The Prince of Egypt MBTI Profiles
Finally done! From a 2018 draft; notes and MBTI learning from 2016-2020.
Miriam: ENFJÂ (Fe-Ni-Se-Ti)
Judging functional axis: Extraverted Feeling/Introverted Thinking Fe-Ti
Miriam is a warm-hearted advocate; insightful, inspiring, and active. She wants to effect (and see others effect) positive change in the world. Forthcoming with her opinions and emotions, at times she can be a bit forceful with them, sometimes rolling over others, or not immediately considering their perspectives or feelings, in an effort to get her point across or get things done (Fe-Ti dynamic; can come across as an âI know bestâ kind of attitude, which to be fair Miriam pretty much does) â one example of this is the well scene with Moses.
As a function, Fe is focused on the external world and making people-factored decisions and judgments: Fe dominants especially are concerned with what others should and shouldnât be doing and with promoting cooperation (the higher any function is in someoneâs stack, the more natural influence and use â âdominanceâ â it has). At various points in the film, Miriam becomes disapproving and stern with Moses and Aaron, the latter when heâs confronting Moses with his critical outburst (âAaron. You shame yourself.â). This is perhaps a demonstration of Fe-Ti taking-a-stand and/or inferior Ti: Miriam swiftly taking Aaron to task for his doubting, disharmonizing words against Moses, overlooking their value/validity and his viewpoint. With Moses, as shown in both the well and mud pit scenes, she knows what his role is, encouraging and reminding him to act within it, connecting his responsibility to their people, and affirming his tie to them.
Miriam tends to speak in ways that appeal to human connections and welfare, as evinced by the sensitive speech she gives to Moses, in which she expresses the pain of her experience as a slave, and recounts Gdâs presence in his/their lives. She tends to put othersâ needs before her own, at the same time knowing how to defend herself and to trust her judgment, is loving and reassuring, and can rally people together through low and lofty times.
Perceiving functional axis: Introverted Intuition/Extraverted Sensing Ni-Se
When Moses returns to Egypt, Miriam seems to just know why heâs come back (knew he would come back, even), perhaps also from taking in his robes and other aspects of his physical appearance. Itâs comparable to when Moses first shows up in Goshen years before: She sees the broader implications of his homecoming, why he must be here at last. Her sight is forward-reaching and personally meaningful; a specific goal that she's determined and focused on, grounded by both her faith and observations of the world around her. She knows how things should/could be, how she wants them to be, and takes actions in the present to make those things a reality.
Miriam believes in othersâ â particularly Mosesâ â potential (âAnd you are, Moses. You are the deliverer.â), which is a further reflection of her Ni. Though able to reconcile and adapt to changes when they occur (Ni-Se being adjacent functions in an ENFJ), it is nonetheless indicative of an Ni-Se dynamic that Miriam becomes stressed during the well scene when current reality and facts â that Moses wasnât told who he is and hasnât returned to help them obtain freedom â donât match up with her beliefs/ideals or the underlying truth. She understandably protests this unexpected change, and canât/wonât let go of what she has put her hopes in, and been fortified by, for so long. She doesnât actually let go, but I think it does make her want to fight for these hopes more⌠and, in this scene and others, push Moses to achieve his promise.
Aaron: ISFJÂ (Si-Fe-Ti-Ne)
Perceiving functional axis: Introverted Sensing/Extraverted Intuition Si-Ne
Aaron is practical, reliable, protective of family and others; trusting of personal experience and wary of what is new or uncertain. Because these two naturally opposing functions, Si and Ne, are also located on opposite ends of an ISFJâs stack, resolving the tension between them is more difficult, and this is true for Aaron, whose own journey involves overcoming his fear and becoming more open to trust and faith, stepping out of his comfort zone.
Aaron tends to make concrete, habitually self-sacrificing, gestures and actions. He cares about others and their physical safety; it is Miriam he most clearly looks after, but this includes Tzipporah, Moses, and the Hebrew community (a camel, too). While Miriam is often the sibling on the front lines, and, after resisting the call at first, Moses eventually comes to accept his position as a leader, Aaron plays a more supportive role, and is the one whom the other two can count on in times of need.
When Moses returns to Egypt, Aaron immediately calls attention to how Moses behaved in the past, believing and perhaps also fearing that his younger brother hasnât changed. Si-doms reference meaningful past details to understand the present, noticing consistencies and inconsistencies. Itâs telling that Aaron hasnât let go of events from years ago, and that he draws a comparison between what happened and what is happening: the way Moses treated Miriam, and that he didnât care about slaves.
His inferior Ne manifests in his fearful, cautious attitude towards things that seem to him unfamiliar or unrealistic (such as Miriamâs beliefs about Moses), and in his inclination to expect all possible negative outcomes, which are based in his (objectively negative) known, prior experiences. One example is the well scene, but also the Nile to blood scene where Aaron despairs, rather realistically, that Pharaoh still has the power over their lives. (Iâve thought about whether heâs in an Ne-grip, or even a Ti-loop, for most of the film.) However, once he starts to experience with his own senses that freedom is attainable, tangible, he starts to trust these changes, challenging his established security and his courage by walking into the parted waters of the Red Sea.
