May 29
The champion of the sky
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The champion of the sky
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Volpina?
Hi everyone! I’m sharing another old drawing from my phone; this time it's Lila using the real Fox Miraculous. We’ve seen Volpina multiple times in the show, but she was always an Akuma.
What if Lila had actually gotten her hands on the real Fox Miraculous? In this alternate reality, Trixx couldn't be saved. Following the show's logic, a holder's suit design depends on who they are inside. Since she’s a pathological liar with a chaotic mind, her appearance couldn't be uniform. It’s a mix of different suits I imagined, reflecting how her multiple personas live and clash inside her head.
(PS: I was planning to use this outfit for a future comic arc, but it might be years before I actually start drawing it!)
Volpina?
¡Hola gente! Les traigo otro dibujo viejo de mi celu. En este caso se trata de Lila usando el verdadero Miraculous del Zorro. En la serie se vio múltiples veces a Volpina, pero siempre eran akumas.
¿Y si Lila hubiera conseguido el Miraculous del Zorro real? En esta realidad alternativa, Trixx no pudo salvarse. Siguiendo la lógica de la serie, el diseño de su traje depende de quién es ella por dentro. Y dado que es una mentirosa patológica con una mente caótica, su apariencia no podía ser uniforme. Es una mezcla de los trajes que imaginé, reflejando cómo sus múltiples facetas viven y chocan en su cabeza.
(PD: Pensaba usar este traje en una futura historia del cómic, pero quizás pasen años antes de que empiece a dibujarlo).
The Persistence of Art
Somewhere in Eastern Europe, in a small Romanian village, art continues to take shape alongside everyday life.
There are animals to care for, a garden to tend, repairs to make, and all the countless responsibilities that come with ordinary living.
Within this rhythm of daily life, creation remains present.
My friend artist Sergiu Grapa and his sister artist Daniela Grapa, are preparing to exhibit their work at MOBU – International Art Fair of Bucharest.
What draws me to their work is not only the quality of what they create, but also the context from which it emerges.
Their artistic practice is closely connected to the realities of everyday life.
Daniela explores emotion, memory and inner landscapes through expressive painting.
Sergiu creates highly detailed conceptual drawings that reflect on technology, consciousness, and what it means to remain human in a rapidly changing world.
Different artistic languages.
Different perspectives.
A shared commitment to creation.
In a time that often rewards speed and visibility, I find something deeply inspiring in people who continue to create with patience, dedication and sincerity.
A selection of works by Sergiu Grapa and Daniela Grapa is currently being presented at MOBU 2026 in Bucharest.
I thought their story deserved to travel a little further.
my first post on this acc
cabin fever
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Some more concept art of the mall adventure!
I love Ragatha helping gangle pick out (possibly to impress zooble 🤭) clothes
Pomni and Jax are playing game where Bubble is eating angel food cake 🎂 before Caine can find him? I’m not sure yet 🤣
Her yüzüm, konuşamadığım bir çığlıkta saklı kaldı......."
Konuşmadım, çünkü kelimeler zincire vurulmuştu.
Gözlerimi kapadım, çünkü gördüklerim içimi parçaladı.
Ve sustum… sustukça çoğaldım, çoğaldıkça yok oldum." ASİKAN
This is the 4th painting in my Berserker Predator series. 70x100 cm.
Story In this scene, the Berserker is not in the middle of a hunt. His armor, weapons, and mask are still with him, but his posture tells a different story. The object he is holding is something he carries in his pouch and rarely takes out. It is not a weapon, nor a display of technology. It is a personal item — something he values, something tied to memory rather than conquest. He came to this place not to hunt, but to be still. Away from hierarchy, noise, and the constant need to prove strength. Though this planet is alien, it offers him a rare sense of calm. There is no rage in his expression. But there is no softness either. What we see is balance — the state of a being who has survived long enough to no longer be ruled by instinct alone. The light comes from the environment itself: biological structures and crystalline forms. It is not harsh. It does not reflect loudly off metal or skin — it is absorbed, softened. That is why the scene feels dark, yet not oppressive. Technically, the composition supports the narrative. The dark, matte background is not used to dramatize power, but to isolate the figure. Light exists only to describe form, not to decorate it. From a distance, the background reads as a single mass; up close, it reveals a living ecosystem. In this moment, the Berserker does not appear powerful because he is hunting — he appears powerful because he is in his own space.
