Riding in Cars
Steve's car breaks down. Robin and Steve drive into work separately.

oozey mess
noise dept.

Jimmy Eat World
The Bright Sessions
"I'm Dorothy Gale from Kansas"

blake kathryn
Cosmic Funnies
One Nice Bug Per Day
untitled
Keni
Phantogram Three
Sweet Seals For You, Always
Mike Driver
Cookie Run:Kingdom Official!
EXPECTATIONS

pixel skylines
RMH
occasionally subtle
Sade Olutola
seen from Germany

seen from India
seen from Singapore

seen from Malaysia
seen from United States
seen from Malaysia

seen from Türkiye

seen from Bolivia
seen from United States
seen from India
seen from United Kingdom
seen from Lebanon
seen from China
seen from United States

seen from Brazil
seen from Greece

seen from Malaysia

seen from United States
seen from Brazil

seen from United States
@alreadyterrible
Riding in Cars
Steve's car breaks down. Robin and Steve drive into work separately.

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Lilo & Stitch [2002]
me when i like the 2-3h movie: directors should never have to compromise their vision to appeal to something as fickle as people's "patience". anyone complaining about the movie's length is simply a tiktok-addicted philistine.
me when i don't like the 2-3h movie: once i become god emperor of earth anyone trying to make a movie longer than 90 minutes will be shot.
everybody leaving tags on my letterboxd roundup like "they didn't do the nobody scene??" we're so fucking past that i need you to catch up. i went into the movie knowing they wouldn't do the nobody scene and frankly i had made peace with it like okay if you don't want odysseus calling himself outis because you don't feel like the joke translates well enough WHATEVER you dont need to film every line of the poem. what i was NOT prepared for is that THEY DON'T SPEAK TO POLYPHEMUS AT ALL. they don't steal a giant wheel of cheese, they don't get him drunk, odysseus doesn't taunt him after their escape, AND he doesn't cry out to poseidon or the other cyclopes on the shore. it's "revealed" that he can speak in the cave before their escape as he prays to poseidon. someone asks odysseus "should we try to reason with him?" and ODYSSEUS says "we're past that." resulting in an adaptation where odysseus does not use wit or trickery to escape polyphemus at all-- which is the case with every single obstacle he meets. this guy does not lie and he does not play tricks. his intelligence is restricted to battlefield tactics, the administration and direction of his men as units. You have to poke polyphemus so he opens his eye before you can stab it! I am very smart. the only point at which he could be described as "tricking" polyphemus is when-- because the movie is allergic to making odysseus look stupid or silly in any way-- they tie straw to their backs to be mistaken for sheep instead of riding the undersides of the sheep, and we are presented with an action sequence of trousered and armored soldiers somersaulting and army crawling under polyphemus' gently dangling hand. which i hate because it is a less clever solution that only works if polyphemus is extremely stupid (shepherd who doesn't know how many sheep he has) -- and more importantly because it removes IMO the most emotionally efficient moment in the odyssey, which is polyphemus talking to the one sheep that's walking slow because it has odysseus on its belly like "oh no are you feeling okay today? you're moving so slow, maybe you're upset because i'm in pain? you're the best sheep in the world and i love all of you my sheeps" like that scene is supposed to instantly retroactively humanize polyphemus and make you realize odysseus has been torturing a person with feelings who basically just wants to be left alone with his pet sheep and it's extremely good at that in every translation i've ever read. but not one of odysseus' enemies are allowed an inch of humanity in this entire adaptation which seems to be a veiled metaphor for the vietnam war so what can you expect. and yes because odysseus never does anything wrong or stupid or silly, OF COURSE he would never reveal his name and allow polyphemus to curse him, and his crew only "believes" that he's been cursed by poseidon thereafter, which removes the ENTIRE MAIN ANTAGONIST of the story and changes the central conflict from man vs. god to man vs. ????
OBSESSION 2026, dir. Curry Barker

