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KIROKAZE
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One Nice Bug Per Day

Jimmy Eat World
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if i look back, i am lost

Jar Jar Binks Fan Club
Lint Roller? I Barely Know Her
RMH
$LAYYYTER
d e v o n
sheepfilms
Aqua Utopia|海の底で記憶を紡ぐ

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cherry valley forever

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@anathemababy

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Struck, NYC
@dantvusa
Anna Torv & Lauren Glazier in Mindhunter (2017–2019)
Sophie Thatcher and Charles Melton behind the scenes of Her Private Hell.
Indecision, Ed Ruscha, 1982
Etching on paper 36.8 x 38.7 cm (14 ½ x 15 ¼ in.)

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The genius of Yellowjackets maintaining the team’s blue-and-yellow color scheme in the wilderness is that it subtly threads the girls’ past identity into their current environment.
There is a deliberate visual language in the wilderness: warm yellow tones from firelight and sunlight in the spring and summer months are frequently set against the deep blue of night and the soft, icy blues of winter. This persistent blue-and-yellow motif ties the survivors to the team they once were, while also showing how the wilderness twists and consumes that identity.
One of the clearest examples comes in the show’s very first scene: the Pit Girl sequence. When she first falls into the trap, it’s early morning, and the surrounding area is tinted in cold blue light. The next moment shown is the group gathered around a bonfire, the flames casting bright yellow light across their figures as they eat her, the warmth of the hue made horrific by the act it illuminates. There’s a tragic irony in how they remain surrounded by the very same colors that once united them as a team, even as they begin killing and eating each other to survive.
leaning.
If you were the last vampire on Earth... it would be enough. You and me. Me and you.
don't feel like drawing anything but i really wanted to redo this beautiful moment with her
INTERVIEW WITH THE VAMPIRE 2.02

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I'm the reticent vampire of the Ninth Arrondissement.
BAILEY’S 3K CELEBRATION —🫶🏻 for @dancingsinthedark VAMPIRE WOMEN IN HORROR van helsing (2004), vampire in brooklyn (1995), from dusk till dawn (1996), interview with the vampire (1994), the hunger (1983), queen of the damned (2002), vamp (1986), near dark (1987), ganja and hess (1973), vampires (1998), abigail (2024), a girl walks home alone at night (2014), bram stoker's dracula (1992), underworld: evolution (2006), slaughter of the vampires (1962), blade (1998), abigail (2024), thirst (2009), the invitation (2022), and the hunger (1983)
It's like describing a dog to someone who's never seen a dog. And then asking them to draw it.
BACKROOMS 2026 — dir. Kane Parsons
HOUSE OF THE DRAGON | Season 3, Episode 5, "Unbowed and Unbent"
applying to be the elephant in the room but the interviewer won't even look at me

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personal ad in May 1987 edition of On Our Backs magazine
the terrifying beast of the darkness wants a kissy