[Sub Story] Izumi Sena - Leisurely Self-bondage
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pixel skylines
Monterey Bay Aquarium
cherry valley forever
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let's talk about Bridgerton tea, my ask is open

Love Begins
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@akitsu-kun
[Sub Story] Izumi Sena - Leisurely Self-bondage
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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Musical Guidance Tsukinaga-Style ā (Leo Idol Story)
Author:Ā Chitose Umeda
Characters:Ā Leo, Tomoya
āThrough Shiroās blank slate of a voice, I can picture various landscapes and melodiesā¦āā
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only finding out now that the dearvoca artbook release was pushed back to sept i was like wow i shd jump bc the book im so excited to get prob got lost in the mail since its supposed to come late july
ćSummer Breeze!ć Sunshine Shimmering in a Foreign Land
Description:
Leo says he has fallen into a slump and can no longer write songs. He complained that it was all due to working too much and that he wanted a summer vacation.
Episode List:
Prologue - Episode 1 - Episode 2
Episode 3 - Episode 4 - Episode 5
Episode 6 - Episode 7 - Episode 8
Episode 9 - Episode 10 - Epilogue
Story Details:
Story: "Summer Breeze!" [Sunshine Shimmering in a Foreign Land]
Story by: ćć¼ć¾ć
Collaborator: ę„ę„ę„
Season: Summer
Main Characters: Leo, Tsukasa, Izumi, Ritsu, Arashi
Side Characters: Souma, Adonis, Tsumugi, Eichi, Anzu, Kuro, Akiomi
Reminder: I did not create this story, but I translated it, so please refrain from reposting my translation on other social media platforms.
I apologize if there are any mistakes as well.
{ Enjoy reading! Translated by machi }

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at home
⦠. ćāŗ ć . ⦠. ćāŗ ć . ā¦
welcome to my home
1 2 3 4 5 6 7 8 9 10
⦠. ćāŗ ć . ⦠. ćāŗ ć . ā¦
*at home (ć¢ćććć¼ć ) is actually a wasei-eigo adjective meaning "cozy", in the homely sense.
tysm for tl-ing one of the dearvo survival war tracks!! <3
your welcome!! š„¹šš although my tl might not be the best i hope that it'll at least help dearvoca fans roughly understand whats happening in the voice drama
Coming out to nii-san
time to stop being lazy and continue trying to translate lol
ā Letters from Vladimir Mayakovsky to Lili Brik, 1915-1930

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i'm tired of no one knowing dear vocalist so here's an unhelpful guide: dear vocalist edition šš¤²š»
this is very music-centered tho, if you wanna know more about the main characters + tls and links here's a carrd made by kensakoda on twitter!
MiniDura #11
TORIS NEW CARD SDAAAASDJAKSDJASLKDJSALKJASDLASD
What if Ticket Taker was Being Petty?
What if TT putting his hands on us wasnāt a power move on just us but also to Pierrot? Maybe it was also a petty display meant to āget backā at Pierrot for how he behaved earlier that day.
This observation came from a convo I was having with my mutual @flysoji!
If youāve seen my previous theories, you know that I strongly believe that Ticket Taker closely parallels the Pantalone stock character from Commedia dellāarte. A hallmark of Pantaloneās personality is his pettiness and grudges.
Ticket Taker is a dominate-coded character. Physical contact plays a significant role in establishing power dynamics with characters like him, often serving to signal hierarchy or assert authority. Touching is intentional with him. Itās not overdone, but purposeful. Also notice how (in his tent) he makes contact from behind, where weāre most vulnerable and he is unseen in the shadows.
Considering that TT values hierarchy, I imagine he also values the troupeās hierarchy and sees himself high up in its class. Pierrot would be below him in that ranking.
Earlier that day, Pierrot committed what Ticket Taker could have seen as three offenses:
1. Speaking
2. Attempting to deceive
3. Touching with the intention of restraint
Later in Ticket Takerās tent, Pierrot cracks one of the mirrors. Likely being a fourth offense.
Weāre the first person Pierrot has ever given his ticket to, and in doing so, he has essentially marked us as his.
What better way to assert some level of authority and retaliation than by touching whatās his but in your domain? Right in front of him?
But Ticket Taker canāt hurt us. I assume itās because our red ticket protects us (at least from physical harm). But remember that TT doesnāt need to physically inflict pain to be effective.
I think TT was also petty in another way but this one takes a bit of reading between the lines. Itās when he mentions that āhe doesnāt bite.ā
When Ticket Taker says āWhat an impressive trick,ā heās likely saying it in a sassy, mocking tone due to the italics. Or at least SOME kind of emphasis.
He also says āI donāt biteā in italics so he may be emphasizing it in a mocking tone also.
At this point heās well aware of Pierrotās presence in the tent. Even if we choose to obey him, TT already assumes that weāve been to each mirror when we go to his (which, again, lets him know that at least Pierrot is lurking. He still broke the mirror).
Just as with Pierrotās, however, Ticket Taker assumes that weāve also seen Harlequinās mirror, whose reflection he makes bite us.
Like he did to her.
This is also where I can see TT holding some sort of grudge towards Harlequin.
But regardless of whether Harlequin is in Ticket Takerās tent with us or not (which depends on if we show even a little interest in him), this assumption is likely still made and referenced.
The reason I mention these points is that Ticket Taker might be making a jab at Pierrot, Harlequin, or both when he says āI donāt bite.ā
Because, they do.
With that line, I interpret Ticket Taker basically saying:
āIām not like HIM. I donāt bite like HE does.ā
OR
āIām not like THEM. I donāt bite like THEY do.ā
Because you canāt have one without the other.
Which is a petty jab when he knows that Pierrot is right behind him.
UPDATE: Iāve seen many people mention how TT was the one to first offer us his ticket. And if we fancy Pierrot he takes TTās ticket and does a magic act to instead give us his instead. That could be another reason why heās being petty lol, we were his first.

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å ØęÆęŗēæ»
This was a kind of sweet dashboard coincidence.