+ more photos

🩵 avery cochrane 🩵
EXPECTATIONS
Mike Driver

tannertan36

Origami Around

shark vs the universe

bliss lane
Cosmic Funnies
🪼
Today's Document
One Nice Bug Per Day
Lint Roller? I Barely Know Her
KIROKAZE
d e v o n
"I'm Dorothy Gale from Kansas"
Interview Vampire Daily
macklin celebrini has autism
seen from United Kingdom
seen from TĂĽrkiye

seen from United States
seen from Argentina

seen from United States
seen from France

seen from Peru

seen from Malaysia

seen from Czechia

seen from Japan

seen from Singapore
seen from United States

seen from Sweden
seen from South Africa
seen from United States
seen from Vietnam

seen from Iraq
seen from Bangladesh

seen from Singapore

seen from TĂĽrkiye
@aitchplus-blog
+ more photos

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
MaterialsÂ
In this materials workshop with Martin Conreen, we were asked to do “materials speed-dating”, in groups we passed a box full of mystery objects around, chose one, then described what we would do on a date with it. We also had to figure out the theme of each box.
In order, the objects are silly putty, what we thought was asphalt (smelt like rubber) and fish scale material.Â
The asphalt was actually crumblings of a mummified body, used years ago by art students for mixing paints. I guess smelling a dead body is something I can cross off my bucket list?
This workshop was great as I think that it made me question materials more now, instead of thinking “oh that’s quite pretty” I question the object. I like that each material has a backstory to it, especially the unusual ones. Also, this is probably the best periodic table I’ve ever seen.
Current Affairs
Initially I found articles on parasites in society and came up with a set of questions. However I didn’t think there was much depth to these questions, so I went back to newspapers. I found lots of articles encouraging readers to embrace emerging technologies, and lots of information on self diagnosis and self help against illness. I think these bits of information are like traces of transhumanism in ordinary life, in a very everyday object. My new questions are:
-Â How can a person become Wolverine?
- How can a mutant’s abilities be possessed by a human?
- Where did the idea of mutants with super powers begin (in stories and history)?
- What do you consider to be a quality which surpasses human limits today (a super power)?
“The Limits of Humanity”
Honestly, a robot today could probably do these things.
Trailer for “Her”, a film starring Joaquin Phoenix and Scarlett Johansson, is about a man falling in love with an AI. I think (as seen from the trailer, I’m going to try and see this asap) that the way the artificial intelligence is portrayed is very human; it has subtle emotions, it interacts beautifully and it wants to experience what we as “alive” beings, experience.
If this were to happen in reality, I can see a lot of people engaging in meaningful emotional relationships with artificial intelligence. Perhaps people would be less lonely.
This movie has a lot of potential to be amazing. It’s like the other (hopeful) side of Black Mirror.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Codex Seraphinianus (originally published in 1981) is an encyclopaedia compiled of many beautiful imaginary illustrations and notes written in an illegible language, made by Luigi Serafini, an Italian designer, architect and artist. The book was created from 1976 to 1978.Â
The beings drawn in the book are surreal imaginings of objects which exist in reality, such as plants, people, science, animals and tools. Everyday things such as a croissant or a hippopotamus are transformed with their own physics and mysteries.
Having no explanations to go with each illustration allows the reader to form their own thoughts and translations of what each image means, which is quite nice in itself as you cannot just take the artist’s opinion on what it is: you are forced to think of your own interpretation.
I love the idea that this encyclopaedia could be someone’s life’s work, their magnum opus, of how they see the world. I make begin to make my own from my thoughts on every day objects, as a personal project. Anything is possible in your own encyclopaedia of everything.
This is a promo set up for the movie Carrie, but it shows the real life reactions of people faced with a person with telekinesis. Every member of the public in there actually thought it was real, amazingly.
With the project “Conflict: Rejection/Attraction I & II”, designer Olga Noronha wanted to make the undesirable desirable, the ugly beautiful. She focussed on making medical instruments into fine jewellery, for example the medical syringe, gold staples, the corset-like casts and the jewelled walking stick.
Going beyond the outer medical objects, she created diamond encrusted and engraved hip prosthetics, gold dentures and precious metal clavicle plates.
I liked this work because it seemed to me that if you were going to seek surgery, you would spend a lot of money on it and you would expect to get the best medical care possible. Whether this involves prosthetics constructed from precious metals, I do not know, but it’s funny that you can get white gold dentures.
By making a hip prosthetic more visually appealing, would you be more likely to want one in the future? How would you feel with a beautiful object inside your body?Â
To me, it seems quite garish and mocks people who love to stick diamantes on everything, like a medical version of a vajazzle. By making the pieces beautiful with gold and diamonds, the reason of why they look like this, makes our desire to have beautiful things seem very ugly.
This set of handmade rings, named “Foreign Bodies" by Olga Noronha, are all unique and beautiful. Each was "shaped in the hands of the artist" including her finger prints and fitted to her exact size. Each ring is very natural and human in that they are not exactly perfectly made, but they all tell a story.
Although the rings perfectly fit Noronha, they are considered “foreign bodies” as they are “beyond the body”. Does this categorisation mean that all jewellery can be classed as a “foreign body”?
A foreign body is usually an object accidentally put into the human body, such as a parasite, particle of dust or a splinter. It would depend on the nature of the jewellery, perhaps such as a microdermal to a piercing, but jewellery can indeed be seen as a “foreign body”.
At the V&A during the London Design Festival, I discovered the project Parasitic Products by Patrick Stevenson Keating.
