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@alexandrawimberley
Our summer manuscript contest is starting in three weeks! Submit your manuscript anytime between June 1st to August 31st for a chance to be published by us. More info here.Â

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As I work on my portfolio for school, Iâve realized that I really should make more use of this blog.Â
It would be so much easier if I felt like I had something to say more often, but the truth of the matter is that I feel like there are very few people who would be all that interested in hearing my thoughts. I suppose the real challenge for me will be trying to ignore that instinct in myself, and publishing something here anyway.Â
Iâve been trying to brainstorm what would be particularly appropriate for this blog, other than my own writing. I think that perhaps reviews of books Iâve read and movies Iâve seen would be a good thing to go here, and I think that reblogging writing prompts from other sources would be good, too.
I struggle with writerâs block far more often than Iâd like to admit, and I am sure that there are plenty of others out there who share my problem.
Iâm looking forward to making a conscious effort to keeping this blog better maintained! Ta for now, Alex
âA writer is by nature a dreamer, a conscious dreamerâââ Carson Mccullers
this is a network of writers, for writers to meet other writers and to simply be writers. a critique group/are-you-a-writer-letâs-be-friends group, weâre looking for any wordsmith who wants to be a part of a community where our writing can thrive.
rules:
must be following ink and lauÂ
reblog this post (likes count as bookmarks)
fill out this short form
this post must reach 20 notes
what you get:
a group of writer friends to talk about anything, from critique, to help with writerâs block, to just ramble.
a group chat for the members so we can cry over our oc 24/7
a tag to share your writing, selfies, anything you want
more info:
members will be chosen may 18th
weâll pick twelve members to start
any kind of original writing is welcome in the net
track the tag #inklingsnet for updates
iâm tagging @deborabane and @softtwars because i know you were interested.
Do you ever get stingy with your writing? I do. Probably the number one reason you donât see many updates from me on this blog is because I want to submit my writing to literary magazines - and there are so many that wonât accept previously published work, even if only published on a writerâs blog. Iâve been thinking that I should set out to write certain poems and short stories specifically for this blog. That way, I can post them here without feeling guilty or anxious and wind up thinking, âBut what if I want to submit this to a lit mag?â Do any other writers out there have a method for dealing with this kind of dilemma?
Constellations
My dad drove a 1967 Chevy Impala. I hated that car. I told this to a friend once â her name was Marianne and she had a smattering of freckles across her cheeks and nose that she hated. I never understood why: they were like constellations, little galaxies of stars on her face that crinkled around her eyes when she smiled. I liked to look at the stars; I liked the stories that they told. âWhy do you hate your freckles?â I asked her one afternoon as we sprawled across her deep purple bed spread, our school notebooks open in front of us being largely ignored. Marianne only shrugged, and then turned to me and asked, âWhy do you hate your dadâs car?â I wasnât sure what to say to her. I drummed the eraser of my pencil a few times against the striped page of my notebook. It wasnât because I was claustrophobic; it wasnât because I got carsick. Maybe I should have told her one of those things as a reason anyway â the real reason felt deep and dark and secretive, and I was never really able to put my finger on why. âThatâs where we stay.â I said, reaching up and scratching the back of my neck, feeling flakes of dry skin come up beneath my stubby, bitten fingernails. Marianne stared at me for a moment, her thick dark eyebrows furrowing over her hazy green eyes as she processed what I had said. âWhat do you mean?â She asked. It was my turn to shrug, âThatâs where we spend most of our time. Weâre not really ever in one place for very long.â It stung to say out loud, and I realized that it was the first time I had ever done so, at least to anyone that wasnât my dad or my brother, Archie. I stopped trying to talk to my dad about it a long time ago; he went selectively deaf when the subject was brought up. Marianne sat up, tucking the number-two pencil that she had been holding behind her left ear. She frowned. âYou live in your dadâs car?â âNo!â I protested immediately, my voice sharp like the perforated edge of a holly berry leaf or a plastic knife one might find in a school cafeteria. I hadnât meant to snap. âWe stay in motels and stuff⌠Motel 8âs and things like that. Never anything classy or expensive. We skip around from town to town.â âAnd thatâs why you said that you didnât want me to come over to your house?â Marianne had an expression on her face that I wasnât sure how to decipher â relief? Pity? Embarrassment? I couldnât blame her one bit if it were that last one. âThatâs why you said youâve been to so many schools, why you donât have a lot of friends?