of being stored folded up or otherwise with weight on top of them? Also, I agree with the folks suggesting a combination of applique and embroidery. I actually think it looks pretty dang cool, minus the squished monster-faces.
@HamiltonMusical: Tonight, VP-Elect Mike Pence attended #HamiltonBway. After the show, @BrandonVDixon delivered the following statement on behalf of the show.
Captions:
âWe have a message for you, sir. And we hope that you will hear us out. I encourage everyone to pull out your phones and tweet and post, because this message needs to be spread far and wide.
âVice President Elect Pence, we welcome you, and we truly welcome you for joining us here at Hamilton: An American Musical. We really do.
âWe are the diverse America who are alarmed and anxious that your administration will not protect us,
âour planet, our children, our parents, or defend us, or uphold our inalienable rights, sir.
âBut we truly hope that this show has inspired you to uphold our American values, and to work on behalf of all of us.
âAll. Of. Us.
âAgain, we truly thank you for sharing this show. This wonderful American story told by a diverse group of men and women of different colors, creeds, and orientations.â
Yâall, take notes, this is the perfect example of why tone policing and respectability politics is B.S.:
Hamilton Cast: *literally thanks Pence for showing up, asks that the administration treats marginalized people like human beings*
Donald Trump: Our wonderful future V.P. Mike Pence was harassed last night at the theater by the cast of Hamilton, cameras blazing.This should not happen! [X] The Theater must always be a safe and special place.The cast of Hamilton was very rude last night to a very good man, Mike Pence. Apologize! [X]
Trump supporters: #BoycottHamilton !!!!1!!!!
This situation would be funny if it wasnât so sincerely terrifying
In the next couple days / weeks / always, Iâd like to remind people to check the sources and dates of articles theyâre sharing/reblogging. Misinformation spreads via clickbait titles on disreputable/non-news sites, or old articles with relevant titles but out-of-date information.Â
This is, at best, extremely frustrating and at worst, very very dangerous. There are people out there, for whatever reason, who are taking advantage of public sentiment and creating false news stories that play to our worst fears. Every time you share a false news story, you make it less likely that people will believe the real ones that come after them.
Please check your sources. Donât help spread misinformation.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
An interesting observation from our project: Most of the submissions we received from May-Nov 2016 were from angry white people about how non-whites pointed out their racism. (Which we did not post because they are not microaggressions.)Â
DEAR RESEARCHERS OF TUMBLR
You know whatâs awesome? Research. You know whatâs not awesome? Not being able to get access to research because itâs stuck behind a paywall and you donât belong to an institution/your institution doesnât subscribe to that particular journal.
FEAR NOT.
Here is a list of free, open access materials on a variety of subjects. Feel free to add if you like!
GO FORTH AND LEARN SHIT, MY FRIENDS.
Directory of Open Access Journals- A compendium of over 9000 journals from 133 countries, multilingual and multidisciplinary.
Directory of Open Access Books- Like the above, but for ebooks. Also multidisciplinary.
Ubiquity Press- Journals covering archaeology, comics scholarship, museum studies, psychology, history, international development, and more. Also publishes open access ebooks on a wide variety of subjects.
Europeana-Â Digital library about the history and culture of Europe.
Digital Public Library of America- American history, culture, economics, SO MUCH AMERICA.
Internet Archive- In addition to books, they have music and videos, too. Free! And legal! They also have the Wayback Machine, which lets you see webpages as they looked at a particular time.
College and Research Libraries- Library science and information studies. Because thatâs what I do.
Library of Congress Digital Collections- American history and culture, historic newspapers, sound recordings, photographs, and a ton of other neat stuff.
LSE Digital Library- London history, womenâs history.
Wiley Open Access- Science things! Neurology, medicine, chemistry, ecology, engineering, food science, biology, psychology, veterinary medicine.
SpringerOpen-Â Mainly STEM journals, looooong list.
Elsevier Open Access- Elsevierâs kind of the devil but you might as well take advantage of this. Mainly STEM, also a linguistics journal and a medical journal in Spanish.
