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@katelouisepowell
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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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🤍❤️🧡
Henry Darger, Hands of Fire, mid-twentieth century.
© Artists Rights Society (ARS), NY, Photo credit: James Prinz,
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Jesse Balmer

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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A SILK HERALDIC RUG, POSSIBLY KASHAN, CENTRAL PERSIA, EARLY 20TH CENTURY
resting beings 🐐🐓🐇 drawn a while back as part of a commission for the Kindness Project / Defend the Wild
Echoes of the Past: Elena Rebinder’s Typewriter Art from 1930’s Russia

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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haven’t shown my face around here in a while
White Torch Ginger, Northern Territory, Australia
I’m excited to announce my collaboration with writer and activist Carol J. Adams 📖 Here is the first of five small drawings, commissioned to coincide with the release of the 35th anniversary edition of The Sexual Politics of Meat
The book explores where violence against and domination of women and non-human animals overlaps, and how our liberation is deeply connected
“Dominance functions best in a culture of disconnections and fragmentation,” Carol writes. “Feminism recognizes connections.”
In the first illo I have redrawn the partitioned cowgirl who, in the original poster discussed in the text, is posed next to the question “What’s your cut?”, now using bolt cutters to free chained up dairy industry calves ⛓️💥
[prints, totes & stickers here]
By Sumeyra Yuce
via

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Isabel Quintanilla - "The Red Door" (1978)