â I only shrugged my shoulders in response, so Marianne continued. âAre you like⌠poor?â âI dunno. Probably. Otherwise wouldnât we have a house, or like⌠an apartment or something?â I said, asking the question but not really expecting a response. It was a question that Iâd been asking myself for a long time, but I never expected to get an answer â apart from what I already knew. I knew that owning a vintage car was not cheap. I knew that my dad could pay for the gas it took to ferry us around from place to place. I knew that heâd had a new stereo system put into the car at some point. I knew that the leather seats inside were in pristine condition and received a rub down every now and again. That car smelled like cigarette smoke and stale pine air freshener that hung over the rearview mirror. I knew that even though my brother and I wore second-hand clothes and lived off of a diet of cheap junk food that my dad scrounged up from gas station food houses, that my dad could also afford to keep the paint job on that stupid impala in top-notch condition. What I didnât know was why â and I had long since given up on trying to figure it out. I must have gone quiet then, because Marianne reached out with one hand and touched my shoulder â I jumped. âDo you know how long youâre going to be in Tulsa?â I shook my head. I never knew how long I was going to be anywhere. Iâd been roused in the middle of the night before, and told to pack up and get in the car. So instead, Marianne asked something else. âDo you want to call your dad and ask if you can spend the night here?â âI donât have a cellphone.â I said. But Marianne only offered a little smile, fishing in her pocket for a moment before pulling out a small, pink flip phone. It was years out of date, I knew from TV commercials, but it was still more than Iâd ever had. My dad had some sort of pre-paid phone, but all the same I dialed the number. I didnât know what the answer would be, but at least I had a new question â and a new friend with constellations on her face that crinkled when she smiled. -- Alexandra Wimberley

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Beasts of Sleep, Pt. II
(i.)
Our story begins with a red shoe and a golden feather. A little girl in our forest wanders around, lost and confused. Next to her trots a golden griffin, and he has on an air of great superiority and importance. Griffins, as you may well know, are desperately proud creatures.
It stands to reason that some time into their walk, the griffin stopped and sat on his hind legs with a huff and bent to examine his talons.
âMust we wander about so, little thing?â he inquired, for this was what he called the young girl, and he had no desire to continue on their weary path. This young girl was quite tired herself, and her red shoes were heavy splattered with mud.
âWe must,â said the girl plainly, watching the griffin preen, itâs golden feathers catching the sunlight. âLady Day waits for no one, you and I included, and if we donât hasten she will leave us only to Lady Sleep, the woods, and the night.â
The griffin knew the girl was right, but in admitting so he would have to concede his own wrongness, which the griffin simply was not willing to do.
Instead, he changed the subject.
âThe poppy thickets grow thicker as we progress,â the griffin remarked.
âMore cause to quicken pace,â quipped the girl, âLest we be such unfortunate beasts forever made companions to Sleep.â
(ii.)
The garden of sleeping statues in the woods only grows and grows. Where once there was a girl with red shoes and a griffin with golden feathers, there is nothing more than cold stone encasements bound up with vines and poppies.
Death, Sleep, Day â all lurk here, sitting amidst the statues. But these three breathe: even Death has his place in life.
Beasts of sky and beasts of sea, let the poppies beckon thee let them lure you to your sleep no miles to go, but years to keep.
High up in the forest trees lurks the Nymph of these woods; golden wings sprout from her shoulder blades, and she crouches in the leaves. In her hands she holds a dove, its neck snapped, its body limp â and just about to feast was she when down below she did see the stony griffin, cold.
(iii.)
Now our golden winged nymph was a cousin to the griffin, and she was quite surprised to see him standing in the stony graveyard. With half a dove hanging from her beautiful, terrible lips, she called through the woods for Death and for Sleep.
âWhy have you trapped my fair cousin here amidst your mortal creatures?â demanded she of the wooded grove.
And Death spoke first: âYour griffin may lack the mundane, but immortal he is not.â
Then Sleep spoke, the midnight chime of a clock in her voice, âAll must sleep and all must die. Take comfort that he is not alone.â
But the Nymph was not sated.
âNot all,â she protested, but Sleep smiled her knowing smile and gestured to the dead dove bloodying the Nymphâs mouth.
âAs that dove is to you â small, mortal, fragile thing â meant only for your play and feasting, so you are to us,â said Sleep, then left the Nymph to ponder awhile.
(iv.)
