āThe Shortest Dayā illustrations by Carson Ellis

pixel skylines
PUT YOUR BEARD IN MY MOUTH
"I'm Dorothy Gale from Kansas"
styofa doing anything
RMH
todays bird
Monterey Bay Aquarium
$LAYYYTER

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d e v o n
Keni

blake kathryn
Sweet Seals For You, Always
almost home

titsay
Aqua Utopiaļ½ęµ·ć®åŗć§čØę¶ćē“”ć

romaā

ojovivo
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@amnesia-toys
āThe Shortest Dayā illustrations by Carson Ellis

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the key to understanding light and colour is that they're the same thing. but you have to understand them separately because they speak different languages culturally, symbolically, and the only way to use them really well is by lying. art is stupid btw.
CLUELESS (1995) dir. Amy Heckerling
Ask Polly

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richard siken soup moment
made some posters - this ones my favorite
all of them
Fleishman is in trouble (2022)
14-year-old Sandra Bullock on holiday with her family in 1978.

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zoƫ kravitz in high fidelity (2020) her mother in high fidelity (2000)
succession / kait rokowski
Anne Carson (2009)
Arthur S. Way (1898)
George Theodoridis (2010)
Ian C. Johnston (2010)
E.P. Coleridge (1910)
Theodore Alois Buckley (1892)
John Peck, Frank Nisetich (1995)
R. Potter (1906)
M. L. West (1987)
William Arrowsmith (1958)
Philip Vellacott (1972)
Michael Wodhull (1782)
Kenneth McLeish (1997)
David Kovacs (2002)
Andrew Wilson (1993)
Euripides - Original (408 BCE)
The Bear 2.08 āBologneseā
what was i made for?
āopheliaā by john everett millais but itās barbie and for the sake of this concept letās pretend that there is in fact water in barbieland

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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of course love exists thatās why matt berninger from the national wroteĀ āi wanna hurry home to you, put on a slow dumb show for you, and crack you up" and thenĀ āyou know i dreamed about you for 29 years before i saw you, i missed you for 29 yearsā
āThatās why high school, or a crappy job, or any other restrictive circumstance can be dangerous: They make dreams too painful to bear. To avoid longing, we hunker down, wait, and resolve to just survive. Great art becomes a reminder of the art you want to be making, and of the gigantic world outside of your small, seemingly inescapable one. We hide from great things because they inspire us, and in this state, inspiration hurts.ā
ā One of the best articles Iāve ever read. Rookie Mag. By Spencer Tweedy. (via wildyork)