READY OR NOT | 2019 dir. Tyler Gillett, Matt Bettinelli-Olpin
ojovivo
YOU ARE THE REASON
RMH
PUT YOUR BEARD IN MY MOUTH
Monterey Bay Aquarium
cherry valley forever
Jules of Nature
One Nice Bug Per Day

@theartofmadeline
d e v o n
2025 on Tumblr: Trends That Defined the Year
he wasn't even looking at me and he found me

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$LAYYYTER
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@amyabbotts
READY OR NOT | 2019 dir. Tyler Gillett, Matt Bettinelli-Olpin

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There are no sex scenes, and all the food looks horrible.
âSeldom, very seldom, does complete truth belong to any human disclosure.â
There's really this strong temptation that everyone has which basically says "to have interiority is to be like me; ordinary people are surface everywhere." And this manifests in different ways in different spaces, and becomes really pronounced when you cluster together with similar people. So tumblr users often act like straight people don't have any interiority because it helps you feel the deepening of social bonds with other gay people. This happens professionally too. I think it was Summer or Sharks who was saying that programming people think that intelligence is just being really good at writing code. Not surprising but very strange to me! I am (equally ridiculously) used to thinking that intelligence is being really good at philosophy, having command of a lot of sources that you can use creatively, etc. This reflects a kind of dynamic on tumblr and reddit. On reddit to have interiority is to be a science guy and on tumblr to have interiority is to be a humanities girl (and the dynamic is gendered in exactly this way). And I think there is something dangerous about habitually regarding other people as automatons. It's good to have people outside of your niche to remind you that other people from different walks of life are quite deep and complicated. They are full of love and fine grained attention to things you never thought to care about. And I think a lot of people go through life thinking of themselves as perpetually victimized by basically empty people rather than having genuine confrontations with full, genuine people who are committed to subtle, complex and real values, who have detailed and intricate histories, and who have a bond to you that you might never quite fully understand. But we rarely even try at understanding these things. We just decide that they're stupid and ridiculous and unreasonable.
The world is violent and mercurial â it will have its way with you. We are saved only by love â love for each other and the love that we pour into the art we feel compelled to share: being a parent; being a writer; being a painter; being a friend. We live in a perpetually burning building, and what we must save from it, all the time, is love.
Tennessee Williams

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really losing my patience for any 'feminist' statement to the tune of 'we need feminism because women fill a fundamentally different and necessary role than men and will be better at doing x y or z'. like actually i think we need feminism because it is an unbearable death of the spirit by inches to exist in a world where you are not seen as a fully realized human being because of a single cultural determination, and because a world that enshrines such things creates systems that are fundamentally sick to the core
getting new jackieshauna s1 bts in 2026 life is so so beautiful
Some Like It Hot (1959) dir. Billy Wilder
HOUSE OF THE DRAGON 1.04 | King of the Narrow Sea 2.06 | Smallfolk 3.05 | Unbowed and Unbent
Marilyn Monroe photographed at her apartment by Philippe Halsman, 1952.

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Buttercream Joy Sullivan
COLLATERAL (2004) dir. Michael Mann
MIA WASIKOWSKA as INDIA STOKER STOKER (2023) dir. Park Chan-wook
Slowly I Married Her, Leonard Cohen
Rhaenyra and Alicent through the years

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not ppl agreeing with the Think of all the Djuna Barneses we could have had if not for slash fic tweetâŚâŚ
everyone saying âsheâs got a pointâ is similarly participating in a sort of undeserved literary snobbery that belies any actual understanding of the function and popular reception of the novel as a form since its inception.
I am saying this as someone who has never once picked up a âpopular on booktokâ canva art romance novel, and rarely reads any 21st century literature at allâwho finds a lot of contemporary anglophone lit to be banal, obnoxious, and utterly tedious. I couldnât care less about the artistic merits of fanfiction as âlegitimate literatureâ either way, and I find the âcharacter-firstâ approach to storytelling most people in fandom circles employ to be reductive and a bit exhaustingâŚ
if you seriously think that the kinds of people writing gay fanfiction on ao3 about the main characters from a mainstream hollywood production are the same kinds of people who would otherwise be experimenting with the form of the novel in artistically groundbreaking ways, then I really donât know what to tell you. and if you think the phenomenon of novels being written for the emotional (and sexual) gratification of women being derided as a perversion of an otherwise elite artform is a new phenomenon that sprung up within the past decade, then you obviously donât know enough about the history of literature to be making these kinds of claims with such dismissive arrogance.
the form of the novel, especially novels by women, especially novels by women for women involving romance, have long been trivialized in the popular consciousness for lacking the kind of artistic merit that disqualifies it from being considered âreal literature.â whether such novels are artistically lacking or not is entirely subjective and beside the point. claiming that popular entertainment primarily produced and enjoyed by women and girls has rotted their brains and debased their potential intellectual engagement with âhigherâ artforms is a notion repeated by every generation, and itâs equally ridiculous every time! least of all because there are still plenty of women in the world who care about the craft of literature and artistic experimentation within the form of the novel. and some of them even like fanfiction, also.
HOUSE OF THE DRAGON | Season 3, Episode 3 "Rhaenyra Triumphant"