Inspired by the ultimate parasitic product, the radio, Keating created several objects, which in turn cleverly feed off the parasitic objects of our age, wifi connections and iPhones.
I am interested in the research begun with parasites affecting insects and plants. Maybe I should look into the behaviour of parasites within the human body. Making things which sustain or poison the body sounds very interesting.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
This is gross to many, but this is a piece of my skin. I’m fascinated by the nature of skin. It grows like a plant, it ages, it self heals to a limited extent, layer upon layer it is a barrier to infection and foreign bodies. It needs to drink sometimes and we smother it with lotions and potions to make it feel okay again. It is our largest organ and we take it for granted most of the time. Synthetic skin has been developed to some degree but it will never be the same as this remarkable organ that protects us.
I do find it an annoyance that people find skin disgusting, since we grow it constantly. We obsess and look after our skin until it’s off us, and suddenly it’s awful because it’s not part of us anymore.
About two weeks ago I went to Designersblock during London Design Festival to have a look at the Fifth Element exhibition. This piece really stood out as it was colourful and different; “I don’t think you’re ready for this jelly” by Caz Slattery, as part of the Jiggling Atoms collective.
If you touched the jelly with a spoon it would sound a note, so you could compose a short combination of notes by jiggling jelly. It kind of made me visualise the jelly as a particle, and the spoon as a knock on effect on the particle, with the sound being the resultant. I thought it was a really fun interactive piece.
At TREE|HUB designed by Werk Studio, I attended a talk by Clara Gaggero of Vitamins, on the topic of Wearable Technology.
During this talk/workshop I learnt these important things:
- the first example of wearable technology was the Abacus ring (which you can still order online today) - very basic technology but it is pretty much a calculator on your hand
- wearable technology can be more than just say, jewellery. It can be the vehicle you’re in, it can be the room you can occupying.
- about Vitamins' project Skin Display, which is on finding out who has messaged you by pressing your thumb to a raised section of the phone, and you look at your own hand to see the gist of the message and who has messaged you. This is quite nice in an organic way - you are more connected to the message in a way, as it is temporarily imprinted on your skin. It disassociates the message with technology and makes it more human again.
My contribution was a permanent breathable kind of skin flesh that would adhere to your feet, as I almost exclusively wear ankle boots and I can never find any socks when I need them.
These are a series of futuristic paintings of the Swedish landscape by Simon Stålenhag. I love how the only really unusual thing is the technology (or the dinosaurs), but much of it is almost normal to see now, maybe not in real life, but in video games and books. The painting with the towers is very similar to where I used to live, if the towers were replaced with the ICI towers it would be almost exact.
The painting with the robot and the children holding a gun, are they nonchalantly holding the gun to keep the robot at a distance, or are they toying with its emotions? The robot looks almost afraid of the children.
This painting in particular raises a lot of questions about technology once it is definitely incorporated into reality, will the technology be more scared of us than we are of it?
In the 1950s, an experiment was carried out on a housewife, where she was given LSD and asked questions about herself and what she was seeing.
"I’ve never seen such infinite beauty in my life"
"I wish that I could talk in technicolor"
"I can’t tell you about it. If you can’t see it then you’ll just never know it. I feel sorry for you."
"Me? There is no me." The most interesting thing about this experiment was her hypervision of her surroundings; we are all particles working with other particles. The idea of herself, the idea of the ego, and her view on others, was completely wiped. She was experiencing the entire universe just being one, herself absorbed into the wholeness.
Sometimes when I’m sitting on a bus or doing a boring everyday task I just think about what if we could see what we are made up of, somehow magnify our particles or something, and then maybe we would see that lots of things don’t matter and what matters is just being and experiencing.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
When I was a little girl I would watch X-Men the cartoon, even before I was aware of what was going on. I guess I was attracted by the music and bright music.
The X-Men are a group of mutant superheroes dreamed up by Stan Lee and Jack Kirby. They all had different super powers, for example mind power or physical strength or the ability of summon storms. They were either born a mutant or were made into one, sometimes by force.
My favourite X-Men was Wolverine. He had animal instincts, amazing physical strength and can heal incredibly fast. He also had adamantium bonded to his skeleton, allowing him to shoot razor sharp metal claws through his knuckles.
This was a cool way to think about transhumans - perhaps all the X-Men can be considered transhumans rather than mutants since they all have some ability which elevates them above the average human. Perhaps in the future there will be Wolverine style implants available. Mutant-like implanted magnets in fingertips have already begun to be a trend for health reasons or novelty.
How would you feel being a mutant and having super powers?
“Visualising Disease" is an exhibition of these illustrations from the 16th century to mid 19 century at Indiana University. It’s refreshing to be reminded that in the past, doctors and nurses had to deal with patients without the use of x-rays, scans or photographs. The only way to document past cases would be to write about it or draw it. The nature of these illustrations makes them very powerful, they are beautiful in some way and yet are a point of reference for illness, functional illustrations.
This surprise at past doctors having to make references from drawings of illnesses makes me aware of how much I take technology for granted in medicine.