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@katelouisepowell

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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A SILK HERALDIC RUG, POSSIBLY KASHAN, CENTRAL PERSIA, EARLY 20TH CENTURY
resting beings πππ drawn a while back as part of a commission for the Kindness Project / Defend the Wild

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Echoes of the Past: Elena Rebinderβs Typewriter Art from 1930βs Russia
havenβt shown my face around here in a while
White Torch Ginger, Northern Territory, Australia
Iβm excited to announce my collaboration with writer and activist Carol J. Adams πβ©Here is the first of five small drawings, commissioned to coincide with the release of the 35th anniversary edition of The Sexual Politics of Meat
The book explores where violence against and domination of women and non-human animals overlaps, and how our liberation is deeply connected
βDominance functions best in a culture of disconnections and fragmentation,β Carol writes. βFeminism recognizes connections.β
In the first illo I have redrawn the partitioned cowgirl who, in the original poster discussed in the text, is posed next to the question βWhatβs your cut?β, now using bolt cutters to free chained up dairy industry calves βοΈβπ₯
[prints, totes & stickers here]
By Sumeyra Yuce

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via
Isabel Quintanilla - "The Red Door" (1978)
a pic I was sent of one of my prints π
the rabbits I drew in this piece were from a photo of individuals rescued from a rabbit farm, thankfully spared from being slaughtered for their flesh and fur βοΈβπ₯
π· Spencer S - thank you
[prints]

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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via flickr
www.instagram.com/p/DbBcvJFmtLB/