We shouldn't need accomplishments to feel good about ourselves. Self-esteem shouldn't be conditional.
"Calvin" (Calvin & Hobbes by Bill Watterson)
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We shouldn't need accomplishments to feel good about ourselves. Self-esteem shouldn't be conditional.
"Calvin" (Calvin & Hobbes by Bill Watterson)

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How much of a problem do you think it would be for an author to get agented and traditionally published if they have their own cover artist they really want to work with?
This is in the land of hypotheticals, but I am close with an extremely talented artist. One who has worked professionally and knows and understands how to make good covers in my genre. I'd really like this artist to do my cover. I get the feeling that going the tradpub route will make this pretty rough, but does it border on impossible?
The fact of the matter is, no publisher will make promises or decisions about cover artwork at the time of acquisition. Your cover might not even get discussed for six months or a year after you sign the contract. So they are just not going make the deal contingent on hiring this one artist for the cover a year from now.
Now, when your cover IS discussed, you can certainly suggest your friend for the cover art. And they might agree that this artwork would be perfect for the book and hire them! (I have had this happen many times, where an author really likes such-and-such an artist, and the publisher agrees and hires them. GREAT!)
However, if the publisher thinks a different cover direction would sell more copies, they will want to go in that direction. (And honestly, you should want that, too -- they have a lot more experience selling books than you do!)
Ultimately, while the publisher will usually consult with the author, and they want the author to be happy (or at least, not miserable) -- the final decision about the cover is the publishers, and you'll have to be OK with that, as it will be in your contract.
So if you are OK being flexible on that, perhaps there is a work-around. For example: The publisher decides they want a cover that is not really art-focused, but title-focused; that's what's in fashion right now for your genre, that's what people are gravitating to. Therefore, they don't hire your artist. That doesn't mean the artist can't do ANYTHING. Maybe YOU hire them to create special limited-edition artwork for fans, or to create artwork for your website, or special tarot card bookmarks you give away at events, or, or, whatever. Maybe the publisher hires them to make maps for the interior. Or, who knows what. There are all kinds of ways they might be involved besides just the cover.
But if the only way you will possibly be happy with your book is if this one cover artist makes the cover, and absolutely nothing else will do, you should just self-publish.
Working with professional illustrators before, during, and after book acquisition. Book-cover trends tend to make be a little ill, but alas, could be that I'm in the minority of readers who buy a book based on its description and not on what the shelf looks like.
"I like to think of genre categories as expanders, not constrictors, and Iâve always had a fondness for the stories that refuse to be contained, that insist on being horror and romance, or fantasy and literary, or suspense and satire."
V.E. Schwab ("V.E. Schwab's Desert Island Book is...", The New York Times)