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OBSESSION dir. Curry Barker
LEGALLY BLONDE (2001) Dir. Robert Luketic
OBSESSION 2026 | dir. Curry Barker
Hope. It is the only thing stronger than fear. A little hope is effective. A lot of hope is dangerous. A spark is fine, as long as it's contained.
THE HUNGER GAMES 2012, dir. Gary Ross
Some thoughts I have on Obsession that I haven't yet seen discussed too much in the tags (or I have, but I just want to express them in my own words):
While it's somewhat played up for comedic purposes, the scenes in which Bear asks Not Nikki to stop doing something and she just goes "Okay! :D" stick out to me so much. She was very willing to hear him out when he complained about her behavior (at least sometimes) but it was never going to be enough anyway. When he was telling her that hiding in the corner and watching him sleep made him uncomfortable, she seemed genuinely worried about having made him feel bad, something he never once did for her or the real Nikki (made even more heartbreaking by the "I can be anything you want me to be!" line)
A lot of people are focusing on how Bear first asks to alter his wish and only asks to cancel it once he's told it can't be altered (understandably, it's a great and very important scene), but do not forget that after he buys more One Wish Willows, the first thing he tries to do is wish for Nikki to "only love him as a friend." Even when he's trying to revert things back to "normal" he still feels entitled to having her in his life. And at first I thought "well that's still not good but it's a little better" but then I thought about it for more than five seconds and no, that's not a little better, because after everything he put her through she would never want to have anything to do with him ever again. To try to ask for her to still be in his life is also extremely selfish of him
Still on the previous point, when he asks Ian to wish for him to have never made a wish. There's a lot to say about this scene, but one of the things that sticks out to me is that phrasing. Don't wish for Nikki to have her autonomy back, just make a wish that will make me feel like I fixed my mistake and might turn things back to how they were before my wish (aka, with Nikki still liking me, even if just as a friend)
One more thing about that scene, when he tells Ian that "he can be with Nikki". Of course he says that he "didn't mean it that way", and I sort of believe him, but it's impossible to ignore that he immediately thinks bringing up Ian's attraction to Nikki will make him agree to go along with his plan, the same way his own attraction to Nikki made him make his wish
Maybe this is just me, but when he's in the car with Sarah and he questions her on whether she thinks he should be with someone "like you?", he doesn't seem upset like I assume someone would be if they're in a committed relationship and another person suddenly suggests they should be with them instead. He seems very open to the idea, despite never once having been shown to have feelings for Sarah (in fact at the beginning of the movie he outright tells Nikki he doesn't like her like that), like he just wants to be loved by a woman and now that a "normal" one is showing interest in him he's very willing to abandon Not Nikki despite literally wishing for her, just because she's not exactly what he hoped for and is causing him problems
This is more so just praising Inde Navarrette's acting skills, and I know the point is that Not Nikki is the exact opposite of Nikki, but one notable difference between the two is their crying, and now that I think about it their screaming too. Not Nikki cries and screams in a sort of childish way, and it reminds me of the way some men want their girlfriends to act, like a child that needs them for comfort (maybe minus the screaming). It doesn't work with Bear, it comes off as a bit of a tantrum and just annoys and freaks him out, but despite obviously being how she really feels, with the fact that he literally wished her into existence, I can't help but feel that even the way she expresses pain is geared towards making him like her. But Nikki screams like a regular, horrified adult woman. When she cries in the final scene, there's no high-pitched whining to it, just pure horror and despair. Man I hope Inde Navarrette gets tons of awards for her performance
I really want to rewatch this movie, it's been 24 hours and I can't stop thinking about it

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it is terrifying that bear only sought to "alter" his wish rather than cancelling it but what is even more terrifying is that he wouldn't even have called the number had nikki not inconvenienced him. if she did not act in such extreme ways bear wouldn't even have a problem. which is sooooo sooooo terrifying because he was completely fine living and being "loved" by nikki who he knew wasn't the real her. he claimed to love her, but even when she started acting like a totally different person it was water off a duck's back for him. he DIDN'T CARE whether it was the real nikki or an entirely different person.
even when she begs him to kill her, he does not feel even a shred of pity for her; he only worries "is being with me that bad".
the only reason he tries to change anything is because her behavior started to scare him FREAK him out. had she acted in a meeker way, bear would've lived with her HIS WHOLE LIFE knowing she ISN'T the real nikki NOT GIVING A FUCK about what she would've wanted. PERIOD.
the more i sit with it the more i realise that the title of the movie did not refer to nikki's obsession with bear but rather his obsession with her. because i know fs that what he felt for her definitely wasn't love.
@pscentral event 35: parallels
Everything Everywhere All at Once (2022) dir. Daniel Scheinert & Daniel Kwan Barbie (2023) dir. Greta Gerwig
men got a taste of women's beauty standards and immediately started bashing their facial bones with hammers
“I wouldn’t wish it on my worst enemy” I would, next
i like that project hail mary could've easily chickened out and somewhat anthropomorphized rocky's design by giving him markings or notches that evoke facial features. but they didn't. fuck you, emotionally connect to this concrete arthropod thing with no discernable face. and you do.

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"Preparing [for the role of Nikki] was really fun. We got to watch a lot of fun movies, and kind of pick and choose, like a puzzle, what we wanted in the film. Moments that we took inspiration from, and made them our own." — Inde Navarrette for Fandango "We watched Get Out, and focused on a lot of the moments where characters are showing an emotion underneath but saying something completely different [on the surface], and how horrific that is. There's a scene where [Nikki] is saying, "no", and there is a [similar] scene in Get Out [which we took inspiration from]." — Inde Navarrette for A Shot Magazine Obsession (2026) Dir. Curry Barker Get Out (2017) Dir. Jordan Peele
Project Hail Mary (2026), dir. Phil Lord & Christopher Miller