And she rose from the ashes, and they called her Victory. âSuhâlin dâeldin, shir,â Such was the birth of the Nymph with her gelded wings and flashing talons.
Born amidst ash and smoke, she ripped her shadow from the ground with her claws and soared with outstretched wings over the world. She is the Night flown in on golden wings.
To think that she of all creatures could not be immune to the charms of Death was as unsettling as it was preposterous. She cleaned her feathers from the splatter of blood she had earned whilst hunting, a badge of skill.
The poppies excreted their ornate scent, and she laid down on her tree branch with a yawn. If I can succumb to Sleep, why not Death? -- Alexandra Wimberley
Beasts of Sleep, Pt. I
   Beasts of marrow and gristle lurk in the poppy strewn woods. The petals unfurl to reveal their golden hearts; they pump out bloodied petals for all to see. Some are trampled by hooves and feet. Others are torn by talons.
It doesnât really matter.
The damaged are only found on the outermost ring. No one makes it to the center field. Poppies excrete with their bleeding hearts, and the odor draws beasts close to the forest floor.
âJust a while,â they may think, âIâll rest my eyes just for a while,â they try to reason. They were the first, but not the last, and after they lay amidst the unmoving army, they did not rise again.
Sleep awhile, you beasts of marrow and gristle. Be reconciled in slumber. Tomorrow is not yet kinder. But be reconciled in slumber: tomorrow will come.
Beasts of sky and beasts of sea, let the poppies beckon thee; let them draw thee to the woods where all beasts may be free.
Itâs known in every corner of existence that all yield to sleep, and halt at death. But not all can seem to agree on what forms they take.
âSleep is a creature as tall as a man, with the head and horns of a sheep,â Some whisper, and when children overhear, their minds flock to thoughts of bogeymen. Nachtmares. But the truth is that bogeymen are a different breed entirely, an off-branch of sleep that lurks beneath ones mattress and feasts on bed-bugs.
But nor are adults wholly correct, either.
Sleep is a maiden with poppies in her hair, who treads softly as if on an ever reaching bed of pine needles. She is the sound of your motherâs shushing, a night wind whistling through her teeth. Death is an old man with skin so loose that it practically hangs off of his bones. His teeth chatter or grind, and the skulls of birds are threaded through his beard.
They are the products of birth and time, of sunrise and itâs inevitable shadows, the penumbra in which reconciliation is found.
Sleep carries you in her arms, and youâre only half aware that she is even there. Your vague awareness swims through your consciousness in the form of images. Dreams are the minions of sleep and her red-flowerâd hair.
Death is far ahead, or perhaps behind, it is unclear. He is shrouded in fog.
But it is Day that awaits you, in all her glory, with lilies in her hair. Her glow is wide and warm in a way that Sleepâs is not. She is possibility rather than resolve. Her arms spread, and Sleep slips you into her grasp.
Those vague images leave you in favor of light, gold like honey and warm like skin. No more red flowers, not for now. Day stands you up and sends you on your way. Youâre unsteady on your feet, but you walk anyway. The Day is long, her light seems to stretch for miles and miles â but you walk all the same. She holds your hand even when you stumble or trip, and when your knees give way she picks you up again. -- Alexandra Wimberley
She Liked to Talk
She spoke, once. It was a long time ago, wrinkles and age spots and a magnificent oak tree that was significantly shorter than it is today. There was a tire swing there, once. She loved to talk, once. About the weather, or the news, what she had for breakfast on that morning (bacon and eggs). Breakfast was huge. Sheâd talk about everything, once. But then her face went a bit slack, and her mouth began to droop, and all her words were stuck to the roof of her mouth. She tried to swallow them and choked. She couldnât talk anymore. Not about the weather or the news, or what she had for breakfast today (a quarter of grapefruit). Breakfast wasnât much. And it always makes me sad. -- Alexandra Wimberley
My Foot Lives in My Mouth
My foot lives in my mouth. Or maybe it vacations there, I really couldnât say. All I know for sure is that it sure gets in the way. It fills up the whole space and makes it hard to speak, until my words are cotton balls and my teeth begin to creak. The words that dribble from my mouth put me in a dentists chair, with fluoride dripping down my chin and make me wish that I werenât there. So I am sorry for my words and their clumsy tendencies, but my foot lives in my mouth and is not easy to please. If it plans on moving out? Well, I really couldnât say. All I know for sure is that it sure gets in the way. -- Alexandra Wimberley
The Sky in My Belly
I swallowed the solar system. The whole thing, in one gulp. Nine planets, and not one of them tasted like any of the others. Saturnâs rings got stuck between my teeth; Neptune was like spearmint gum and a swallow of ice water. Pluto was a grape lollipop (But if they had it their way, he would not be here at all.) Venus was a five course meal with roses and chocolates. Mars was the coffee from the next dayâs Walk-of-Shame. Mercury was the apple pie that hadnât cooled down; I scorched my tongue on it. Jupiter got stuck on the way down â it gave me heartburn. Uranus was pure salt. But Earth? Earth was the taste of mud, petrichor: dust in the rain. -- Alexandra Wimberley

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Tired
âIâm tired.â
But that is not enough: it does not say enough. Tiredness never does. It is the sting of salt dried on the rims of my eyes. It is the ache of elaborate braids in the muscles of my back â intricately knotted fish tails, caught in a fishermanâs net. It is the bubble of air rising in my chest and pushing itâs way out of my mouth â a soldier of a yawn with an army on the rise behind it. It is knowing the duty I have to the slabs of bone protruding from my gums, but feeling too heavy and too light to service them.