This morning, my professor handed me back a paper (a literature review) in front of my entire class and exclaimed âthis is not your language.â On the top of the page they wrote in blue ink: âPlease go back and indicate where you cut and paste.â The period was included. They assumed that the work I turned in was not my own. My professor did not ask me if it was my language, instead they immediately blamed me in front of peers. On the second page the professor circled the word âhenceâ and wrote in between the typed lines âThis is not your word.â The word ânotâ was underlined. Twice. My professor assumed someone like me would never use language like that. As I stood in the front of the class while a professor challenged my intelligence I could just imagine them reading my paper in their home thinking could someone like her write something like this? In this interaction, my undergraduate career was both challenged and critiqued. It is worth repeating how my professor assumed I could not use the word âhence,â a simple transitory word that connected two relating statements. The professor assumed I could not produce quality research. The professor read a few pages that reflected my comprehension of complex sociological theories and terms and invalidated it all. Their blue pen was the catalyst that opened an ocean of self-doubt that I worked so hard to destroy. In front of my peers, I was criticized by a person who had the academic position I aimed to acquire. I am hurting because my professor assumed that the only way I could produce content as good as this was to âcut and paste.â I am hurting because for a brief moment I believed them.
âAcademia, Love Me Backâ by Tiffany MartĂnez
Reading this article this morning crushed my heart. Being entrenched in academia, youâre never, ever allowed to forget that youâre someone âlike thatâ, when youâre a marginalized student having to work three times as hard to be considered half as accomplished.
To dedicate years of your life and tens of thousands of dollars you might not even have just for the chance of achieving your dreams, only to be told in a thousand tiny ways that someone like you never really belongs, doesnât deserve, isnât capable, canât really, or just plain isnât real. Itâs not just a hostile environment, itâs an incredibly traumatic experience. I know because that was my experience.
Thereâs a reason I completely changed my academic goals from professor to disability services staff. It was one of the only ways I saw to actually help students and teach them, instead of punishing them for failing to be a specific *type* of person, with a specific set of circumstances.
So many people in both my personal and professional life I have seen wounded, staggering, burning out and falling down because academia was designed to make sure âpeople like themâ donât make it. From something like required classes being scheduled sequentially (class 1 in fall, class 2 in spring, class 3 in fall, class 4 in spring), which sets up transfer students for hardship and failure, to professors who see disability accommodations, which are required by federal law, as âcoddlingâ, supported by institutions that become suddenly disinterested in retention rates when we talk about ânon-traditionalâ students.
This structural hostility is only bolstered and strengthened by having to wake up every day tensed against the next microaggression, the next accusation of plagiarism (because how could someone like you create anything worthwhile?), the next lecture that canonizes stereotypes about you, or the next argument that yes, you really DO need extended times for test taking, and the professor really DOES have to send your exam to the disability services office.
And the worst part of the whole mess is perfectly captured by the author above: you begin to believe the way you are treated is justified. You doubt yourself; you wonder if something about you really is so wrong, so inept, and so obviously less-than, that everyone but you can see it. You dismiss your own strength and skill sets, you begin to wonder why you ever thought someone âlike youâ could ever succeed. Itâs a dehumanizing experience, and it exhausts you to the very soul. It doesnât just tear you down, it tears you apart.
I posted this set of tweets yesterday:
[two tweets read: Doing this on social media is a lot like trying to give a lecture while people behind you are sucker punching you at random intervals. BUT. Doing this in academia is literally same sucker-punch scenario while wearing a muzzle and standing *outside* the building.]
This is *still* true for me. I do travel to give talks and make presentations at conferences when itâs possible for me, but why are literary and fandom/media conventions so much more accessible (on almost every level) than academic ones? Each time I reach out, itâs another taste of the same experiences that drove me from a strictly academic career track in the first place.
To make education and information truly accessible, not just for people deemed worthy by the powerful but for ALL people, there needs to be a radically different approach to changing the way we do things, and the way we acknowledge and assign âexpertiseâ. The amazing part of that proposition, to me at least, is that we now have the tools to do so. Open access, digital archives, databases, and discourse with those who are fluent in these methods make it possible for everyone to join their voices with the overall narratives of educators and educated.
We have the tools to do better. So letâs do better, together.
