Aqua Utopia|海の底で記憶を紡ぐ

Origami Around
🩵 avery cochrane 🩵

if i look back, i am lost

Love Begins
Sade Olutola

#extradirty

Jar Jar Binks Fan Club

The Stonewall Inn

pixel skylines
cherry valley forever

Andulka

blake kathryn

izzy's playlists!
One Nice Bug Per Day
macklin celebrini has autism
YOU ARE THE REASON

gracie abrams

seen from Côte d’Ivoire

seen from Malaysia
seen from United States
seen from United States

seen from United States
seen from United States
seen from United States
seen from China

seen from United States

seen from Thailand

seen from United States

seen from Türkiye
seen from Australia

seen from Russia

seen from Malaysia
seen from United States
seen from Mexico

seen from Malaysia

seen from United States
seen from Mexico
@andygaypicslover

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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This image hurts my brain more than the original debate ever did. Brains are dumb.
@alpha-team-deploy
The concept of relative color can be infuriating.
I can’t explain it, but they give off the same kind of vibe
• 24 Hours With Euphoria’s Jacob Elordi | Vogue (March 02, 2022)
Seph narrowly survives meeting the rest of the Smash roster - Isabelle enjoys some spiced nog.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
I literally cannot rest and it’s all because of this tiktok
mean girls as anime 💖💋💄 happy october 3rd!✨
99 Homes (2014, dir. Ramin Bahrani)
“The first swap was a repeated move where we did the shot with Anya and Matt, and then just did it again with Thomasin. Even when we were doing it, I didn’t know we were going to be able to pull it off. And the reason it’s so good is because Matt Smith and Anya and Thomasin’s continuity is just so dead-on. And I was like, ‘Why don’t we just shoot all of them?’ ‘How long can we keep this going?’ Because it’s intoxicating to watch. That’s supposed to be the idea of the scene. The first dream sequence is alluring and glamorous and intoxicating, seductive. So that was how it came about. Other than that shot, you’re watching one unbroken take. Watching that is like an amazing dance in itself, because really, a shot like that is a collaboration between the three performers — and then also the fourth performer in the scene, Chris Bain, the Steadicam operator. The shot stands and falls on him being in the right place at all times. The idea was, the longer we can keep these shots going, the more immersive it will be. You feel like you’re living vicariously through her. It’s about not breaking the spell. It’s like we’re showing you a reality of something, even if what we’re showing you is very fantastical.“ - Edgar Wright
LAST NIGHT IN SOHO 2021 | dir. Edgar Wright
lizard out there really gonna do it
this lizard is braver than any US marine
he’s going for it, the absolute madlad

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
I need everyone to understand the above gif is unedited. That actually played on TV.
people keep asking about this one as well
Now THIS is real art
🔊 🔊 🔊
thanks, Steve
bueno, Steve, del programa "las pistas de Blue" volvió en un video por el aniversario de ya 25 años del programa, y sí, estoy vieja y se me rompió el corazón imaginando algo así
John Cena :Q___
Wale Ayinla, from “Portrait of a Boy with Grief”

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Wolverine x Deadpool
Wolverine guzzling Deadpool’s cum and cock! - Deadpool and X-Men
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Matilda (1996) dir. Danny DeVito
As others have noted in the past, Danny DeVito not only directed Matilda (and played her dad), but he and Rhea Perlman (DeVito’s wife at the time and Matilda’s mum in the movie) basically looked after Mara Wilson because Mara’s mother was in hospital with terminal cancer at the time of filming (She died during post production work, and it wasn’t until years later Mara discovered that Danny had taken an advanced (not quite completed) copy of “Matilda” to the hospital so that her mum could watch it before she passed.)
When Mara mentioned that she was feeling nervous about the dancing to “Little Bitty Pretty One” sequence, it was DeVito’s idea to have the ENTIRE cast and crew join in and dance too (off camera) so she wouldn’t feel self-conscious, apaprently even the craft services folks joined in, and the cameraman shooting the scene did a bit of a shuffle, but not too much because it would mess with the camera shot)