-- A.W.
Someone is Walking in My Woods
Someone is walking in my woods. Who? Death on a pale horse. Does hell follow with him? (Would I know if it did?) Does he leave any trace? Hoof prints burned upon the ground. The Earth is singed and scarred. (As it has always been by death.) Is it a wolf, perhaps? Volchitsa, blood on her maw flecks of snow on her coat (Gold eyes, predators eyes.) Maybe spirits lurk here; Dante, Virgil, Orpheus, Eurydice. Or maybe I am the spirit (Would I know if I was?) -- Alexandra Wimberley
Harry Potter and the Explosion of Suitcase Viscera
My parentsâ bedroom was a jumble of half-unpacked luggage, dirty laundry hanging from unlikely places, and shiny green plastic bags labeled Harrods. It was 1998, I was five years old, and my mother had just come back from London that morning, where she had been on vacation with my Uncle Bill. Jet lag had not been kind. All day, she had been dozing off in the armchair, repeatedly admonishing my three-year-old brother, Zach, and me with a drowsy, âIâm not sleeping!â whenever we would nudge her to wake her up. When evening came around, Iâm sure that there was nothing that my mother wanted to do more than crawl into bed and go to sleep. But it had been two weeks since Zach and I had heard a proper bedtime story; my dad read to us, but he wasnât Mom. He didnât do the silly voices like she did. So my brother and I opened my parents bedroom door a portion of the way, peeking our noses in through the sliver and surreptitiously (or at least, as surreptitiously as a five-year-old and a three-year-old can manage) spied upon my mother. She wasnât asleep yet. Now that the time had come that it was appropriate for bed, her sleepiness seemed to have abandoned her: Mom was sitting on her side of the great mahogany king sized bed, the deep vermillion duvet cover pulled over her legs as she sipped from a glass of red wine. My parentsâ bedroom was never particularly tidy, but today it looked as if a suitcase had birthed some sort of great clothing monster⌠or perhaps, it had exploded, and the clothes that were all over the room were the leftover viscera. My mother took a moment to notice the two of us in the doorway, owing to a billowy blue dress hanging over the bedpost at the foot of her side of the bed - the opposite bedpost housed similar clothing items, but the post itself had broken cleanly in half from where my brother and I liked to swing around on it. My brother, for his part, was not at all patient. On chubby legs, he went toddling toward the bed, looking up at my mother with a goofy grin on his face. His eyes were big and brown, and his ears were even bigger. Mom started to chuckle, and sat her glass of wine down on her nightstand amongst bottles of various crimson nail polishes and tissues blotted with assorted shades of lipstick. I, too, gave up any pretense of lurking at the door, and followed after my brother into the room. At five, I was bigger, and perfectly able to hoist myself up onto my motherâs bed in a way similar to how one might climb out of a swimming pool. Once I was up, I turned around on my hands and knees so that I could lean down and pull Zach up as well. He had been trying in vain to mimic the movement that I had just so easily accomplished. In the midst of all of this, my mother had leaned over to reach between the bed and her nightstand, pulling up one of the green Harrods bags. She reached inside, and with a flourish pulled out a chapter book that I would never be able to forget: Harry Potter and the Philosopherâs Stone, by J.K. Rowling. It was the UK edition of the book, philosopher, not sorcerer, and the cover art was one of the most beautiful things Iâd seen: the title was emblazoned in golden letters on a crimson header, and beneath of it was that not-quite-yet famous scarlet steam engine, the Hogwarts Express. Harry stood just in front of it, an expression on his face somewhere between surprise and confusion. My brother settled onto my motherâs left side, and I on her right, and she opened the book and began to read to us. That book sang. If music were something tangible, something that I could run my fingers along the spine of, it would feel like the pages of that book every time I thumbed through it. I wish I thought there were adequate words enough to really describe the feeling. The closest word, ironically, is magic. And the thing is? That feeling never really goes