A M M E

Rings – circles – machines

GREG CREEK. Amendments. Water-colour on paper, balsa tray, each 180 x 140 x 3cm. Sarah Scout Presents, Melbourne. 2017

DAMIEN HIRST, Beautiful Vibrations and Soundwaves Painting 2008

Creek states that his works are both optical beauty and a strong material presence — part objects, part process and part exercise in repetition.

Hirst explores the idea of an imaginary mechanical painter. The…

I love the gestural brushstrokes and the thin washes of paint / watercolour / ink to create this distinctive appearance. She is exploring the complexities of identity, raising awareness on social & political issue by collecting from her personal collection and the print media. Looking at her background of being born in South Africa, she is confronting themes like racial and ethnic identity.

O.D.D SHOP – Art Greeting Cards –

10 Assorted Art Cards Set, Greeting Card + Envelopes

Blank Inside for All occasion

10 Assorted Art Cards Set, Greeting Card + Envelopes

A$40.00

Set of 10 matching greeting cards.

These cards features O.D.D WORKSHOP unique artwork design of characters, portrait and quirky coloured beings. Perfect for birthdays, friendships,…

Logo Development / Brand Identity Design

Applications: Letterhead / Business Card

Client:  Linkage Property

Linkage Property specializes in all aspects of delivering its product from site acquisition, planning, permit approvals, development, marketing and sales and is ambitious in developing regional properties throughout central Victoria.

:::: Thank you for watching ::::

~ a visual expression by digital creation ~

~ read more ~

FINAL PROJECT

WORKING AS IF IN A VACUUM

PUBLICATION

reflection // rationale:

Working as if in a Vacuum

The imperfection in the machine is the human momentary capture.

Unfolding the unwritten, unseen, and unspoken of the digitalised image of the modern era.

Exploring typography, photo images, and motion in dynamic images.

The scanner is a medium that acts as a prism.

Working as if in a Vacuum” is an incomplete sentence from Andy  Simionato’s email about the specific requirement of our task – ‘ The important thing is that you are aware of related research and that you are NOT working as if in a vacuum.’ I find this quote very interesting, imaginative, as if we are exploring cluelessly in the universe.

The project is a layered multimedia package, futuristic, colourful and alternative images into a publication, in which such interrelations are registered, which highlight the technological nature of art . At the same time, they are reflections on contemporary relations in regards to modernity and tradition. The technological progress is a self-amplifying process creating rapid and movement. As an indirect effect and its focus of inevitable imperfection come into existence.

Typography: experimental design of using Photoshop filter generators, such as Blur Gallery, Noise, Pixelate, Sharpen, and Threshold. Creating the letterform image in textured and in different stories, like a character in an artful movies, being putting makeup, soft lights, and special effect, emphasising and over-exaggerating the letterform, reducing the univocal and readability of the original letters.

I want to explore alternative ways of seeing typographic alphabet and creating an interesting visual distortion. The trick is about trials and errors, and allowing more light and movement in the action. Scan/ warp/ juxtaposing mundane objects around me, yet interesting by the aesthetic and the triggered memory of the owner and original uses. The visual aid of putting screen devices that play motion during the scanning process is very original, I am not sure if anyone else is exploring the same idea, it preserves the multiple frames of a movie/ video into a single compatible still-image.

This publication is around 40 pages, using different paper stocks, such as tracing paper in the section of ‘ from a to z ‘, silver metallic paper in the photo image section, and pearl metallic paper in the motion image at last. The tracing papers act like another visual supplement, creating a far complex and overlaying outcome even seeing at just one page. Which also, is tasteful from the perception of how typography is immersed in our everyday lives without noticing, they blend so well with all other elements, and they lose meaning once they are singled out and amplified. I really love how the pages are printed, they look very nice on the silver/ pearl metallic paper, the attention of the exotic content is hardly taken away by the paper stock.

I am very satisfied with the content and the concept of my publication, the use of materials is considered. There are mistakes in the book, I have acknowledged them, yet they still matched the idea of how the imperfection of the machine, printer, is actually caused by human in many ways, not only technical instability and as well as human errors, human state of mind, variations of the condition. All images are amplifying the the human existence of the subjects, such as the photoshopping the letterforms to add characteristics, tiny dusts and fibres in the photo image, finger -prints and grease on the motion image.

PRODUCTION

SCAN TO POST-PRODUTION

PHOTOSHOP GENERATING

The original scanogram is very raw to be blown up and seeing the beauty of the shape and movement of human force of warping and glitching.

Therefore, I have experimented Photoshop filter generators, such as Blur Gallery, Noise, Pixelate, Sharpen, and Threshold. My favourite is Dust and Scatches, Median, which making the letterform looking very dreamy and faded.

PRODUCTION

MOTION IMAGE – CAPTURING

These are a series of images of Ipad/ Macbook, playing videos or films at the same time scanned directly or being wrapped slowly in the scanner.

The speed of the scanner as well as the content of the motion graphic, is the key for producing an interesting image. If the movie isn’t playing at a fast pace, and the scanner is too fast, the image remains as a normal screenshot with little variation. I could improve that by setting scanner DPI of 600+ to make the scanner slower to achieve a more dynamic image.

source:

1   Edward Vanzet: I wish it were true

     https://www.youtube.com/watch?v=ac31gQBFfJs

PRODUCTION

PHOTO IMAGE – OBJECTS

PRODUCTION

TYPOGRAPHY – WRAPPING

RESEARCH 

PUBLICATION IDEAS

RESEARCH

TYPOGRAPHY VS. TECHNOLOGY

I feel like i need to focus on design element, such as the fundamental typographic alphabet. Its just such a basic and yet meaningful topic that i can explore on. Here I’m looking at glitching, scanogram, 3D modelling, painting, and combination of image and typography.

Scanogram

materials: scanner/ magazine