Judging functional axis: Extraverted Feeling/Introverted Thinking Fe-Ti
While more reserved and even-tempered than Miriam, Aaron in general does not withhold how he feels, expressing his opinions, fears, anger, affection, joy. He is mindful of his and his peopleâs position within Egyptian-dominated society (certainly dominant Si-related too), to the point of affirming his, Miriamâs, and Mosesâ roles when Moses appears in Goshen â an attempt to mitigate their very tense interaction with perhaps a bit too accommodating desire for group harmony. Aaron makes decisions based on values and how people relate to one another. For example, during the same scene his plea to Moses is an emotional one; as in, Aaron is calling to Mosesâ mercy, trying to reach with Miriamâs appearance of illness some compassionate part of this threatening prince.
Aaron makes a similar, albeit angrier, appeal to Moses during the mud pit scene, this time rousing, whether he knows it or not, Mosesâ sense of guilt and morality, and asking when Moses started caring about slaves. (Iâve always felt like thereâs a resemblance between Aaronâs and Miriamâs scolding/âshamingâ styles.) While still speaking to concerns that affect people, Aaron is able to form analytical conclusions, checking logic and what âmakes senseâ (other illustrations: âIn fact, Moses, when did you start caring about slaves?â, and, âBut, Moses, didnât you see what happened? âŚâ). He uses his Fe-Ti to assert himself during the mud pit scene, a kind of âsounding offâ that shows that heâs reached the point where he wonât be silent any longer (it doesnât help that heâs had to sit on these emotions for years).
Moses: ISFPÂ (Fi-Se-Ni-Te)
Judging functional axis: Introverted Feeling/Extraverted Thinking Fi-Te
Sensitive and just, impulsive and good-natured, Moses typically acts and reflects upon a deep and personal(ized) sense of values, of âright and wrong.â He defends Rameses by taking responsibility for their mischief; he knows to feel remorse after heâs mistreated Tzipporah at the banquet. When Moses finds out the truth about his origins, he is appalled by Setiâs use of infanticide. With Tuya he asks, âIs this where you found me?â, again calling attention to the wrongness he feels. And of course, he takes a stand against oppression. Like Miriam and Aaron, Moses factors how people relate to one another into his decisions (all three siblings are Feelers, though Miriam and Aaron use Fe, not Fi).
Furthermore, Moses tends to share his strong feelings more privately; his one-to-one interactions with Rameses suggest this. Not only does âAll I Ever Wantedâ act as a mustering of personal conviction, âthis is who/what I am,â itâs also Mosesâ inner monologue wherein and whereafter he sits and processes his emotions on his own.
Moses is quick to internalize blame when things go wrong, which of course anyone can do, but in Mosesâ case this points to (especially dominant) Fiâs concern with upholding its integrity. Part of his running away from Egypt is spurred on by these blows to his sense of self/self-worth and morality. (Heâs troubled by his own ignorance and identity upheaval.) Under the guidance of Jethro and his people, Moses rediscovers and redefines his values, learning to see himself objectively â âThrough Heavenâs Eyesâ â as well as the dignity of every life. His encounter with Gd and conversations with Tzipporah and Rameses allow him to reckon with the fact that he truly must âlearn to join the danceâ and cannot remove himself from the world nor neglect doing what he knows is right. Itâs in his later confrontations with Rameses that heâs able to step up and express his values and wishes in a firm, organized way.
Perceiving functional axis: Extraverted Sensing/Introverted Intuition Se-Ni
As a teenager, Moses is a reckless seeker of sensory experiences, pursuing enjoyment in the here-and-now and competition alongside Rameses (âOh, come on. Whereâs your sense of fun?â). He follows Tzipporah out of intrigue â as well as a desire to make amends. His humiliating Tzipporah can be seen as not thinking about the impact of his whims. Even so, a healthier auxiliary Se shows in how heâs able to see the facts about himself and admit mistakes, in his adaptability, and, with maturity, in his unimpetuous playfulness. As an adult, Moses remains someone who doesnât much hesitate when he encounters something new: For example, he isnât entirely cautious when he catches the flickering light of the burning bush, though one can argue that heâs also drawn there spiritually. Another instance: Heâs happy to be hands-on in Midian, minus the dancing at first.
Although Mosesâ tertiary Ni surfaces in his ability to grasp the potentials that people and situations hold (âI know [Rameses] will live up to your expectations. He only needs the opportunity.â), Mosesâ sense of direction and of greater purpose are shaken after he becomes unsure of what good/worth he can contribute to the world. He âlosesâ himself in the present, to a free and joyful life in Midian. However, he regains his drive and sight of the larger picture, with the help of all the figures in his life â Jethro and Tzipporah, Gd, Miriam and Aaron, and Rameses â committing to the task given to him.