away. I was part of the generation that grew up as Harry grew up: we went to school together, so to speak, and we never really grew apart with time the way that some friends do. The thought wasnât conscious at the time, or if it was, I couldnât make a great deal of sense of it. But I can pin point that night as the exact moment that I decided I wanted to become a writer. I wanted to be able to evoke that kind of feeling in people, the feeling that anything is possible, even something as far fetched as a half-giant breaking down your front door on your eleventh birthday to summarily inform you that youâre a wizard. I still want people to feel that way. I want them to be able to escape into a fantasy that is, perhaps in some ways, kinder than our reality. Or at the very least, more interesting. I wanted to write and make characters of my own, characters that I would love and that other people would relate to. I even wanted to write characters that other people loved to hate; I wanted to write the Lord Voldemorts, the Bellatrix Lestranges, and the Dolores Umbridges. That first desire emerged in my motherâs bedroom that evening, sunk into her feather down pillows and breathing in the scent of sandalwood perfume. -- Alexandra Wimberley
Wrath of Persephone
What is more dangerous than a young woman who knows her own mind? Nothing. He held his hand out to me, skin like marble, constellations etched into his open palm, galaxies cradling a handful of pomegranate seeds. They were planets. Gems. They were rubies. And yet, mortal men insist that I was deceived. Poor Persephone, they seem to think. But mortal men are mortal fools. I wasnât taken, I didnât scream. I let the soil swallow me. I walked beneath the shadowâs swell, and gained dominion over earth and hell. But still they seem to want to say that I was taken, was snatched away. Is it truly so hard to conceive that I have a voice? Is that so hard to believe? They say my name as if it should be shielded, some fragile thing. I took those glistening crimson seeds, planted them inside of me, chose to let them put down roots, then sat upon a throne of bones. Flowers grow between the cracks, and laughing skulls watch on. Iâm death, and you would do well to remember that my very name means, she who destroys the light. It is threaded through the clouds, a silver lining, a crown to rest upon my brow.
-- Alexandra Wimberley
zodiac poem
aries do not sit. you are done with sitting, and waiting, and watching. stand up. agree. refuse. speak. shout. claw your way into doing something you believe in.
taurus when you are stretched thin and you can feel yourself tearing at the edges, remember: you are not paper. you wield excalibur.
gemini you are not your archetype. you are not carved into stone. you are older, more ancient, a screaming, shrieking metamorphosis.
cancer you hold so tightly that you leave behind bruises with your fingerprints. keep holding on, but loosen your grip; hold as if holding a childâs hand.
leo there is dirt under your fingernails. it is good you work hard, and feel the soil on your skin. but it is time to rest: wash the earth from your hands and start again.
virgo be not silent. let the quiet fill you up. when you have inhaled that nothing, let it out. be not silent. fill the void with the sound of your voice.
libra you are the epicenter, the tip of godâs finger; you are the atoms that define and the molecules that expand. breathe it all in.
scorpio there is more power in your little finger than there is in that crown. wear it, if you wish. be vain. love yourself with your whole self. but the power is in you.
sagittarius when you walk, you leave footprints, even when you walk alone; itâs so we can find you, when you decide you want to be found. even lone wolves howl at the moon.
capricorn you are a work of art so bold and so brilliant, so strange and wild and queer, that the walls of no museum are fit to house you. so let your spirit flitter on the air instead.
aquarius the lines on the palm of your hand are truly a map, whether you read them or follow them entirely up to you. even more beautiful is when you hold someone elseâs hand, and two atlases meet.
pisces youâre the whisper of a stream as it trickles over stones; you flow, you twist, you curve, but you make it from one end to the other, unbroken and in one piece. -- Alexandra Wimberley

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