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BookCon is a beloved event where the invisible boundary between authors and readers finally falls away, and everyone gets to share their mut
"Itâs no longer enough for authors to simply write their books."
-- Kit Aldridge
Book Review: 'Slayers' Collector's Edition #5
Slayers Volumes 13-15 Collector's Edition, Vol. 5 by Hajime Kanzaka, rui Araizumi, Elizabeth Ellis
adventure
fantasy
magecraft
magic
swords and sorcery
My rating: 4 of 5 stars
All good stories come to a turning point, which, if not possessing a proper ending, will surely contain moments therein that provide genuine delight. And so, SLAYERS Omnibus v5 pulls readers deeper into Lina and Gourry's demon-hunting mayhem.
This omnibus appears to wrap up the light novel series, and to that end, the results are horribly mixed. As the conclusion of the current story arc, SLAYERS Omnibus v5 is wildly entertaining; as the conclusion of the whole light novel series, SLAYERS Omnibus v5 is woefully anticlimactic and incomplete. However much the author felt it serviceable for readers to piece together their own extended tales of Lina and Gourry following the events of the current omnibus, so much goes left unsaid, untethered, and unaccounted for that it seems irrational, much less awkward, for the story to just . . . end.
Writing Notes: Dress Silhouettes
Dress Silhouette - the overall shape that a dress creates when it hangs on your bodyâin other words, itâs the outline of the dress rather than all the little details.
Types of Dress Silhouettes
Whether your wedding day is coming up, you want to start sewing your own clothes, or youâre just trying to experiment with new dress styles for your body shape, here are a few of the most popular types of dresses, plus a few fashion tips, to help you find (or make) the perfect dress:
A-line. First coined by fashion designer and stylist Christian Dior, A-line silhouettes are among the most popular dress types because they look great on almost every body shape. The A-line silhouette features a fitted bodice and flares out at the waist to form a triangle shape like a capital A. A-line silhouettes emphasize a defined waist and broader hips. A-line dresses can range in length from above-the-knee to full skirts (maxi). Occasionally, the term A-line may describe any dress that has a hem much wider than its shoulders, regardless of a fitted upper body, cinched waist, or corset-style top.
Ball gown. Ball gown silhouettes are similar to A-line dresses in that they have a fitted top and flared skirt, but they feature a much more dramatic flare. While A-line dresses usually rely on your hips to create the âAâ shape, ball gowns include additional embellishments to accentuate the shape further and create a much more dramatic fairytale silhouette. These embellishments include layers of fabric (like tulle) or even structural pieces (like hoops, ruffles, petticoats, or other undergarments).
Empire waist. Empire waist dresses are fitted through the bust but flare out immediately under the bustline, rather than at your natural waistline. This shapeâs effect is slimming; the cinch creates a high waist and a longer silhouette than if the dress cinched at your natural waist, elongates the wearerâs frameâgreat for petite women or women who want to draw attention away from their waist.
Sheath. Sheath dresses are form-fitting at every pointâfrom your neckline to your armholes to your hem. The sheath silhouette emphasizes your curves (especially useful for curvy or hourglass figures) and will often feature slits for freedom of movement.
Shift. Shift dresses flow from your shoulders, straight down along your body, with only slight differences between the measurements for bust, midsection, hips, and hem. Also known as column dresses, this silhouette is especially popular in the summertime because its boxy shape hangs off your body, giving your skin ample room to breathe in hot weather.
Mermaid. Mermaid dressesâmost common as wedding dress silhouettesâare form-fitting for most of the dress, then flare out at the knees to create a dramatic hourglass shape in the lower half, similar to a mermaid tail. The mermaid dress will typically feature a long zipper to help you get in and out of the dress. Also known as the trumpet dress, this silhouette emphasizes your curves and creates a dramatic statement. The exaggerated lower body can help balance out broad shoulders.
If youâre looking for the best silhouette to flatter your frame, simply decide your best features (whether youâre an apple shape, an inverted triangle, or an hourglass), and choose dresses that emphasize those features.
From gowns to evening dresses, different silhouettes aim to emphasize or flatter different body types or parts.
For instance, certain silhouettes (like A-line dresses or ball gowns) emphasize a small waist, while others (like shift or empire) draw attention away from the waist.
Source â More: Notes & References â Writing Resources PDFs
Silhouettes are helpful features of indirect environmental storytelling or of secondary facets of character description. Knowing the type of dress a certain character of a certain status is wearing might be important, but of greater importance, the author might be better served by balancing knowledge or description of the impression, shadow, or shape that same dress or evokes.
"Doing good is not enough [..] Charity seems to be about the redemption of the giver, when charity must be about the liberation of the receiver."
-- JosĂŠ AndrĂŠs (interview w/Trevor Noah)

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I don't play a lot of PC games, but I suppose somewhere on this planet there exists a theory of social psychology for which the games we play constitute a rather potent reflection of our stresses, our idiosyncrasies, our traumas, and our lives more broadly.
âMost childrenâs art exists to be destroyed.â
â Mary Townsend (âThrow Your Childrenâs Art Away,â The Atlantic, 2018)
I subscribe to Publisher's Marketplace and one thing stumps me. I've seen books that sound nice and readable but not particularly original get significant deals, and books with really unique and exciting concepts get much smaller deals. How does that happen?
The short one-line description of a book in Publisher's Marketplace is a tiny glimpse of what the book is about... but it is not a full picture of what the book IS.
Size of deal depends on many factors. Size of publisher, prior sales of author, potential audience, platform or other "marketing hooks" are all important factors beyond just what the book is about.
So, a book that sounds to you just "nice" might get a big deal because it is from a huge publisher and huge author, and/or what you think of as "not particularly original" might be, to the publisher, a kind of book that is proven to be widely appealing to a vast swath of the public.
A book that sounds to you "really unique" might be from a smaller publisher or lesser-known author, and/or what you see as "exciting" might be, to a publisher, a risky proposition in unknown territory.
Risk tolerance. Depends on the seller, depends on who they're selling to, and depends on what their expectations are for the sales territory into which the title might be sold.

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"History tells us it can always be worse."
-- Jonathan Panikoff (director of the Atlantic Councilâs Scowcroft Middle East Security Initiative and a former deputy national intelligence officer for the Near East at the U.S. National Intelligence Council)