𝘸𝘪𝘯𝘸𝘪𝘯 - 𝘸𝘰𝘯𝘨 𝘬𝘢𝘳 𝘸𝘢𝘪 𝘤𝘪𝘯𝘦𝘮𝘢𝘵𝘪𝘤 𝘶𝘯𝘪𝘷𝘦𝘳𝘴𝘦 [2]
↳ 𝐍𝐂𝐓 𝟐𝟎𝟐𝟑 𝐂𝐎𝐍𝐍𝐄𝐂𝐓𝐈𝐎𝐍 #𝐖𝐈𝐍𝐖𝐈𝐍
styofa doing anything
Jules of Nature
Sweet Seals For You, Always
we're not kids anymore.

JBB: An Artblog!
he wasn't even looking at me and he found me
🪼
Misplaced Lens Cap
taylor price
almost home
Game of Thrones Daily

pixel skylines
NASA

JVL
dirt enthusiast

❣ Chile in a Photography ❣
trying on a metaphor
h
todays bird

blake kathryn

seen from United States

seen from Switzerland

seen from Malaysia
seen from Malaysia

seen from Singapore
seen from United States

seen from United Kingdom
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seen from United States
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seen from United States

seen from United Kingdom
seen from United States
seen from United States

seen from Malaysia

seen from Malaysia
seen from United States

seen from Singapore

seen from United States
seen from Malaysia
@alps-stranger
𝘸𝘪𝘯𝘸𝘪𝘯 - 𝘸𝘰𝘯𝘨 𝘬𝘢𝘳 𝘸𝘢𝘪 𝘤𝘪𝘯𝘦𝘮𝘢𝘵𝘪𝘤 𝘶𝘯𝘪𝘷𝘦𝘳𝘴𝘦 [2]
↳ 𝐍𝐂𝐓 𝟐𝟎𝟐𝟑 𝐂𝐎𝐍𝐍𝐄𝐂𝐓𝐈𝐎𝐍 #𝐖𝐈𝐍𝐖𝐈𝐍

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𝐼𝑛 𝑚𝑦 𝑑𝑟𝑒𝑎𝑚𝑠 𝐼 𝑐𝑜𝑚𝑒 ℎ𝑜𝑚𝑒 𝑡𝑜 𝑦𝑜𝑢 𝑎𝑛𝑑 𝑦𝑜𝑢 𝑐𝑜𝑚𝑒 ℎ𝑜𝑚𝑒 𝑡𝑜 𝑚𝑒 𝑎𝑛𝑑 𝑓𝑜𝑟 𝑎 𝑠𝑝𝑙𝑖𝑡 𝑠𝑒𝑐𝑜𝑛𝑑 𝑒𝑣𝑒𝑟𝑦 ℎ𝑎𝑟𝑑𝑠ℎ𝑖𝑝 𝐼 𝑒𝑣𝑒𝑟 𝑒𝑛𝑑𝑢𝑟𝑒𝑑 ℎ𝑎𝑠 𝑚𝑒𝑎𝑛𝑖𝑛𝑔.
Os Mutantes, Teresa Villaverde
Chungking Express (1994)
Director: Wong Kar Wai Cinematography: Christopher Doyle, Andrew Lau Wai Keung Production Design: William Chang Suk Ping Art Direction: Alfred Yau Wai Ming
Kate Moss, Paris (1993) © Geoff Wilkinson

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Tomie ("Top Model") // Junji Ito
perfect blue, 1997
me when i have to go to the things i willingly signed up for
girl in her room disorder

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DETACHMENT (2011) dir. Tony Kaye
I can never read all the books I want; I can never be all the people I want and live all the lives I want. I can never train myself in all the skills I want. And why do I want? I want to live and feel all the shades, tones and variations of mental and physical experience possible in my life. And I am horribly limited.
Sylvia Plath - The Unabridged Journals of Sylvia Plath
“Netflix and chill?”
No, PDF and cry
fun fact about this painting, the subject is a disabled woman named Anna Christina Olson who could not walk with her legs. she liked to get around the Olson family property by crawling, and did so quite a lot - it was her preferred mode of travel actually, since she hated using a chair. She is not helpless in this painting, and the field was part of her home - a place she would go regularly, not an insurmountable obstacle. the mortifying ordeal of being known is part and parcel of the comfort of love and that's not at all something to fear or revile. that's part of your home.
A Short Film About Love (1988) dir. Krzysztof Kieslowski

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Han Kang, The Vegetarian (translated by Deborah Smith)
Alphaville (1965)