(via medievalpoc)
La huella cultural de los negros esclavos en EspaĂąa es indeleble: El documental âGurumbĂŠâ acaba con siglos de silencio de la impronta artĂstica africana
If you can read Spanish, this is a very interesting article about a documentary illustrating the cultural influence of African peoples on Spain, with a particular focus on musical traditions. Iâve done a translation of a small portion to English here:
âThey were part of the culture that forced them to be here. There was slavery, colonization and now, immigration. We have to break that barrier of separation between Africa and southern Europe that has been created without understanding that we have values and shared history,â muses Miguel Rosales, director of the documentary GurumbĂŠ: Songs of your Black Memory, with the intention that the public ensconced in the present, in the political and cultural sphere, (understand the) legacy and consequences of the enslavement of Black peoples in Spain.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
An open letter to those people who whistle loudly everywhere they go
Missal Recueil Liturgique de Bilzen f. 99: The Martyrdom of St Maurice
Germany (c. 1510)
Vellum, 26.3 x 19.3 cm
Bibliothèque Royale de Belgique, Brussels, [ms. 9786-90]
The majority of verses and homilies in this missal were written in honour of Saint Maurice and his Theban martyrs.
According to legend Saint Maurice was a commander of one of the Roman armyâs Theban legions in the third century AD. While serving in what is now Switzerland with other Roman troops engaged in fighting the much feared Gauls, Maurice and his soldiers, all converts to Christianity, refused to take part in pagan Roman practices. Emperor Maximianus Herculesâ response was to execute the entire legion in AD 287.
The Latin text refers at length to Mauriceâs black skin and the African origins of himself and his army.
Read More
This is so disgusting. You can LITERALLY buy brown skin with PI tattoos and a grass skirt for $44.95. This is exactly why so many Pacific Islanders have been critical of Disneyâs Moana - because this is the result. This is not âjust a cartoonâ, this is our culture and how we are represented. CâmonâŚ
Hey look lmfao itâs the exact fucking thing Iâve been saying this movie would lead to for months :) Despite all of the recourse to ârepresentationâ politics, we have to fundamentally recognise that this ârepresentationâ of/ for Pasifika people comes in the context of global capitalism. What that means is that anything we are, anything we have, will be taken from us, stripped of any meaning which doesnât directly contribute to producing capital, and then mass produced until itâs no longer profitable to do so. This is where the politics of capitalist ârepresentationâ get us. Literally brown skin suits. This is the culmination of the historical process which saw the mutilated body parts of my exterminated ancestors preserved, stolen and mass-marketed to Europeans in the 19th century. Now for kids.
This is literally official merchandise from the Disney store.
Let Disney know that selling a fake skin of Indigenous Pasifika peoples is disgusting and unacceptable in 2016.
ART. FABIOLA JEAN-LOUIS REWRITES HISTORY. BY SUPERSELECTED ¡ ART, FABIOLA JEAN-LOUIS, HARLEM SCHOOL OF THE ARTS, MIXED MEDIA, PHOTOGRAPHY
Book of Hours, Dutch (Utrecht or Delft) [Add MS 50005]
f. 67r: Mermaid With a Mirror
Netherlands (c. 1410-1420)
Illuminated Manuscript (parchment codex), 125 x 90 mm.
[source] [source]
I literally just find stuff like going through illuminated manuscripts (this oneâs 179 pages) into the wee hours sometimes. They arenât labeled, tagged, or marked in any way. No one told me they were there. And then I find something like this, and I get to share it with all of you.
@fosterhood Mermaid with hair that would be culturally appropriate on a little black girl in Bedstuy? (both your post and this one came across my dash this morning. Representation matters).

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
Sleep
Juni hates sleep. She hates going to sleep, staying asleep, all of it. Melatonin helps some, in that it helps her stop being so keyed up/anxious that she can actually get to sleep. But then there are the nightmares. She has them so often, and even though she goes right back to sleep I know the disruption in sleep canât be good. Lately theyâve been 3-4 a night. (Then, of course, IÂ canât get back to sleep.)
And if she wakes up early in the morning she just doesnât go back to sleep. Like you might drowsily wake up early and doze back off- nuh-uh. Not happening.
Last night we went to a movie with a friend and her little boy, got home about 9:00. Juni was up at six, barely able to keep her eyes open and stumbling, but absolutely refused to go back to sleep. She basically threw one giant temper tantrum all day. She did manage to take a nap for about an hour, but it didnât help.
Sleeeeeeeep, child. Sleeeeeeeeep.
So, Iâm guessing with foster care itâs super hard to choose what type of modality you want, but EMDR has been used at least some for trauma in kids, and it can definitely help with nightmares. With trauma, the brain starts dreaming to try to resolve the trauma, but then the content is just way too frightening to actually resolve, the dream turns into a nightmare, and the person wakes up without having done the processing of the trauma they need to do. EMDR helps them slowly reprocess in a similar way to dreaming, but while they have more control and clear safety.